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Книги издательства «Wordsworth»
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Offers a series of vaguely connected stories that is linked by the presence of a monstrous and suppressed book which brings fright, madness and spectral tragedy to all those who read it. An air of futility and doom pervade these pages like a sweet insidious poison. Dare you read it? |
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The Little Prince is a modern parable for our time, of equal appeal to children and adults. This much loved story is joined by the following classic titles, to give a collection that has something for everyone, whatever their age: Black Beauty Little Women Alice in Wonderland The Secret Garden Robin Hood The Wind in the Willows The Railway Children The Jungle Book Peter Pan. |
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Who could have tried to murder Mademoiselle Stangerson, beautiful daughter of a famous radium scientist? And how could they have entered and escaped from a completely locked and watched room? With the Surete's top sleuth vying against him, Rouletabille is determined to prove only he can solve the case. |
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Once they had settled the eastern seaboard, the founding fathers of the great North American continent encouraged others to follow them to the land of opportunity. So the refugees, the poor and the oppressed, the adventurous and the foolhardy packed their all, they left the old-world shadows and set out with their hopes and dreams. |
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The exploits of Sweeney Todd, 'The Demon Barber of Fleet Street', have been recounted many times in plays, films and musicals. One great mystery that has surrounded the book is who the author was — or was it possibly the work of more than one man? The author has established finally the identity of the creator of this legendary figure. |
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This title is edited with an introduction by William Breeze Foreword by David Tibet. This volume brings together the uncollected short fiction of the poet, writer and religious philosopher Aleister Crowley (1875-1947). Crowley was a successful critic, editor and author of fiction from 1908 to 1922, and his short stories are long overdue for discovery. Of the forty-nine stories in the present volume, only thirty were published in his lifetime. Most of the rest appear here for the first time. Like their author, Crowley's stories are fun, smart, witty, thought-provoking and sometimes unsettling. They are set in places he had lived and knew well: Belle Epoque Paris, Edwardian London, pre-revolutionary Russia and America during the first World War. The title story The Drug stands as one of the first — if not the first-accounts of a psychedelic experience. His Black and Silver is a knowing early noir discovery that anticipates an entire genre. Atlantis is a masterpiece of occult fantasy, a dark satire that can stand with Samuel Butler's Erewhon. Frank Harris considered The Testament of Magdalen Blair the most terrifying tale ever written. Extensive editorial end-notes give full details about the stories. |
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This title includes an introduction by David Stuart Davies. Oliver Onions is unique in the realms of ghost story writers in that his tales are so far ranging in their background and substance that they are not easily categorised. His stories are powerfully charged explorations of psychical violence, their effects heightened by detailed character studies graced with a powerful poetic elegance. In simple terms Oliver Onions goes for the cerebral rather than the jugular. However, make no mistake, his ghost stories achieve the desired effect. They draw you in, enmeshing you in their unnerving and disturbing narratives. This collection contains such masterpieces as The Rosewood Door, The Ascending Dream, The Painted Face, and The Beckoning Fair One, a story which both Algernon Blackwood and H. P. Lovecraft regarded as one of the most effective and subtle ghost stories in all literature. Long out of print, these classic tales are a treasure trove of nightmarish gems. |
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This title features Introduction by David Stuart Davies. 'A grey cloud formed on the summit of the altar, diminishing, thickening and turning into a Shape, a shape of evil and fear. The silent group by the fire once more broke forth into wild gesticulations and cries, Stella prostrated herself, the Form on the altar grew clearer and with a cry of horror Mr Fowke turned away and rushed madly across the moor'. Amyas Northcote's In Ghostly Company is a rare and splendid collection of strange and disturbing tales from the golden age of ghost stories. His style is akin to that of the master of the genre M.R. James: it is measured and insidiously suggestive, producing unnerving chills rather than shocks and gasps. Northcote's tales make the reader unsettled and uneasy. This is partly due to the fact that the hauntings or strange occurrences take place in natural or mundane surroundings — surroundings familiar to the reader but never before thought of as unusual or threatening. Long out of print, this book remains an enthralling and chilling read. |
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Despite his insignificant appearance, Reeder is a cold and ruthless detective who credits his success to his 'criminal mind' which allows him to solve a series of complex and audacious crimes and outwit the most cunning of villainous masterminds. |
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The Good Soldier is a masterpiece of twentieth-century fiction, an inspiration for many later, distinguished writers, including Graham Greene. Set before the First World War, it tells the tale of two wealthy and sophisticated couples, one English, one American, as they travel, socialise, and take the waters in the spa towns of Europe. They are 'playing the game' in style. That game has begun to unravel, however, and with compelling attention to the comic, as well as the tragic, results the American narrator reveals his growing awareness of the sexual intrigues and emotional betrayals that lie behind its facade. |
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«This volume completes the canon of the illustrated Sherlock Holmes stories, reprinted from «The Strand Magazine». It contains «The Reminiscences of Sherlock Holmes», «The Valley of Fear», «His Last Bow» and the last 12 stories of «The Case-Book of Sherlock Holmes». Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.» |
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«The garrulous and empty-headed Mrs Bennet has only one aim — that of finding a good match for each of her five daughters. In this, she is mocked by her cynical and indolent husband. This is an ironic novel of manners. «Pride and Prejudice», which opens with one of the most famous sentences in English Literature, is an ironic novel of manners. In it, the garrulous and empty-headed Mrs Bennet has only one aim — that of finding a good match for each of her five daughters. In this, she is mocked by her cynical and indolent husband. With its wit, its social precision and, above all, its irresistible heroine, «Pride and Prejudice» has proved one of the most enduringly popular novels in the English language.» |
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Lawrence's uncompromisingly candid novel deals in poetic and sexually explicit language with the passionate relationship between Lady Constance Chatterly and her husband's forthright and powerfully masculine gamekeeper, Oliver Mellors. Trapped in a marriage which has become sterile and joyless since her husband's return from the trenches of the First World War, partially paralyzed and confined to a wheelchair, Connie seizes the chance of sexual fulfilment she had thought lost to her forever. |
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With an Introduction by Kathryn White. 'He saw her wounded, and bleeding to death; saw her ashy countenance, and her wasting eyes... turned piteously on himself, as if imploring him to save her from the fate that was dragging her to the grave...' Ann Radcliffe, author of The Romance of the Forest and The Mysteries of Udolpho, is the high priestess of the gothic novel. In The Italian, first published in 1797, she creates a chilling, atmospheric concoction of thwarted lovers, ruined abbeys, imprisonment and dark passages, with an undercurrent of seething sexuality and presents us with a cunning villain in the sinister monk Schedoni. A contemporary review commented on, 'Radcliffe's uncommon talent for exhibiting, with picturesque touches of genius, the vague and horrid shapes which imagination bodies forth...' Radcliffe's work was hugely influential and H.P. Lovecraft, early twentieth century master of the uncanny, was impressed by the, 'eerie touch of setting and action contributing artistically to the impression of illimitable frightfulness which she wished to convey.' The novel remains a fascinating, engrossing and unnerving masterpiece of gothic fiction. |
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Here is a book no Christmas stocking should be without, a book that positively distils the spirit of the season. The title poem, familiar to children and adults the world over, introduces a collection of stories and verse with a Christmas theme, guaranteed to engage and amuse readers young and old. Likely to provoke laughter and sometimes to bring a sentimental tear to the driest eye, this festive treasure trove is ideal for reading aloud or curling up with in a comfy corner. Scrooge himself would have found it difficult to resist distributing copies on Christmas morning! |
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The delicate artistry and lyrical prose of Woolf's novels have established her as a writer of sensitivity and profound talent. Virginia Woolf displays genuine humanity and concern for the experiences that enrich and stultify existence. Society hostess, Clarissa Dalloway is giving a party and her thoughts on that one day, and the interior monologues of others with interwoven lives reveal the characters of the central protagonists. To the Lighthouse is the most autobiographical of Virginia Woolf's novels. Based on her early experiences, it touches on childhood and children's perceptions and desires. It is at its most trenchant when exploring adult relationships and the changing class-structure in the period spanning the Great War. Orlando, 'the longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West. 'I am writing to a rhythm and not to a plot', said Woolf of The Waves. Regarded as one of her greatest and most original works, it conveys the rhythms of life in synchrony with the cycle of nature and the passage of time. |
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