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Книги издательства «Wordsworth»
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'A grain in the balance will determine which individual shall live and which shall die...'. Darwin's theory of natural selection issued a profound challenge to orthodox thought and belief: no being or species has been specifically created; all are locked into a pitiless struggle for existence, with extinction looming for those not fitted for the task. Yet 'The Origin of the Species' (1859) is also a humane and inspirational vision of ecological interrelatedness, revealing the complex mutual interdependencies between animal and plant life, climate and physical environment, and — by implication — within the human world. Written for the general reader, in a style which combines the rigour of science with the subtlety of literature, 'The Origin of the Species' remains one of the founding documents of the modern age. |
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It is more than a century since the ascetic, gaunt and enigmatic detective, Sherlock Holmes, made his first appearance in A Study in Scarlet. From 1891, beginning with The Adventures of Sherlock Holmes, the now legendary and pioneering Strand Magazine began serialising Arthur Conan Doyle's matchless tales of detection, featuring the incomparable sleuth patiently assisted by his doggedly loyal and lovably pedantic friend and companion, Dr Watson. The stories are illustrated by the remarkable Sydney Paget from whom our images of Sherlock Holmes and his world derive and who first equipped Holmes with his famous deerstalker hat. The literary cult of Sherlock Holmes shows no sign of fading with time as each new generation comes to love and revere the penetrating mind and ruthless logic which were the undoing of so many Victorian master criminals. |
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Virginia Woolf's Orlando 'The longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West. Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Costantinople, awakes to find that he is a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women. |
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This is an intense drama of love, deception, jealousy and destruction. Desdemona’s love for Othello, the Moor, transcends racial prejudice; but the envious Iago conspires to devastate their lives. In its vivid rendering of racism, sexism, contested identities, and the savagery lurking within civilisation, Othello is arguably the most topical and accessible tragedy from Shakespeare’s major phase as a dramatist. |
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A Pair of Blue Eyes is celebrated for its central scene which shocked and stimulated Victorian readers. Forever after it caused Hardy to be embroiled in arguments concerning the sexual morality of his novels in which he strove to show the stifling effects of social conventions on the human spirit. Rich with biographical echoes, this novel reveals the full emergence of the schematic ironies which characterize Hardy's later great works, and gives a suggestion of the tragic philosophy that came to dominate all he wrote. The loving nature of the heroine, Elfride Swancourt, pervades this novel, which has a singular unpolished charm. |
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The Peninsular War was a war of contrasts; a war fought in the icy passes of the high Pyrenees and on the burning wastes of the Sierra Morena; a war of infinite cruelty yet remarkable courtesy; a war in which debonair British officers fought alongside ragged Spanish partisans. It began in 1808 with Napoleon at the height of his power and ended with his attempted suicide in 1814. This narrative recaptures the horror, excitement and drudgery of history's first guerilla war. |
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The magical Peter Pan comes to the night nursery of the Darling children, Wendy, John and Michael. He teaches them to fly, then takes them through the sky to Never-Never Land, where they find Red Indians, wolves, Mermaids and... Pirates. The leader of the pirates is the sinister Captain Hook. His hand was bitten off by a crocodile, who, as Captain Hook explains 'liked me arm so much that he has followed me ever since, licking his lips for the rest of me'. After lots of adventures, the story reaches its exciting climax as Peter, Wendy and the children do battle with Captain Hook and his band. Peter Pan in Kensington Gardens is the magical tale that first introduces Peter Pan, the little boy who never grows any older. He escapes his human form and flies to Kensington Gardens, where all his happy memories are, and meets the fairies, the thrushes, and Old caw the crow. The fairies think he is too human to be allowed to stay in after Lock-out time, so he flies off to an island which divides the Gardens from the more grown-up Hyde Park… Peter’s adventures, and how he eventually meets Mamie and the goat, are delightfully illustrated by Arthur Rackham. |
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Wilde's only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in 'art for art's sake', to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design. Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the 'note of doom' which runs like 'a purple thread' through its carefully crafted prose. |
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The plays collected in this text provide the reader with a clear picture of Marlowe as a radical theatrical poet of great linguistic and dramatic daring, whose characters constantly strive to break out of the social, religious, and rhetorical binds within which they are confined. |
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Anton Chekhov’s popularity in the west is without parallel for a foreign writer. He has been absorbed into our culture, and accepted as one of our own. His plays lend themselves easily to the stage, calling for actors with intelligence and common sense rather than a dramatic voice or histrionic skills. He takes from everyday life themes of frustration which apply to us all – the difficulty of carving out a happy existence, the problems of love, the fading of hope, the universal feeling that time passes and we never quite get things right. This seems pessimistic, and yet Chekhov claimed he was writing comedy. Readers, actors and directors must decide for themselves which way to play these pieces. They are full of sadness, but a sadness described as the ‘darkness of the last hour before the dawn’. Whether tragic or comic, however, they are works of the first importance. The Cherry Orchard has been described as ‘the best play since Shakespeare’, Three Sisters as ‘the best play in the world’. |
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In this novel, symptomatic of Lawrence's later work, Kate Leslie, an Irish widow visiting Mexico, finds herself equally repelled and fascinated by what she sees as the primitive cruelty of the country. As she becomes involved with Don Ramon and General Cipriano, her perceptions change. Caught up in the plans of these two men to revive the old Aztec religion and political order, she submits to the 'blood-consciousness' and phallic power that they represent. |
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Robert Browning (1812-1889) represents the intellectual and argumentative strand in English poetry in contrast to the more ornate style of Spenser and Tennyson. His poetry demonstrates how a poet must be a sharp perceptive observer of the complexity of the human condition. Perhaps his most moving poetry was written to express his feelings for his wife, the poet Elizabeth Barrett Browning, in which he deals in a very 'modern' way with the uncomfortable fact that we can never quite bridge the gap between ourselves and the people we love. |
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In his draft Preface, Wilfred Owen includes his well-known statement 'My subject is War, and the pity of War. The Poetry is in the pity'. All of his important poems were written in just over a year, and Dulce et Decorum Est, S.I.W., Futility and Anthem for Doomed Youth still have an astonishing power to move the reader. Owen pointed out that 'All a poet can do today is to warn. That is why all true Poets must be truthful'. His warning was based on his acute observation of the soldiers with whom he served on the Western Front, and his poems reflect the horror and the waste of the First World War. This volume contains all Owen's best-known poems, only four of which were published in his lifetime. He was killed a week before the Armistice in November 1918. |
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Pride and Prejudice, which opens with one of the most famous sentences in English Literature, is an ironic novel of manners. In it the garrulous and empty-headed Mrs Bennet has only one aim — that of finding a good match for each of her five daughters. In this she is mocked by her cynical and indolent husband. With its wit, its social precision and, above all, its irresistible heroine, Pride and Prejudice has proved one of the most enduringly popular novels in the English language. |
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Written in 1513 for the Medici, following their return to power in Florence, The Prince is a handbook on ruling and the exercise of power. It remains as relevant today as it was in the sixteenth century. Widely quoted in the Press and in academic publications, The Prince has direct relevance to the issues of business and corporate governance confronting global corporations as they enter a new millennium. Much of what Machiavelli wrote has become the common currency of realpolitik, yet still his ideas retain the power to shock and annoy. In the words of Norman Stone, The Prince is 'a manual of man-management that would suit a great many parts of the modern world'. |
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In the early years of the 18th century, Scotland is torn by religious and political strife. Hogg's sinner, justified by his Calvinist conviction that his own salvation is pre-ordained, is suspected of involvement in a series of bizarre and hideous crimes. A century later his memoirs reveal the extraordinary, macabre truth. The tale is chilling for its astute psychological accuracy as it illustrates, with power and economy, the dire effect of self-righteous bigotry on a fanatical character. |
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The Prophet represents the acme of Kahlil Gibran's achievement. Writing in English, Gibran adopted the tone and cadence of King James I's Bible, fusing his personalised Christian philosophy with a spirit and oriental wisdom that derives from the richly mixed influences of his native Lebanon. His language has a breath-taking beauty. Before returning to his birthplace, Almustafa, the 'prophet', is asked for guidance by the people of Orphalese. His words, redolent with love and understanding, call for universal unity, and affirm Gibran's certainty of the correlated nature of all existence, and of reincarnation. 'The Prophet' has never lost its immediate appeal and has become a ubiquitous touchstone of spiritual literature. |
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When Dan and Una stage a performance of A Midsummer Night's Dream in a fairy ring, they are astonished by the appearance of Puck in person. He explains that he is the last of the People of the Hills, who started as gods before descending into this world. Puck leads the two children in a series of extraordinary historical adventures in which they meet, Romans and Crusaders, Saxons and Vikings. Kipling's charming songs and verses, including the famous Smuggler's Song are placed between each thrilling story. The book is beautifully illustrated by H.R. Millar. |
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When Father goes away with two strangers one evening, the lives of Roberta, Peter and Phyllis are shattered. They and their mother have to move from their comfortable London home to go and live in a simple country cottage, where Mother writes books to make ends meet. However, they soon come to love the railway that runs near their cottage, and they make a habit of waving to the Old Gentleman who rides on it. They befriend the porter, Perks, and through him learn railway lore and much else. They have many adventures, and when they save a train from disaster, they are helped by the Old Gentleman to solve the mystery of their father's disappearance. |
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Rebecca Randall is one of seven fatherless children, but is full of fun and strange ideas. She leaves her family at Sunnybrook Farm and goes to live with her two aunts in Riverboro. There she goes to school for the first time, embarks on a madcap scheme to sell soap, nearly runs away, befriends the kindly stagecoach driver Jeremiah Cobb, and with 'Mr Aladdin' helps repair her family's fortunes. |
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