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Книги издательства «Wordsworth»
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Virginia Woolf's singular technique in Mrs Dalloway heralds a break with the traditional novel form and reflects a genuine humanity and a concern with the experiences that both enrich and stultify existence. Society hostess, Clarissa Dalloway is giving a party. Her thoughts and sensations on that one day, and the interior monologues of others whose lives are interwoven with hers gradually reveal the characters of the central protagonists. Clarissa's life is touched by tragedy as the events in her day run parallel to those of Septimus Warren Smith, whose madness escalates as his life draws toward inevitable suicide. |
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From its first publication in 1816 Rob Roy has been recognised as containing some of Scotts finest writing and most engaging, fully realised characters. The outlaw Rob Roy MacGregor was already a legendary, disputed figure by the time Scott wrote a heroic Scottish Robin Hood to some, an over-glamorised, unprincipled predator to others. Scott approaches Rob Roy indirectly, through the adventures of his fictional hero, Frank Osbaldistone, amid the political turmoil of England and Scotland in 1715. With characteristic care Scott reconstructs the period and settings so as to place Rob Roy and the Scotland he inhabits amid conflicting moral, economic and historical forces. This edition features, besides a new critical introduction and extensive explanatory notes, an essay outlining clearly the novels historical context and a glossary of Scottish words and phrases used by Scotts colourful, vernacular characters. |
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The Moonstone, a priceless Indian diamond which had been brought to England as spoils of war, is given to Rachel Verrinder on her eighteenth birthday. That very night, the stone is stolen. Suspicion then falls on a hunchbacked housemaid, on Rachel's cousin Franklin Blake, on a troupe of mysterious Indian jugglers, and on Rachel herself. The phlegmatic Sergeant Cuff is called in, and with the help of Betteredge, the Robinson Crusoe-reading loquacious steward, the mystery of the missing stone is ingeniously solved. |
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Unusually for Dickens, Hard Times is set, not in London, but in the imaginary mid-Victorian Northern industrial town of Coketown with its blackened factories, downtrodden workers and polluted environment. This is the soulless domain of the strict utilitarian Thomas Gradgrind and the heartless factory owner Josiah Bounderby. However human joy is not excluded thanks to Mr Sleary's Horse-Riding circus, a gin-soaked and hilarious troupe of open-hearted and affectionate people who act as an antidote to all the drudgery and misery endured by the ordinary citizens of Coketown. |
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Set in Scotland in 1751, Kidnapped remains one of the most exciting stories ever written. Young David Balfour, orphaned then betrayed by his Uncle Ebenezer, his so-called guardian, falls in with Alan Breck, the unscrupulous but heroic champion of the Jacobite cause. Shipwreck, murder and dramatic escape through the Highlands are just a few of the ingredients of this highly charged tale of intrigue, action and adventure. |
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In these delightful tales, Oscar Wilde employs all his grace, artistry and wit. The Happy Prince tells of the statue of a once pleasure-loving Prince which, with the help of a selfless Swallow helps people in distress. As well as The Nightingale and the Rose, The Devoted Friend and The Remarkable Rocket, this collection contains The Selfish Giant, a remarkable story of the redemptive power of love. |
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Little Dorrit is a classic tale of imprisonment, both literal and metaphorical, while Dickens' working title for the novel, Nobody's Fault, highlights its concern with personal responsibility in private and public life. Dickens' childhood experiences inform the vivid scenes in Marshalsea debtor's prison, while his adult perceptions of governmental failures shape his satirical picture of the Circumlocution Office. The novel's range of characters — the honest, the crooked, the selfish and the self-denying — offers a portrait of society about whose values Dickens had profound doubts. |
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Jonathan Swift's classic satirical narrative was first published in 1726, seven years after Defoe's Robinson Crusoe (one of its few rivals in fame and breadth of appeal). As a parody travel-memoir it reports on extraordinary lands and societies, whose names have entered the English language: notably the minute inhabitants of Lilliput, the giants of Brobdingnag, and the Yahoos in Houyhnhnmland, where talking horses are the dominant species. It spares no vested interest from its irreverent wit, and its attack on political and financial corruption, as well as abuses in science, continue to resonate in our own times. |
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The Owl and the Pussy-at', 'Calico Pie' and 'The Pobble Who Has No Toes', together with Edward Lear's crazy limericks, have entertained adults and children alike for over 100 years. This edition, illustrated by the author, contains all the verse and stories of The Book of Nonsense, More Nonsense, Nonsense Songs, Nonsense Stories, Nonsense Alphabets and Nonsense Cookery. It has a biographical Preface by Lear himself, and concludes with some delightful 'heraldic' sketches of his cat, Foss. |
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The Phoenix and the Carpet is E. Nesbit's second fantasy novel and is the sequel to Five Children and It. From Robert, Anthea, Jane and Cyril's new nursery carpet there falls a mysterious egg which is hatched in the fire to reveal a benevolent, resourceful and ingenious Phoenix who explains that the carpet is possessed of magic qualities. And so begins a series of fantastic and bizarre adventures as the carpet transports the children and the Phoenix to places as diverse as a chilling French castle, a desert island and even the Phoenix Fire Insurance Company's offices, which the Phoenix believes to be a shrine for his followers. |
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Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder. From that moment on, we share his conflicting feelings of self-loathing and pride, of contempt for and need of others, and of terrible despair and hope of redemption: and, in a remarkable transformation of the detective novel, we follow his agonised efforts to probe and confront both his own motives for, and the consequences of, his crime. The result is a tragic novel built out of a series of supremely dramatic scenes that illuminate the eternal conflicts at the heart of human existence: most especially our desire for self-expression and self-fulfilment, as against the constraints of morality and human laws; and our agonised awareness of the world's harsh injustices and of our own mortality, as against the mysteries of divine justice and immortality. |
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The Wings of the Dove is a tale of desire and possession, of love and death. It is in essence a simple story, but one that opens up the great subject of art: life itself. To tackle this, James moves between fairytale storylines and the startlingly modern techniques of his testing late style. An unspeakable subtext lies beneath the silence. Distinct points of view and different centres of consciousness betray the dislocation of the social facade from the desolation beneath. For all the familiar signs, there is a gulf between glamour and the underlying threat of loss. The eternal triangle of romance is played out here like a game on an international stage for the very highest stakes. It centres on 'the dying girl who wants to live — to live and love.' But those closest to her are in competition for what she can leave behind. Milly Theale, 'the heiress of all the ages', is imaged as a dove, a princess, a Renaissance beauty, but these symbols come at a dreadful cost. By the end of the novel we know, 'We shall never be again as we were! |
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Jules Verne (1828-1905) was internationally famous as the author of novels based on extraordinary voyages. His visionary use of new travel technologies inspired his readers to look to the industrial future rather than the remote past for their dreams of adventure. The popularity of his novels led directly to modern science fiction. In From the Earth to the Moon and Around the Moon, Jules Verne turned the ancient fantasy of space flight into a believable technological possibility an engineering dream for the industrial age. Directly inspired by Verne s story, enthusiasts worked successfully at overcoming the practical difficulties, and within a century, human beings did indeed fly to the Moon. Curiously, however, Verne is unlikely to have thought it possible that a manned projectile could actually be fired out of a giant cannon, rising higher than the Moon, swinging around it, and then landing safely back on Earth. He had used the science of the day to construct a literary conjuring trick, a hoax, one of the most successful in all history. By skilful misdirection he drew the attention of readers away from weaknesses in the project. Read the book and you, too, will be fooled into accepting the realistic possibility in Verne s time of that dream of flying to the Moon. |
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Finnegans Wake is the book of Here Comes Everybody and Anna Livia Plurabelle and their family — their book, but in a curious way the book of us all as well as all our books. Joyce's last great work, it is not comprised of many borrowed styles, like Ulysses, but, rather, formulated as one dense, tongue-twisting soundscape. This 'language' is based on English vocabulary and syntax but, at the same time, self-consciously designed to function as a pun machine with an astonishing capacity for resisting singularity of meaning. Announcing a 'revolution of the word', this astonishing book amounts to a powerfully resonant cultural critique — a unique kind of miscommunication which, far from stabilizing the world in meaning, constructs a universe radically unfixed by a wild diversity of possibilities and potentials. It also remains the most hilarious, 'obscene', book of innuendos ever to be imagined. |
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David Hume (1711-1776) was the most important philosopher ever to write in English, as well as a master stylist. This volume contains his major philosophical works. A Treatise of Human Nature (1739-1740), published while Hume was still in his twenties, consists of three books on the understanding, the passions, and morals. It applies the experimental method of reasoning to human nature in a revolution that was intended to make Hume the Newton of the moral sciences. Disappointed with the Treatise's failure to bring about such a revolution, Hume later recast Book I as An Enquiry concerning Human Understanding (1751), and Book III as An Enquiry concerning the Principles of Morals, which he regarded as 'incomparably the best' of all his works. Both Enquiries went through several editions in his lifetime. Hume's works, controversial in his day, remain deeply and widely influential in ours, especially for his contributions to our understanding of the nature of morality, political and economic theory, philosophy of religion, and philosophical naturalism. This volume also includes Hume's anonymous Abstract of Books I and II of the Treatise, and the short autobiographical essay, 'My Own Life', which he wrote just before his death. |
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The final letters and diary entries of Robert Falcon Scott — written in his last days, while hopelessly trapped in a tiny tent by a raging blizzard on the Great Ice Barrier — are among the most poignant and haunting passages ever penned. 'Had we lived', he wrote, 'I should have had a tale to tell of the hardihood, endurance, and courage of my companions which would have stirred the heart of every Englishman'. Scott's diaries, discovered with his body the next spring and then used as the essence of the book Scott's Last Expedition, caught the public imagination in a way few tales of exploration ever have. The account of Scott's second Antarctic expedition describes the near-disastrous voyage south, the dangers and beauties of the long, dark winter, and the brutal hardships of the trek to the South Pole. But it was the Polar Party's unflagging stamina, bravery, and spirit on their tragic return after finding they had been beaten to their goal by the Norwegian Roald Amundsen that so resonated with the British public. Scott's evocative telling of this story created a legend that would grip the world for generations. |
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This selection of Kafka's shorter prose writings includes one of the few works published during his lifetime: the harrowing story of Gregor Samsa's overnight transformation into a verminous insect, his record of the effect of this sudden metamorphosis on himself and the reaction of his family. It conveys with an unsettling mixture of subjective involvement and objective detachment the complex feelings of guilt, affection, responsibility and self-doubt that characterise Kafka's perception of intimate emotional relationships — themes that are continued in the quasi-fictional story The Judgement and the quasi-autobiographical Letter to his Father. Issues of guilt, punishment and penance are also treated with startling brutality in the story set in a tropical penal colony that describes in horrific detail a machine designed to inflict an ingenious and barbaric form of execution on victims of a summary and arbitrary justice — a machine, however, that in this instance destroys not its intended victim, but its zealous operator and, simultaneously, itself. Kafka's enigmatic fables deal, often in dark and quirkily humorous terms, with the insoluble dilemmas of a world in which there appears to be no reassurance, no reliable guidance to resolving our existential and emotional uncertainties and anxieties. |
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When Pollyanna Whittier goes to live with her sourtempered aunt after her father's death, things seem bad enough, but then a dreadful accident ensues. However, Pollyanna's sunny nature and good humour prove to have an astonishing effect on all around her, and this wonderful tale of how cheerfulness can conquer adversity has remained one of the world's most popular children's books since its first publication in 1913. In Pollyanna Grows Up, the only sequel written by Porter herself, Pollyanna finds that that, despite being cured of her health problems, adulthood brings fresh challenges to be overcome. |
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This collection comprises of Joyce's three novels, plus the short story collection Dubliners. Dubliners, about Joyce's native city, is faithful to his country, seeing it unflinchingly and challenging every precedent and piety in Irish literature. The stories in Dubliners show us truants, seducers, hostesses, corrupt politicians, failing priests, struggling musicians, poets, patriots, and many more simply striving to get by. A Portrait of the Artist as a Young Man falls between the realism of Dubliners and the symbolism of Ulysses. The novel is a highly autobiographical account of the youth of Stephen Dedalus, who comes to realize that before he can become a true artist, he must rid himself of the stultifying effects of the religion, politics and essential bigotry of his life in late 19th century Ireland. Written with a light touch, it is perhaps the most accessible of Joyce's works. Ulysses is James Joyce's astonishing masterpiece. Scandalously frank, it tells of the events which befall Leopold Bloom and Stephen Dedalus in Dublin on 16 June 1904, during which Bloom's voluptuous wife, Molly, commits adultery. Initially deemed obscene in England and the USA, this richly-allusive novel, revolutionary in its modernistic experimentalism, was hailed as a work of genius by W. B. Yeats, T. S. Eliot and Ernest Hemingway. Finnegans Wake is the book of Here Comes Everybody and Anna Livia Plurabelle and their family — their book, but in a curious way the book of us all as well as all our books. Joyce's last great work, it is not comprised of many borrowed styles, like Ulysses, but, rather, formulated as one dense, tongue-twisting soundscape. It also remains the most hilarious, 'obscene', book of innuendos ever to be imagined. |
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A Room of One's Own (1929) has become a classic feminist essay and perhaps Virginia Woolf's best known work; The Voyage Out (1915) is highly significant as her first novel. Both focus on the place of women within the power structures of modern society. The essay lays bare the woman artist's struggle for a voice, since throughout history she has been denied the social and economic independence assumed by men. Woolf's prescription is clear: if a woman is to find creative expression equal to a man's, she must have an independent income, and a room of her own. This is both an acute analysis and a spirited rallying cry; it remains surprisingly resonant and relevant in the 21st century. The novel explores these issues more personally, through the character of Rachel Vinrace, a young woman whose 'voyage out' to South America opens up powerful encounters with her fellow-travellers, men and women. As she begins to understand her place in the world, she finds the happiness of love, but also sees its brute power. Woolf has a sharp eye for the comedy of English manners in a foreign milieu; but the final undertow of the novel is tragic as, in some of her finest writing, she calls up the essential isolation of the human spirit. |
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