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Книги издательства «Thames&Hudson»
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Spray-on dresses, growable suits and self-cleaning shirts may soon become everyday items. This visionary exploration of where fashion and clothing are headed provides the first guide to the astonishing ways in which contemporary science and technology are shaping what we wear. Fashioning the Future examines the work of those scientific researchers and fashion designers, such as Issey Miyake, Hussein Chalayan and Walter Van Beirendonck, who are transforming today’s science fiction into tomorrow’s reality. Fashioning the Future is essential for those interested in the long-term future of fashion, design and lifestyle – as well as for everyone wanting to know how to stand out from the crowd. |
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This book traces the extraordinary life of an artist whose unforgettable imagery combined cruelty and wit, honesty and insolence, pain and empowerment. Admired by the Surrealists and photographed by the greatest, Frida was most renowned for her self-portraits and unusual still lifes. She learned about suffering at an early age. She contracted polio when she was six and was seriously maimed in a bus accident at the age of eighteen, which led to injuries that affected her for the rest of her life. She had a legendarily turbulent marriage to the great mural painter Diego Rivera, with whom she formed a strong attachment to indigenous Mexican folk art and a deep commitment to Communism. |
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This volume provides a complete overview of the major exhibition of masterpieces by Giorgio Morandi at the Metropolitan Museum of Art in New York and the Museo d'Arte Moderna in Bologna (MAMbo). Over one hundred paintings, watercolors, drawings, and etchings illustrate the artist's entire creative and poetic course from the landscapes and still lifes of 1913-1914 to his final works of 1963-1964. Particular attention is focused on the masterpieces of the 1920s and 1930s, in which Morandi perfected his extraordinary approach to image making through in-depth investigation of the world and of human existence as filtered through the metaphor of the still life. |
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When it comes to interior design there are as many ideas as there are design suggestions to realize them. The homes featured in this book showcase the stunning variety of materials and designs to be found in contemporary homes. Impressive photos and illustrations make the volume Home! A comprehensive reference resource on contemporary interiors from all over the world. Over approx. 400 page's the reader is taken on a tour of spectacular and extravagant, hut also stylish and elemental living spaces. Be inspired by a range of domestic interiors that combine vivid and multifunctional concepts. |
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With his focus on the “disagreeable beauty” of the anomalous and the transgressive, Joel-Peter Witkin’s images are edgy and disturbing. Influenced by artists from Giotto to the Surrealists, by daguerreotypes and the work of Bellocq, his portraits and complex tableaux incorporating corpses, hermaphrodites, masks and mutiliation provoke and challenge the viewer. |
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Warm and witty, Locusts is a book of photographs that, in the words of its creator, Sasha Gusov, ‘pulls together the concept of mass mentality – photographs that examine the way people eat, the tourist eternally behind the camera, the obsession with consumerism … an investigation of contemporary man – who we are, who we have become and how absurd we can be at times.’ The outcome of five years of work and observation around the world, these brief snatches and moments are a true representation of what humanity does when it thinks that no one is looking. |
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The logo bible, this book provides graphic designers with an indispensable reference source for contemporary logo design. More than 1300 logos are grouped according to their focal form, symbol and graphic associations into 75 categories such as crosses, stars, crowns, animals, people, handwritten, illustrative type, etc. To emphasize the visual form of the logos, they are shown predominantly in black and white. Highlight logos are shown in colour. By sorting a vast, international array of current logotypes ranging from those of small, design-led businesses to global brands in this way, this book offers design consultancies a ready resource to draw upon in the research phase of identity projects. Logos are also indexed alphabetically by name of company/designer and by industrial sector, making it easy to piece together a picture of the state of the identity art in any clients marketplace. |
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The twilight of Imperial Russia witnessed a sudden renaissance of the visual, literary and performing arts: here was a Silver Age as luminous perhaps as the Golden Age of Russian literature many decades before. Much of this new flowering was indebted to the set of ideas known as Symbolism, which fell on fertile soil in Russia. The Russian Symbolists lived and created on the edge, which often made them to be named 'Decadent' or 'Degenerate'. Yet, as Sergei Diaghilev declared, theirs was not a moral or artistic decline, but a voyage of inner discovery and a refurbishing of a national culture. A dazzling array of artists, writers, composers, actors, singers, dancers and designers are presented here in context, including Tolstoy, Pasternak, Gorky, Akhmatova, Rimsky-Korsakov, Rachmaninov, Nijinsky, Scriabin, Karsavina, Meyerhold, Chaliapin, Stanislavsky, Diaghilev, Roerich, Repin, Serov, Somov, Vrubel, Bakst, Kandinsky, Malevich, Mayakovsky and many more. The book includes a rich repertoire of artworks and vintage documentary photographs, many of which have not been published before. With a clear narrative and comprehensive bibliography, this volume will appeal both to the specialist and to the general student of Russian history and culture. |
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«The urge to create an individualized shopping experience is a major trend around the world. A new generation of independent shops has grown up. These are mostly small, and are setting up against the odds, so that they have to make an effort with their exteriors, interiors and branding to lure in customers. Some such shops are a triumph of ingenuity on a low budget, while other one-off outlets are as glamorous as their big-name counterparts. Some interiors and graphics are created by professional designers, others by the owners themselves. In fact, this trend is now so widespread that the corporate retailers who sparked the reaction in the first place are getting in on the act, commissioning one-off outlets and short-term guerrilla stores to appeal to a more savvy, funky young clientele. «One-Off» is the first book to address this important retail trend. It covers food, home and lifestyle, fashion and accessories, random gems and pretenders and guerrilla stores.» |
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Public assemblies and multitudes in action are fundamental to our notion of political life. Through 120 posters-many never previously reproduced-the book examines the impact of large gatherings of people in politics and society concentrating on the turbulent years of the first half of the 20th century. The posters will be presented in a nearly year-long US exhibition, drawn from the massive collection of Stanford University's Hoover Institution, and augmented by works from the Wolfsonian Museum, Florida International University, and the Cantor Arts Center, Stanford University. The exhibition catalog, published in conjunction with the Cantor Arts Center, explores the decisive importance of large gatherings of people and its correlative, the mass medium of poster art, and considers the complex nature of the portrayal of political crowds in the modern period.Schnapp's text frames the featured works within a broader history of the images of the crowd in Western art. The essay aims to sharpen the reader's perspective by creating a synthetic understanding of how emerging principles of popular sovereignty in politics shaped new images and myths of a new, collective sense of our humanity. |
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«The company Salvatore Ferragamo Italia S.p.A., founded in 1927 by designer Salvatore Ferragamo, is a luxury brand with more than 450 stores in over 55 countries. It sells footwear, handbags and small leather goods, scarves and ties, men's and women's ready-to-wear, bijoux, watches, fragrances and eyewear. Salvatore Ferragamo made the name famous in California, first in Santa Barbara and then in Hollywood, creating footwear for the most beautiful women in the world — the «divas» of emerging American cinema. This book is also the catalogue of an exhibition that took place at the Shanghai Museum of Contemporary Art (29 March-7 May 2008) to celebrate the eighty-year anniversary of the company. Photographs, sketches, and drawings explore design processes and showcase shoes, handbags, and accessories — a magnificent selection of fashion works embodying social and cultural changes over time.» |
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This is the new, fully revised London edition of the world’s number-one stylish travel series, bringing you up to date with what’s happening in your favourite city. Strikingly photographed, superbly designed and produced, and yet ingeniously practical with easy-to-read maps and pacy, informed texts, each StyleCity volume presents a selective, particular and stylish portrait of a great world city. From off-beat cafés and cutting-edge restaurants to specialized boutiques, the choicest hotels and buzziest neighbourhoods, StyleCity presents all the special places you’ll find only in that city, where both savvy locals and discerning travellers will find a vibrant and idiosyncratic experience. |
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Paris in the early 1920s saw the growth of a new art form called surrealism. Both a formal movement and a spiritual orientation, surrealism embraced ethics and politics as well as the arts. Surrealists sought to create a medium that liberated the subconcious mind, and many artists and photographers captured this revolution through photographic images. This new survey includes works by Max Ernst, Dora Maar, Lee Miller, René Magritte, Meret Oppenheim and more. |
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«Here is the key book on the key materials in art, design and shaping the environment in the 21st century. Building on the cult success of «Techno Textiles», this book, newly available in paperback, features developments over the past decade. Highlighting advanced textiles in production and available to the designer, artist, architect and consumer today, it will be required reading for professionals, fashion and design aficionados and anyone prepared to be stimulated by and informed about the environment in which we now live.» |
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«UNBRIDALED» is a visual primer for the modern bride. An initiative by CRYSTALLIZED⢠â Swarovski Elements, the product brand for loose cut crystal manufactured by Swarovski, the book is the result of an invitation to creative talents around the world to produce a unique, one-off design that will make the modern bride truly shine. This title features fashion designers including John Galliano, Vivienne Westwood, Viktor & Rolf, Vera Wang; jewellery designers Erik Halley, Erickson Beamon, Manik Mercian; headwear by Stephen Jones and Philip Treacy; tableware by Bodo Sperlein, Fredrikson Stallard and Joris Laarman; and furniture by Doshi-Levien, Squint, Linda Florence, Gunjan Gupta. With more than a hundred creatives from around the world, the result is a multi-cultural, cross-discipline, non-denominational assemblage of highly desirable style. A happy marriage of tradition and avant garde, «UNBRIDALED» plunges into the past via age-old techniques, classical references from East and West, venerable houses such as Chiso (Kyoto) or Lemarié (Paris) and surfaces somewhere near the future. Aspirational, inspirational, photographed by image makers normally seen in style bibles such as Vogue, Numéro or Ten, «UNBRIDALED» is a mood board for the bride of today â and tomorrow. The book is a pool of inspiration for all style-savvy brides- and grooms-to-be, as well as for professionals in as manifold areas as fashion, jewellery and interior.» |
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The furniture designs of William Morris, C. R. Ashbee and Charles Rennie Mackintosh are even more popular today than in their own lifetimes. The work of other figures, such as William Burges and Christopher Dresser is also being avidly collected. Jeremy Cooper’s survey contains an astonishing range of photographs and drawings: nearly 700 illustrations offer a uniquely comprehensive coverage of nineteenth-century furniture. Every major designer is represented, and the choice of pictures includes little-known pieces from private collections. Rare contemporary photographs of Victorian and Edwardian interiors show how the furniture formed part of complete decorative ensembles. Extensive commentaries on the illustrations and detailed text provide the essential background – wherever possible using the actual words of the designers, architects and critics themselves. |
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«The Japanese artist Yasumasa Morimura is a controversial figure in the world of contemporary art. His photographs present an original re-elaboration of themes central to visual culture by showing the artist himself in the role of artistic subjects and historical figures. Morimura reinterprets in particular the works of famous painters, from Velazquez to Goya, Leonardo da Vinci, Rembrandt van Rijn and Frida Kahlo. Ideas central to his photography, such as the difference between «to see» and «to be seen», and the ambiguity of gender in contemporary society — stressed by the artist's preference for the female body, — stimulate thought on political and religious issues. Popular culture is another of Morimura's interests, as shown in his interpretation of Western movie stars like Marilyn Monroe and Brigitte Bardot. Morimura aims to highlight the changing perceptions of his own self, and, at the same time, his ability as an artist to experiment with universal characters. This is the challenge that he presents at his next exhibition in Venice opening during the Biennale. Requiem for the Twentieth Century shows historical twentieth-century figures, from Che Guevara to Mao Tsedong, from Chaplin's Hitler to Vladimir Lenin, caught in moments of fatigue and distress. Among them we find Yukio Mishima — Morimura's own alter ego — who, at the suicidal cry of «Banzai! Banzai! Banzai! Banzai! Long Live Art!» expressed the artist's ultimate sacrifice to art.» |
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«An explosively growing collector’s market in design has fuelled the interest in young, emerging designers whose work has become as highly sought after as that of established names. Around the world more and more galleries are opening to meet this new demand. «The Independent Design Guide» is the first publication to present these undiscovered talents and their creations, presenting 400 of the most exciting design objects by the future stars of design. For professionals and buyers alike, the book features cross-references that highlight new design trends, innovative use of materials and related objects. • A one-stop sourcebook for all that is new, innovative and independent in the fast-paced world of design. • Truly international in scope: Laura Houseley travelled worldwide to all the international furniture fairs and uncovered the small studios around the world. • The book focuses on pieces that are produced locally or by designermakers who do not yet have international distribution.» |
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«Graffiti World» is the ultimate graffiti book. With over 2,000 pictures of artworks from more than 180 international artists, no other book is remotely so comprehensive or up to date. Nicholas Ganz combines his own first-hand experiences with quotes from the artists themselves to offer a true insiders perspective of the key trends and style developments that have made graffiti what it is today: a global phenomenon. • An updated and revised edition of this classic • Dazzling design, bursting with artwork from a whole host of writers • Includes detailed profiles of over 180 artists from around the world • Offers an insider’s perspective of graffiti through quotes from the artists themselves and the author’s own experiences» |
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Henri Cartier-Bresson was taken prisoner by the Germans in 1940. After two unsuccessful attempts, he managed to escape in 1943. During this time, The Museum of Modern Art in New York, assuming that the photographer had died in the war, started preparing what they thought was a posthumous exhibition of his work. When he reappeared, Cartier-Bresson was delighted to learn of the exhibition, and decided to review his entire work and curate it himself. In 1946 he travelled to New York with about 300 prints in his suitcase, bought a scrapbook, glued each one in, and brought that album to MoMA’s curators. His first exhibition, a celebration of his survival, opened on 4 February 1947. In the 1990s, Cartier-Bresson once again returned to this scrapbook. Following his death in 2004, the Fondation Henri Cartier-Bresson, the present owner of the prints, finished restoring them, making it possible to bring a large body of extraordinary, hitherto unpublished work to the public, images that have finally become a memorial collection after all. |
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