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Wordsworth
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Educated beyond her station, Grace Melbury returns to the woodland village of little Hintock and cannot marry her intended, Giles Winterborne. Her alternative choice proves disastrous, and in a moving tale that has vibrant characters, many humorous moments and genuine pathos coupled with tragic irony, Hardy eschews a happy ending. With characteristic derision, he exposes the cruel indifference of the archaic legal system off his day, and shows the tragic consequences of untimely adherence to futile social and religious proprieties. |
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«»...it is an universal phenomenon of our nature that the mournful, the fearful, even the horrible, allures with irresistible enchantment.» — Chaucer Burr, Memoir, 1850. «The Wordsworth Book of Horror Stories» is a superb collection of some of the greatest tales of the genre, many are classics while others are lesser-known gems unearthed from this vintage era of the supernatural. From time immemorial, man the world over has drawn upon the worst fears of his conscious and subconscious mind to furnish legends of terror. In this volume, authors such as M. R. James, Le Fanu, Henry James, Wilkie Collins, Charles Dickens, Bierce, Balzac, Gaskell, and many others invite you to close the curtains, lock the doors, draw the armchair closer to the blazing fire and settle down to a spine-chilling read.» |
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«Wuthering Heights» is a wild, passionate story of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine's father. After Mr Earnshaw's death, Heathcliff is bullied and humiliated by Catherine's brother Hindley and wrongly believing that his love for Catherine is not reciprocated, leaves Wuthering Heights, only to return years later as a wealthy and polished man. He proceeds to exact a terrible revenge for his former miseries. The action of the story is chaotic and unremittingly violent, but the accomplished handling of a complex structure, the evocative descriptions of the lonely moorland setting and the poetic grandeur of vision combine to make this unique novel a masterpiece of English literature.» |
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«The Hound of the Baskervilles» is the classic detective chiller. It features the world's greatest detective, Sherlock Holmes, in his most challenging case. The Baskerville family is haunted by a phantom beast 'with blazing eyes and dripping jaws' which roams the mist-enshrouded moors around the isolated Baskerville Hall on Dartmoor. Now the hound seems to be stalking young Sir Henry, the new master of the Baskerville estate. Is this devilish spectre the manifestation of the family curse? Or is Sir Henry the victim of a vile and scheming murderer? Only Sherlock Holmes can solve this devilish affair. «The Valley of Fear» is a dark, powerful tale, which provides the great detective with a most perplexing case and opens with a vile murder. 'Lying across his chest was a most curious weapon, a shotgun with the barrel sawn off in front of the triggers. It was clear that it had been fired at close range, and that he had received the whole charge in the face, blowing his head almost to pieces'. Sherlock Holmes' arch enemy, the criminal genius Professor Moriarty, is back! But the solution to the riddle, found after many surprising twists and high dramas, lies far away, half across the world in a location known as «The Valley of Fear». This is Conan Doyle's last Holmes novel and in the opinion of many of his fans, it is the best!» |
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- A re-telling of the classic Jonathan Swift story told for children growing in reading confidence and ability. — Gulliver sets off on the adventure of a lifetime – and meets miniature people, civil war and a price upon his head. Will he make it back in one piece? — Part of the Usborne Reading Programme developed with reading experts at the University of Roehampton. |
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«This title is edited by M.R. James. In 1888 Henry James wrote 'There was the customary novel by Mr Le Fanu for the bedside; the ideal reading in a country house for the hours after midnight'. «Madam Crowl's Ghost and Other Stories» are tales selected from Le Fanu's stories which mostly appeared in «The Dublin University» Magazine and other periodicals, and their haunting, sinister qualities still have an enormous appeal for the modern reader. The great M.R. James, who collected and introduces the stories in this book, considered that Le Fanu 'stands absolutely in the first rank as a writer of ghost stories.'» |
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The 22-year old James Boswell first met Johnson, who was then aged 54, in 1763. Nine years later he wrote in his journal of his ‘constant plan to write the life of Mr Johnson’. Boswell was tireless in his search for authenticated proof, and his training as a lawyer helped him sift the evidence of friends and to operate forensically on Johnson himself. Boswell drew him out as no one else could, and although three-quarters of the book concerns the last twenty years of Johnson’s life, his skill in constructing the early years is remarkable. The text of this complete and unabridged edition is that of the 1791 first edition, and it remains, by common consent, the greatest biography in the English language. Johnson’s centrality in 18th century letters is established not only by Boswell’s record of his life and conversations, but also by the success of the work in placing him in a literary and cultural context. James Boswell (1740-95) was educated at Edinburgh and Glasgow universities as a lawyer. He moved to London in 1760, and was by turns a libertine and a Puritan. Introduced by his friends Sheridan and Garrick, Boswell met Johnson in 1763, and discovered a life’s calling. |
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With an Introduction and Notes by Martin Scofield, University of Kent at Canterbury Henry James was arguably the greatest practitioner of what has been called the psychological ghost story. His stories explore the region which lies between the supernatural or straightforwardly marvellous and the darker areas of the human psyche. This edition includes all ten of his ghost stories, and as such is the fullest collection currently available. The stories range widely in tone and type. They include 'The Jolly Corner', a compelling story of psychological doubling; 'Owen Wingrave', which is also a subtle parable of military tradition; 'The Friends of the Friends', a strange story of uncanny love; and 'The Private Life', which finds a shrewd, high comedy in its ghostly theme. The volume also includes James's great novella The Turn of the Screw, perhaps the most ambiguous and disturbing ghost story ever written. |
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«This book features an Introduction by John S. Whitley, University of Sussex. This collection of Poe's best stories contains all the terrifying and bewildering tales that characterize his work. As well as the Gothic horror of such famous stories as «The Pit and the Pendulum», «The Fall of the House of Usher», «The Premature Burial» and «The Tell-Tale Heart», all of Poe's Auguste Dupin stories are included. These are the first modern detective stories and include «The Murders in the Rue Morgue», «The Mystery of Marie Roget» and «The Purloined Letter».» |
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With an Introduction by David Stuart Davies ‘… the shadow turned round; and I saw a terrible death’s-head, which darted a look at me from a pair of scorching eyes. I felt as if I were face to face with Satan…’ Erik, the Phantom of the Paris Opera House, is one of the great icons of horror literature. This tormented and disfigured creature has made his home in the labyrinthine cellars of this opulent building where he can indulge in his great passion for music, which is a substitute for the love and emotion denied him because of his ghastly appearance. It is in the Opera House that he encounters Christine Daaé whom he trains in secret to become a great singer. Erik’s passionate obsession with a beautiful woman beyond his reach is doomed and leads to the dramatic tragic finale. Gaston Leroux’s novel is a marvellous blend of detective story, romance and spine-tingling terror which has fascinated readers ever since the work was first published. |
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«From the unsurpassed imagination of the creator of Conan, Robert E. Howard, here are twenty-one tales of suspense, high adventure and Lovecraftian horror. Foul sacrifices are made to a reptilian God in Hungary, a werewolf prowls the corridors of a castle in strife-torn Africa, criminal masterminds on both sides of the Atlantic vie for world domination, an enchanted ring exerts a terrible influence upon its wearer… …And, as written in the pages of the accursed «Necronomicon» and «Unaussprechlichen Kulten», the Great Old Ones watch our world from beyond the void – and wait…» |
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«‘Moving, his candle was instantly extinguished, and in the very moment of being left in the darkness he saw, standing in the doorway, a woman, resembling her who had haunted his dream overnight. He rushed with outstretched hands to seize her, but clutched only air.’ «Night Shivers» presents a treasure trove of the stories of Mrs J. H. Riddell, one of the greatest Victorian writers of ghost stories. These tales, many of which have been out of print for years, take the reader on fearful journeys into the gloomy haunts of old neglected houses, into a world of prophetic dreams, out onto the wild terrain of Ireland to encounter a frightful banshee and even down into Hell itself. In these fourteen short stories and one novella, «The Uninhabited House», there is the distillation of the best and most effective of Riddell’s spine-tingling supernatural fiction.» |
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«‘As I fell the thing sprang across me and seemed to throw itself upon the captain. When I last saw him on his feet his face was white and his lips set. It seemed to me that he struck a violent blow at the dead being, and then he, too, fell forward upon his face, with an inarticulate cry of horror.’ This unique collection contains all the supernatural works of the prolific F. Marion Crawford (1854 – 1909), including his classic chillers ‘For Blood is the Life’, ‘The Upper Berth’ and the title story, ‘The Screaming Skull’ which was based on a true horror legend. Also included in this volume is his amazing novel «The Witch of Prague» which Dennis Wheatley described as a ‘classic of occult fiction.’ For a potent blend of horror, fantasy and fear Crawford’s tales have rarely been surpassed. Most of these stories have long been out of print, so this collection is a special treat for all lovers of supernatural mysteries.» |
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«‘In the great mirror opposite I saw myself, and right behind, another wicked fearful self, so like me my soul seemed to quiver within me, as though not knowing to which similitude of body it belonged…’ Elizabeth Gaskell is better known today for her pioneering social novels such as «Mary Barton» (1848) but she also wrote some fascinating tales of the supernatural and the macabre, which are collected here in this volume. The real charm of this dark anthology is its variety. Unlike so many writers of this kind of material, Gaskell allows the story to fit the style rather than the other way around and as result there is a charming freshness to each tale. This remarkable author uses different voices, tones and topics to engage her readers and as you turn from one story to the next you cannot be quite sure what to expect.» |
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«When people use the adjective 'Kafkaesque', it is «The Trial» they have in mind – the nightmarish world of Joseph K., where the rules are hidden from even the highest officials, and any help there may be comes from unexpected sources. K. is never told what he is on trial for, and when he says he is innocent, he is immediately asked 'innocent of what?' Is he perhaps on trial for his innocence? Could he have freed himself from the proceedings by confessing his guilt as a human being? Has the trial been set up because he is incapable of admitting his guilt, and hence his humanity? «The Tria»l is a chilling and at the same time blackly amusing tale that maintains, to the very end, a constant, relentless atmosphere of disorientation and quirkiness. Superficially the subject-matter is bureaucracy, but the story's great strength is its description of the effect on the life and mind of Josef K. It is in the last resort a description of the absurdity of 'normal' human nature.» |
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«Marcel Proust (1871-1922) spent the last fourteen years of his life writing «la recherche du temps perdu». It is an intimate epic, an excavation of the self, and a comedy of manners by turns and all at once. Proust is the twentieth century's Dante, presenting us with a unique, unsettling picture of ourselves as jealous lovers and unmitigated snobs, frittering our lives away, with only the hope of art as a possible salvation. He offers us a form of redemption for a sober and secular age. Scott Moncrieff's delightful translation was for many years the only access to Proust in English. A labour of love that took him nearly as many years as Proust spent writing the original. Moncrieff's translation strives to capture the extraordinary blend of muscular analysis with poetic reverie that typifies Proust's style. It remains a justly famous classic of translation.» |
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Marcel Proust (1871-1922) spent the last fourteen years of his life writing la recherche du temps perdu. It is an intimate epic, an excavation of the self, and a comedy of manners by turns and all at once. Proust is the twentieth century's Dante, presenting us with a unique, unsettling picture of ourselves as jealous lovers and unmitigated snobs, frittering our lives away, with only the hope of art as a possible salvation. He offers us a form of redemption for a sober and secular age. Scott Moncrieff's delightful translation was for many years the only access to Proust in English. A labour of love that took him nearly as many years as Proust spent writing the original. Moncrieff's translation strives to capture the extraordinary blend of muscular analysis with poetic reverie that typifies Proust's style. It remains a justly famous classic of translation. |
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«Dante Alighieri (1265-1321) is one of the most important and innovative figures of the European Middle Ages. Writing his «Comedy» (the epithet «Divine» was added by later admirers) in exile from his native Florence, he aimed to address a world gone astray both morally and politically. At the same time, he sought to push back the restrictive rules which traditionally governed writing in the Italian vernacular, to produce a radically new and all-encompassing work. The «Comedy» tells of the journey of a character who is at one and the same time both Dante himself and Everyman through the three realms of the Christian afterlife: Hell, Purgatory and Heaven. He presents a vision of the afterlife which is strikingly original in its conception, with a complex architecture and a coherent structure. On this journey Dante’s protagonist – and his reader – meet characters who are variously noble, grotesque, beguiling, fearful, ridiculous, admirable, horrific and tender, and through them he is shown the consequences of sin, repentance and virtue, as he learns to avoid Hell and, through cleansing in Purgatory, to taste the joys of Heaven.» |
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Scotland has a notoriously rich and diverse cultural tradition when it comes to the supernatural. Many of her greatest writers from Sir Walter Scott and James Hogg to Robert Louis Stevenson and John Buchan have explored the country's unique folkloric heritage to spine-chilling effect. From Highlands to Lowlands, from blasted heath or remote glen to wretched hovel or austere castle, the very topography lends itself somehow to the strange and unexplainable. Leading off Edinburgh's colourful Royal Mile, which runs from the Palace of Holyrood to the gaunt castle on the rock, there are many narrow 'wynds' — passages ancient and mysterious. As soon as you leave the sunshine and enter these dark and reeking ways you know that you are in a city full of ghosts and spirits — unhappy souls condemned for ever to roam this antique city. Tormented spectres like them throng the pages of this disquieting collection. Lock your door, turn up the lights, put extra logs on the fire and as you start to read, utter a fervent prayer: From ghoulies and ghosties And long-leggety beasties And things that go bump in the night, Good Lord, deliver us! If this plea fails to work and they choose to come for you, despair; there is no hope; there is no escape. In truth, dear reader, if you are of a nervous disposition and liable to fearings and fantasies we are not sure this book is entirely suitable for you. You have been warned. |
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«When fifteen-year-old orphan John Trenchard is banished by his Aunt Jane, he goes to live at the local inn with the mysterious Elzevir Block, whose son has been killed by Customs Officers. Unofficially adopted by Block, John comes to learn the reasons for the noises in the graveyard at night, of 'Blackbeard' Mohune's lost treasure and Elzevir Block's secret. This dashing tale of eighteenth-century Dorset smugglers will be enjoyed by all who love stories of derring-do written in the tradition of «Treasure Island».» |
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