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Книги Woolf Virginia
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Virginia Woolf's singular technique in Mrs Dalloway heralds a break with the traditional novel form and reflects a genuine humanity and a concern with the experiences that both enrich and stultify existence. Society hostess, Clarissa Dalloway is giving a party. Her thoughts and sensations on that one day, and the interior monologues of others whose lives are interwoven with hers gradually reveal the characters of the central protagonists. Clarissa's life is touched by tragedy as the events in her day run parallel to those of Septimus Warren Smith, whose madness escalates as his life draws toward inevitable suicide. |
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A Room of One's Own (1929) has become a classic feminist essay and perhaps Virginia Woolf's best known work; The Voyage Out (1915) is highly significant as her first novel. Both focus on the place of women within the power structures of modern society. The essay lays bare the woman artist's struggle for a voice, since throughout history she has been denied the social and economic independence assumed by men. Woolf's prescription is clear: if a woman is to find creative expression equal to a man's, she must have an independent income, and a room of her own. This is both an acute analysis and a spirited rallying cry; it remains surprisingly resonant and relevant in the 21st century. The novel explores these issues more personally, through the character of Rachel Vinrace, a young woman whose 'voyage out' to South America opens up powerful encounters with her fellow-travellers, men and women. As she begins to understand her place in the world, she finds the happiness of love, but also sees its brute power. Woolf has a sharp eye for the comedy of English manners in a foreign milieu; but the final undertow of the novel is tragic as, in some of her finest writing, she calls up the essential isolation of the human spirit. |
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Virginia Woolf's second novel, Night and Day (1919), portrays the gradual changes in a society, the patterns and conventions of which are slowly disintegrating; where the representatives of the younger generation struggle to forge their own way, for '... life has to be faced: to be rejected; then accepted on new terms with rapture'. Woolf begins to experiment with the novel form while demonstrating her affection for the literature of the past. Jacob's Room (1922), Woolf's third novel, marks the bold affirmation of her own voice and search for a new form to express her view that 'the human sou... orientates itself afresh every now & then. It is doing so now. No one can see it whole therefore.' Jacob's life is presented in subtle, delicate and tantalising glimpses, the novel's gaps and silences are as replete with meaning as the wicker armchair creaking in the empty room. |
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This volume brings together Virginia Woolf's last two novels, The Years (1937) which traces the lives of members of a dispersed middle-class family between 1880 and 1937, and Between the Acts (1941), an account of a village pageant in the summer preceding the Second World War which successfully interweaves comedy, satire and disturbing observation. Rewriting the traditional family saga and the pageant, these unsettling novels provide extraordinary critiques of Englishness and English identity while pursuing compelling existentialist and psychological themes such as the nature of time, memory, personal relationships and sexual desire. Their tightly constructed narratives enable the reader to experience the fragmented lives of their characters and the difficulties that they have in communicating with each other and even understanding themselves. Read together, these novels illuminate each other in ways that will engage both the student and the general reader. |
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In A Room of One's Own and Three Guineas, Virginia Woolf considers with energy and wit the implications of the historical exclusion of women from education and from economic independence. In A Room of One's Own (1929), she examines the work of past women writers, and looks ahead to a time when women's creativity will not be hampered by poverty, or by oppression. In Three Guineas (1938), however, Woolf argues that women's historical exclusion offers them the chance to form a political and cultural identity which could challenge the drive towards fascism and war. |
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'I lay in the garden and red the Browning love letters, and the figure of their dog made me laugh so I couldn't resist making him a Life.' Throughout her career, Woolf invokes the animal world both directly and metaphorically. She started to write a biography of Elizabeth Barrett Browning's spaniel after finishing The Waves, tracing the life of the spaniel from his country origins, his puppyhood spent with the writer Mary Mitford, through his sheltered existence with Elizabeth Barrett in her sick room, and later travels in Florence. But Flush is much more than a playful writer's holiday. As well as offering an exploration of a life of the senses free from the tyranny of words, Flush can be read as an allegorical testimony to the inscrutable, discarded, unrepresentable lives of the Victorian women poets, who were barely discussed or read in the 1930s. From a quite literally low point of view, Woolf explores class and gender in Victorian London, with gently mocking humour. Charming yet also radical, Flush is a work of sensuous imagination, an apparently light text that opens up a range of questions concerning difference which are woven through the whole of Woolf's writing. |
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Throughout history, some books have changed the world. They have transformed the way we see ourselves and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization, and helped make us who we are. |
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Contains: A Room of One's Own, To the Lighthouse, Between the Acts, Three Guineas, Mrs Dalloway, Jacob's Room, The Waves, The Years, Orlando. Mrs Dalloway, the society hostess Clarissa, is giving a party and her thoughts on that one day, and the interior monologues of others with interwoven lives reveal the characters of the central protagonists. To the Lighthouse is the most autobiographical of Virginia Woolf's novels. Based on her early experiences, it touches on childhood and children's perceptions and desires. It is at its most trenchant when exploring adult relationships and the changing class-structure in the period spanning the Great War. Virginia Woolf's Orlando, 'the longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West. 'I am writing to a rhythm and not to a plot', said Woolf of The Waves. Regarded as one of her greatest and most original works, it conveys the rhythms of life in synchrony with the cycle of nature and the passage of time. In these, as in A Room of One's Own, Between the Acts, Three Guineas, The Years and Jacob's Room, Virginia Woolf displays her genuine humanity and concern for the experiences that enrich and stultify existence. Her delicate artistry and lyrical prose have established her as a writer of sensitivity and profound talent. |
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People should not leave looking-glasses hanging in their rooms any more than they should leave open cheque books or letters confessing some hideous crime. If she concealed so much and knew so much one must prize her open with the first tool that came to hand — the imagination. Virginia Woolf's writing tested the boundaries of modern fiction, exploring the depths of human consciousness and creating a new language of sensation and thought. Sometimes impressionistic, sometimes experimental, sometimes brutally cruel, sometimes surprisingly warm and funny, these five stories describe love lost, friendships formed and lives questioned. This book includes The Lady in the Looking Glass, A Society, The Mark on the Wall, Solid Objects and Lappin and Lapinova. |
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HarperCollins is proud to present its incredible range of best-loved, essential classics. The young Rachel Vinrance leaves England on her father's ship, the Euphrosyne, on a voyage to South America. Despite being accompanied by her father and her aunt and uncle, Helen and Ridley Ambrose, the passage leads to Rachel's awakening, both as a woman and as an individual. As the ship is wracked by storms, she finds herself romantically entangled with Richard Dalloway, an encounter that leaves her troubled and confused. Upon arrival in Santa Marina, Rachel strikes off alone to contemplate her identity, and finds finds herself with the aspiring novelist Terence Hewet. As the emerging romance between the two is complicated by their disagreements about gender and art, another storm, and tragedy, appear on the horizon. |
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larissa Dalloway, elegant and vivacious, is preparing for a party and remembering those she once loved. In another part of London, Septimus Warren Smith is shell-shocked and on the brink of madness. Smith's day interweaves with that of Clarissa and her friends, their lives converging as the party reaches its glittering climax. Past, present and future are brought together one momentous June day in 1923. |
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Every summer, the Ramsays visit their summer home on the beautiful Isle of Skye, surrounded by the excitement and chatter of family and friends, mirroring Virginia Woolf's own joyful holidays of her youth. But as time passes, and in its wake the First World War, the transience of life becomes ever more apparent through the vignette of the thoughts and observations of the novel's disparate cast. A landmark of high modernism and the most autobiographical of Virginia Woolf's novels, To the Lighthouse explores themes of loss, class structure and the question of perception, in a hauntingly beautiful memorial to the lost but not forgotten. Chosen by TIME magazine as one of the 100 best English-language novels from 1923 to the present. |
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HarperCollins is proud to present its new range of best-loved, essential classics. 'The flower bloomed and faded. The sun rose and sank. The lover loved and went. And what the poets said in rhyme, the young translated into practice.' Written for her lover Vita Sackville-West, 'Orlando' is Woolf's playfully subversive take on a biography, here tracing the fantastical life of Orlando. As the novel spans centuries and continents, gender and identity, we follow Orlando's adventures in love — from being a lord in the Elizabethan court to a lady in 1920s London. First published in 1928, this tale of unrivalled imagination and wit quickly became the most famous work of women's fiction. Sexuality, destiny, independence and desire — all come to the fore in this highly influential novel that heralded a new era in women's writing. |
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As Mrs Dalloway works on the preparations for a dinner party, her thoughts throughout the day wander from memories of the past to interrogations about the present and lead her to assess the choices she has made in life and love. Her monologue interweaves with the account of the distress, on that same day, of the shell-shocked veteran Septimus Warren Smith, whose trauma and hallucinations end in tragedy, as the links between the two characters unfold. |
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HarperCollins is proud to present its incredible range of best-loved, essential classics. JACOB'S ROOM, Virginia Woolf's third novel, marks her first foray into Modernist experimentation. The narrative traces Jacob's childhood in Cornwall and his education at Cambridge, culminating in an evocative portrait of his adult life in London and abroad. Jacob is romantically torn between the artistic Florinda, the upper-middle-class Clara Durrant and the beautiful, but married, Sandra Wentworth Williams. This tissue of romance, though, is torn apart by the cataclysmic events of the First World War. Woolf poignantly depicts the life of Jacob through a sequence of alternating perspectives that combine letters, fragments of dialogue and the ephemeral impressions of those nearest to him. Jacob's voice becomes the absent centre of one of Modernism's first great novels. |
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HarperCollins is proud to present its new range of best-loved, essential classics. 'Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind...' Based on a lecture given at Cambridge and first published in 1929, 'A Room of One's Own' interweaves Woolf's personal experience as a female writer with themes ranging from Austen and Bronte to Shakespeare's gifted (and imaginary) sister. 'Three Guineas', Woolf's most impassioned polemic, came almost a decade later and broke new ground by challenging the very notions of war and masculinity. This volume combines two inspirational, witty and urbane essays from one of literature's pre-eminent voices; collectively they constitute a brilliant and lucid attack on sexual inequality. |
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Hugely influential in 20th-century literature, Orlando is considered one of Virginia Woolf's most accessible and exciting works. Roundly considered Woolf's most playful work, Orlando is the 'biography' of a unique individual; a protagonist whose search for satisfaction, for a full and all-encompassing life, is entirely unbound by convention. Starting out as an Elizabethan boy, Orlando travels through distant lands and through centuries on a quest to find self-expression, before becoming a twentieth-century female writer. Conceived as a cryptic love letter from Woolf to Vita Sackville-West, Orlando is an ambitious and revolutionary epic that experiments with form and character to create a work that is at once challenging and exuberant. |
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As the Pargiters, a middle-class English family, move from the oppressive confines of the Victorian home of the 1880s to the 'present day' of the 1930s, they are weighed down by the pressures of war, the social strictures of patriarchy, capitalism and Empire, and the rise of Fascism. Engaging with a painful struggle between utopian hopefulness and crippled with despair, the novel is a savage indictment of Virginia Woolf's society, but its bitter sadness is relieved by the longing for some better way of life, where 'freedom and justice' might really be possible. This is Virginia Woolf's longest novel, and the one she found the most difficult to write. The most popular of all her writings during her lifetime, it can now be re-read as the most challengingly political, even revolutionary, of all her books. |
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I, who would wish to feel close over me the protective waves of the ordinary, catch with the tail of my eye some far horizon. Intensely visionary yet absorbed with the everyday; experimental, daring and challenging, The Waves is regarded by many as Virginia Woolf's greatest achievement. It follows a set of six friends from childhood to middle age as they experience the world around them and explore who they are and what it means to be alive. As the contours of their lives are revealed, a unique novel is slowly unveiled. Enfolded within Woolf's lyrical and mysterious language, the mundane takes on a startling new significance while distant pasts are no less in play than the clamorous sounds and kaleidoscopic sights of the modern city. Yet precisely where the alluringly enigmatic pages of The Waves are leading, and what deeper meanings are held within its undulant chapters and shimmering interludes, are questions that have never ceased to enthral readers and critics alike. In this new edition David Bradshaw considers the spellbinding oddness and originality of The Waves, helping the reader to negotiate a way though this most poetic and haunting of novels. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
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I shall never forget the day I wrote The Mark on the Wall — all in a flash, as if flying, after being kept stone breaking for months. The Unwritten Novel was the great discovery, however. That — again in one second — showed me how I could embody all my deposit of experience in a shape that fitted it... I saw, branching out of the tunnel I made, when I discovered that method of approach, Jacob's Room, Mrs Dalloway etc — How I trembled with excitement. The thrill Woolf got from these stories is readily apparent to the reader. She wrote them in defiance of convention, with a heady feeling of liberation and with a clear sense that she was breaking new ground. Indeed, if she had not made her bold and experimental forays into the short story in the period leading up to the publication of Jacob's Room (1922), it seems certain that her arrival as a great modernist novelist would have been delayed. Quirky, unrestrained, disturbing and surprising, many of these stories, particularly the early ones, are essential to an understanding of Woolf's development as a writer. She thought some of her short fiction might be 'unprintable' but, happily, she was mistaken. |
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