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Yale University Press
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This book is a revised and fully updated guide to major objects in the collections at the Getty. This gorgeous new edition of The J Paul Getty Museum Handbook of the Collection features over 350 of the museum's most beloved objects. Updated to include numerous exciting new acquisitions-from the Gillion manuscript to Gauguin's Arii Matamoe (The Royal End), from J M W Turner's Modern Rome to Robert Mapplethorpe's famous Self Portrait-the handbook presents an overview of the Getty's world-renowned collections and provides a history of the museum and its famous founder. From treasures of the ancient world and medieval manuscripts to Renaissance drawings, French furniture, Impressionist paintings, iconic American photographs, and much more, the handbook offers an indispensable look at both the magnificently reimagined Getty Villa in Malibu and the dazzling Getty Center on a hilltop in Brentwood. Whether a regular visitor to the two sites or someone who hasn't yet made the trip, this richly illustrated and beautifully redesigned volume is a must-have for any art lover. |
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Hieronymus Bosch (1450-1516) lived and worked in 's-Hertogenbosch, the Netherlands, where he created enigmatic paintings and drawings full of bizarre creatures, phantasmagoric monsters, and terrifying nightmares. He also depicted detailed landscapes and found inspiration in fundamental moral concepts: seduction, sin, and judgment. This beautiful book accompanies the largest exhibition ever held on Bosch's work, and will feature important new research on his 25 known paintings and 20 drawings. The book, divided into six sections, covers the entirety of the artist's career. It discusses in detail Bosch's Pilgrimage of Life, Bosch and the Life of Christ, his role as a draughtsman, his depictions of saints, and The Garden of Earthly Delights, among other topics, and is handsomely illustrated by new photography undertaken by the Bosch Research and Conservation Project Team. |
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Fragile, gritty, and vital to an extraordinary degree, St. Petersburg is one of the world's most alluring cities-a place in which the past is at once ubiquitous and inescapably controversial. Yet outsiders are far more familiar with the city's pre-1917 and Second World War history than with its recent past. In this beautifully illustrated and highly original book, Catriona Kelly shows how creative engagement with the past has always been fundamental to St. Petersburg's residents. Weaving together oral history, personal observation, literary and artistic texts, journalism, and archival materials, she traces the at times paradoxical feelings of anxiety and pride that were inspired by living in the city, both when it was socialist Leningrad, and now. Ranging from rubbish dumps to promenades, from the city's glamorous center to its grimy outskirts, this ambitious book offers a compelling and always unexpected panorama of an extraordinary and elusive place. |
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Born in 1895 in a remote fishing village in Spain, Cristobal Balenciaga learned sewing and tailoring at his mother's knee. By 1937, the talented and persistent young man had opened his own design salon in Paris, and in the years following World War II, he emerged as a designer to be reckoned with in the world of haute couture. The House of Balenciaga grew to serve an international clientele from locations in Paris, Madrid, and Barcelona, and from 1937 to its closing in 1968 created some of the most outstanding and innovative examples of French and Spanish haute couture of the era. This beautifully illustrated book presents nearly 70 Balenciaga creations for day and evening, along with 25 hats, from the extraordinary archives of the Texas Fashion Collection of the University of North Texas. The book also includes striking fashion photographs from Vogue magazine and Harper's Bazaar by Richard Avedon and Louise Dahl-Wolfe. A series of essays explores many aspects of the designer's work, among them his contributions to fashion history; connections with such other prominent designers as Hubert de Givenchy and Oscar de la Renta; important relationships with Neiman Marcus and fashion buyer Bert de Winter in Dallas; and his close friend and client Claudia Heard de Osborne. |
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Eugene Delacroix (1789-1863), a dominant figure in 19th-century French art, was a complex and contradictory painter whose legacy is deep and enduring. This important, beautifully illustrated book considers Delacroix in his own time, alongside contemporaries such as Courbet, Fromentin, and the poet Charles Baudelaire, as well as his significant influence on successive generations of artists. Delacroix's paintings and his posthumously published Journals laid crucial groundwork for immediate successors including Cezanne, Degas, Manet, Monet, and Renoir. Later admirers including Seurat, Gauguin, Moreau, Redon, Van Gogh, and Matisse renewed the obsession with his work. Through essays and catalogue entries, the authors demonstrate how Delacroix became mentor and archetype to younger generations who sought direction for their own creative experiments, and found inspiration in Delacroix's brilliant use of color, audacious technique, and rebellious nature. |
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Denim is one of the world's favorite fabrics, and today it accounts for the largest segment of the clothing industry. The market for jeans alone is worth over 55 billion dollars. Experiments with denim by designers have helped to develop a vast vocabulary of denim styles beyond jeans that are now ingrained in fashion's lexicon. This handsome book explores the multifaceted history of denim and examines the continually evolving relationship between it and high fashion. Prized for its durability and strength, denim began as an ideal fabric for workwear, most famously in the clothing produced by Levi Strauss & Co. for fortune hunters during the 19th-century California gold rush. Over the past 160 years, however, film, television, and advertising have helped transform denim into a symbol of youth, rebellion, sex, and the ever-ephemeral quality of cool. The fashion industry has also played a large role in the expansion of denim into casual and couture clothing. The Denim Council, which formed in the U.S. in the 1950s, promoted denim to an ever-widening circle of customers through the framework of the fashion industry, most notably with presentations during New York fashion weeks. Featuring previously unpublished archival material from the Denim Council, an insightful text, and copious illustrations, this book offers a new perspective on denim's rapid rise from the 19th century to today. |
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One Hundred Details offers Kenneth Clark's personal choice of details of paintings in the National Gallery, London, and his responses to them. First published in 1938, when he was Director of the Gallery, Clark chose the pictures he liked best, in the hope that we will come to like them too. The details are arranged in pairs, enabling us to see analogies and contrasts between paintings that are rarely viewed together — a faun from Piero di Cosimo, a satyr from Rubens. The commentaries are Kenneth Clark at his best, ranging from a few lines to an entire history of still life between Giotto and Picasso. The easy style makes no attempt to conceal the breadth of the author's erudition: world history and world culture are taken at the gallop and with a smile. Clark insists that there are countless ways of enjoying paintings, provided we stop, look and think. He has picked the pictures to stop at; the details we should look at. His comments, wide in scope and broad in approach, suggest lines of thought so diverse that this book will strike a chord with every reader, whatever their interests. For this new edition of One Hundred Details, brand new reproductions from the National Gallery's state-of-the-art digital collection have been made. This is lovingly reworked re-issue of the landmark title by Kenneth Clark, still renowned for Civilisation. It offers stunning details from his favourite paintings with his trademark commentary bring the art to life. It offers an enjoyable introduction to art history, and a fresh way of looking at the paintings. |
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«What did the rulers of the Soviet Union truly think about each other? «Piggy Foxy and the Sword of Revolution» provides a window onto the soul of Bolshevism no other set of materials has ever offered. Sketching on notebook pages, official letterheads, and the margins of draft documents, prominent Soviet leaders in the 1920s and 1930s amused themselves and their colleagues with drawings of one another. Nearly 200 of these informal sketches, only recently uncovered in secret Soviet files are reproduced here. Funny, original, spontaneous, sometimes vicious or grotesque, the drawings and their accompanying notes reveal the relationships and mindsets of the Bolshevik bosses at the time of Stalin’s rise to power with blazing immediacy. The album’s editors select characteristic drawings by such prominent leaders as Nikolai Bukharin, who depicts himself as “piggy foxy”, Valery Mezhlauk, and Stalin himself, whose trademark blue pencil appears on several of the drawings. A number of sketches of unknown authorship are also included. The editors identify the political issues, events, and discussions that inspired the drawings, and they provide biographical information about the people who drew and were drawn. The book opens a rare window on Stalin’s inner circle, allowing us access to the powerful men who, despite living in a humorless epoch, developed a special humor of their own.» |
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On January 26, 1957, Richard Hamilton wrote a now-famous letter outlining his definition of what “Pop Art Is.” This volume celebrates the fiftieth anniversary of Hamilton’s prophetic document, presenting the works of more than forty artists from his own generation of Pop artists (among them Hamilton himself, Robert Rauschenberg, Jasper Johns, and Andy Warhol) and from artists of subsequent generations who have contributed to the development and dissemination of Pop Art (Jeff Koons, Richard Prince, Mike Kelley, Damien Hirst, and others). A text by Greil Marcus, a photographic essay by Louise Lawler, and an interview with Robert Venturi and Denise Scott Brown by Dan Graham are included in the book, which illuminates the powerful, international impact of Pop Art throughout the second half of the 20th century. Pop represented a sudden and dramatic expansion of often-contradictory possibilities, and for this reason and others the concept of Pop remains vital in contemporary art. |
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Alphonse Mucha (1860-1939) was one of the most important decorative artists working in Paris at the turn of the century. His distinctive and original posters and his decorative panels in le style Mucha became almost synonymous with French Art Nouveau. The admirer and iconographer of Sarah Bernhardt, he was also well known as the creator of familiar advertisements and as a book illustrator. Yet there was much more to Mucha's achievement than this. At the height of his career as a decorative artist, he became convinced that art should serve ideas, he became chief artistic and cultural adviser to the interwar Czech government, and he completed a major and controversial fresco cycle, the Slav Epic, as well as portraits and large symbolic paintings. This book — the first full-scale treatment of Mucha's oeuvre — includes discussions and reproductions of paintings, posters, panneaux decoratifs, pastels, drawings, and illustrations from throughout his career. In addition, the authors provide essays on Mucha's Paris years; his association with Sarah Bernhardt; the importance of American patronage on his later work; his graphic and painterly techniques; and the problems connected with the conservation of the large canvases. This lavishly illustrated book is the catalogue for an exhibition of Mucha's work that will tour the United States, beginning in San Diego in 1998. |
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Faberge, Tiffany, Lalique — these great designers came together only once to display their goods in what was probably the most opulent exhibition ever mounted. At the 1900 Exposition Universelle in Paris, the three strove to position themselves ahead of their many competitors in the luxury market, each presenting his jewelry and home adornments as high art. Their success is explored in this splendidly illustrated catalogue, which elucidates the prewar pinnacle of European culture.The array of displayed objects was mesmerizing: Tiffany glass, Easter eggs to dazzle the Czars, realistic insects created in precious materials as sinister decorations. Many of these bore influences of the advanced art of the time, such as Art Nouveau, Viennese modernism, and symbolism, and of styles from around the world.Four essays discuss the works in the context of their times, illuminate the high societies served by the three masters, and trace the cultural trends behind their extraordinary creations. A treasure of accompanying photographs shows the individual exhibits, scenes from the World's Fair, and the glitterati who wore the jewelry. |
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Shortly after the Bolshevik Revolution, Soviet Jewish theatres became catalysts for modernist experimentation. Working with avant-garde playwrights, actors and producers in a new political environment, artists such as Marc Chagall, Natan Altman, Robert Falk, and Aleksandr Tyshler combined Russian folk art with elements of Cubo-Futurism and Constructivism into a bold new style. This collaboration gave rise to extraordinary productions with highly original stage designs that redefined the concept of theatre itself. From the Jewish mythical and folkloric plays produced at Habima to the daring, expressionistic Yiddish dramas presented at the Moscow State Yiddish Theatre (GOSET), this beautifully illustrated book chronicles the flourishing of Soviet Jewish theatre in the 1920s and 1930s. Spanning such topics as Jewish culture and history in the Soviet Union, the volume includes stunning reproductions of Chagall's celebrated murals; fascinating archival materials such as posters, prints, and playbills; designs for costumes and sets; and many other breathtaking works. |
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In the aftermath of the Revolution, the French public turned to British history as a way of making sense of its recent past, and no French artist of the 19th century was more inspired by English subjects than Paul Delaroche. His monumental work The Execution of Lady Jane Grey was one of the most familiar and enduring images of his time, and remains today among the most popular paintings in the National Gallery. This authoritative book presents The Execution with other major history paintings and preparatory sketches that made Delaroche's reputation during his lifetime. It is complemented by an essay by the distinguished Tudor historian John Guy, who outlines the short life of Lady Jane Grey, Queen of England for nine days, and the development of her enduring mythical status as an innocent martyr. |
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Drawings by the great Italian Mannerist painter and poet Agnolo Bronzino (1503-1572) are extremely rare. This important and beautiful publication brings together for the first time nearly all of the sixty drawings attributed to this leading draftsman of the 16th century. Each drawing is illustrated in colour, discussed in detail, and shown with many comparative photographs. Bronzino's technical virtuosity as a draftsman and his mastery of anatomy and perspective are vividly apparent in each stroke of the chalk, pen, or brush. The younger generations of Florentine artists particularly admired Bronzino for his technical virtuosity as a painter, and Giorgio Vasari praised him for his powers as a disegnatore (designer and draftsman). |
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Paul Mellon (1906-1999) was an unparalleled collector of British art. His collection, now at Yale in the museum and study centre he founded to house it, rivals those in Britain's national museums and is unquestionably the most comprehensive representation of British art held outside of the United Kingdom. This book and the exhibition that it accompanies celebrate the centenary of his birth. Five introductory essays examine Paul Mellon's extraordinary collecting activity, as well as his role in creating both the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art in London as gifts to his alma mater (Yale 1929). A lavishly illustrated catalogue section showcases 150 of the most exquisite and important paintings, watercolours, drawings, prints, sculpture, rare books, and manuscript material in the Yale Center's collection, including major works by Thomas Gainsborough, Sir Joshua Reynolds, George Stubbs, John Constable, and J. W. M. Turner. |
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This beautiful book focuses on Laurelton Hall, Louis Comfort Tiffany's extraordinary country estate in Oyster Bay, Long Island, New York. Beginning in 1902, Tiffany (1848-1933) designed every aspect of the immense home, which had eighty-four rooms and eight levels, and extensive grounds into which the house was carefully integrated. Tiffany's residential masterpiece was also a quasi-museum, for he filled it with his own works — windows, glassware, pottery, enamels, lamps, oil paintings, and watercolours — as well as with objects from his collections of Islamic, Asian, and Native American art. Laurelton Hall burned down in 1957, but about ten years earlier most of its contents had been removed and sold. Every aspect of the estate is examined and re-created in this volume: its terraced gardens with fountains and pools; the many outbuildings; and Tiffany's life there. The interior decoration of Laurelton Hall, a particular focus of the book, is represented by both numerous period photographs and newly commissioned colour photography of surviving artworks and salvaged architectural components from the estate. For all who admire Tiffany and his work, this book presents a unique portrait of his remarkable home. |
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One of the most exciting fashion designers in the United States, Cuban-born Isabel Toledo has been honored with a National Design Award from the Cooper — Hewitt Museum and a Couture Council Award for Artistry of Fashion, given by The Museum at FIT. Yet her name and work are recognized only by fashion insiders. This ravishing book brings Toledo's creations to a wider audience, places them within the context of contemporary fashion, and examines her creative process. Interviewing Toledo, her husband (fashion illustrator Ruben Toledo), and other colleagues, clients, and critics, Valerie Steele gives an account of Toledo's career and explains that while she has been heralded by leading fashion magazines and featured in stores in New York and Europe, she has not had the long-term financial backing to break out of the niche market. Patricia Mears investigates the artistic and cultural influences on Toledo's work and analyzes her unusual methods of construction, noting that she designs in three dimensions in her mind and then begins working directly with fabric. Displaying garments Toledo has created since her first show in 1985, this book is a revelatory exploration of a fashion innovator in a mass-market industry. |
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Diego Rodriguez de Silva y Velazquez (1599-1660) was born in Seville, Spain, the oldest of six children. He has come to be recognised as one of the very greatest painters, with an extraordinary ability to observe and record visual experience, whether rendering genre paintings, history scenes or portraits. Velazquez's career can be characterised as a lifelong examination of the relationship of painting to nature, in which brushwork takes a leading role. As he developed, he realised ever-greater physical and psychological naturalism with progressively more pronounced and elegant brushstrokes, attaining miraculous effects of illusion with an astounding, abbreviated technique based on the implication rather than the elaboration of detail. This book explores Velazquez's almost universal popularity. Accompanying a major exhibition at the National Gallery, London, it contextualises the artist's work and discusses his influence. Manet famously called him 'the painter's painter', and this book seeks to explain how, and why, his minimalist, elegant compositions resonate so strongly with our Post-Impressionist sensibilities. Written by world-class Velazquez scholars, the book surveys the artist's entire career, from his studies in Seville and Italy to his final great works at the court of Philip IV. It includes a full catalogue and chronology. |
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