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Книги издательства «Thames&Hudson»
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Nirvana formed in 1987, released their first LP in 1989, and unintentionally tore the music world asunder two years later with the video and single for “Smells Like Teen Spirit.” At the time, MTV and rock ’n’ roll in general were largely dominated by vapid hair metal acts. Nirvana, with their thrift-store clothes and pawnshop guitars, represented a much-needed return to punk-inspired rock and at the same time validated the indie rock scene that had failed to breach the mainstream in the previous decade. A meteoric rise followed, attended by all of the predictable professional and personal pitfalls. Two and half years after the release of Teen Spirit, leader Kurt Cobain, age 27, killed himself and the ride was over. Today, Nirvana and Cobain transcend generations, not unlike Jimi Hendrix, Jim Morrison, and other artists who met premature ends. The band’s story and music fascinate kids whose parents were among Nirvana’s early fans. Coinciding with the twentieth anniversary of their final LP, Nirvana: The Complete Illustrated History is the first to treat fans to a stylishly designed illustrated biography of the band. Performance and off-stage photography, handbills, singles, backstage passes, gig posters, and other memorabilia complement a narrative detailing the band's tumultuous history, as well as sidebar album reviews, gear breakdowns, and mini synopses of Cobain’s 50 all-time favorite albums. Nirvana’s ride was a wild one—and all too brief. Here, finally, is the book that breaks that history down and presents it from an objective perspective. |
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Bruce Gilden was born in 1946 and grew up in Brooklyn, New York. After taking photography classes at the School of Visual Arts, he embarked on his first major project: recording tourists and pleasure-seekers visiting Coney Island. Gilden is probably best known for his work on the streets of New York, focusing on the citys characters and outsiders, but he has also spent many years on projects devoted on projects in Haiti, Japan, and Ireland. A member of Magnum Photos since 1998, Gilden has taken the genre of street photography and pushed it in new directions, documenting the essence of the people he sees and the social landscape through which they move. |
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What exactly is neoexpressionism? the difference between applique and applique? the part of a city known as the acropolis? or the painting technique called gouache? In this authoritative and concise dictionary, more than 2,000 entries embrace the vast vocabulary of painting and sculpture, architecture and photography, and the decorative, applied and graphic arts. The hundreds of illustrations and diagrams play a vital role as information: art movements become immediately recognizable by a representative painting, and the defining features of each order of architecture are identifiable at a glance. This revised edition features a substantial number of new entries, including today's influential artist groups and tendencies from Chicano art to gene art, and new terms connected with the use of computer technology in the art world, from digital image to pixel. |
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Beginning in the 16th century, the golden age of European navigation brought about the flowering of an abundant textile trade, spurred by Western tastes for Eastern spices. While previous studies have focused on this story from the viewpoint of trade, Interwoven Globe is the first book to explore it as a history of design and to approach it with from a truly universal perspective. Fascinating and richly illustrated texts explore the inter-relationship of textiles, commerce and taste from the Age of Discovery to the 19th century, and 120 works from around the globe are discussed in detail. From India and its renowned, ancient mastery of dyed-and-painted cotton goods to the sumptuous silks of Japan and China, Turkey and Iran, the paths of influence are traced westward to Europe and the Americas. Essential to this exchange was the trade in highly valued natural dyes and dye products, underscoring the impact of global exploration on the aesthetics and techniques used to produce textiles. Shaped by an emerging worldwide visual culture, the resulting fashion for the exotic in textiles, as well as other goods and art forms, gave rise to what can be called the first global style |
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This book is a comprehensive library of dress styles to be used as a reference for the fashion designer, fashion student and anyone interested in the fashion industry. The book is a springboard for ideas. Designer-educators Tracy Fitzgerald and Alison Taylor document all aspects of the dress, offering a lexicon of design inspiration. Illustrated with a superb catalogue of visual imagery, the book provides a common fashion language of terminology and is supported by a glossary of terms, and cross-references for further research. Creating an overview of how the dress evolved and its impact on the fashion industry, the authors pay homage to the experimental, the beautiful, and the innovative, showing how a dress can encapsulate a designers vision and can often act as the key piece within a collection. |
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Anders Petersen (b. 1944) lives and works in Stockholm, Sweden. He is noted for his intimate and personal documentary-style black-and-white photographs. In 1967, he started to photograph the late-night regulars (prostitutes, transvestites, drunks, lovers, drug addicts) in a bar in Hamburg, Germany, named Caf? Lehmitz, and continued that project for three years. His photobook of the same name was published eight years later, in 1978, and has since become regarded as a seminal book in the history of European photography. In 1970, he co-founded SAFTRA, the Stockholm group of photographers, with Kenneth Gustavsson, and simultaneously taught at Christer In 2007, he was one of four finalists for the ?30,000 Deutsche B?rse Photography Prize. |
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How to Read an Impressionist Painting is a new, original exploration of the hugely popular and revolutionary 19th-century art movement. James Rubin organizes his discussion by subject matter, rather than by artist, looking at urban views and city life, interiors and still life, family and friends, and other common themes. By avoiding an artist-based structure, and without the convention of a chronological approach, he provides readers with the tools to think critically and analytically about Impressionism as a movement, and offers a new understanding of the collective momentum that drove the artists to work with such originality and commitment to modern themes and pictorial originality. |
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This exhaustive sourcebook book presents the most eye-catching and important pieces from an array of more than 100 of the world's fashion designers. Covering both contemporary and classic designs — from historic houses such as Sophie Hallette, masters of lace, to the edgiest work by Christopher Kane and Giles Deacon — it sets a new benchmark in the world of fabric design. Alphabetically arranged by designer, around 1,300 images illustrate the huge variety of swatches. Marnie Fogg introduces each fashion house and guides the reader through their particular approach to textile design and production. These include the great fabric designers of our time: Barbour, Bruce Oldfield, Marimekko, Paul Smith, Basso & Brooke, Mary Katrantzou, Christopher Kane, Sonia Rykiel, Ann Louise Roswald, Tata Naka, Eley Kishimoto, Hussein Chalayan, and others. With unprecedented access behind the scenes of some of the most important manufacturers, the final section of the book displays informative step-by-step photographs of the working techniques behind both modern and classic fabric manufacturing. |
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Roger Ballen is one of the most original image makers of the twenty-first century. Asylum of the Birds showcases his iconic photographs, which were all taken entirely within the confines of a house in a Johannesburg suburb, the location of which remains a tightly guarded secret. The inhabitants of the house, both people and animals, and most notably the ever-present birds, are the cast who perform within a sculptural and decorated theatrical interior that the author creates and orchestrates. The resulting images are compelling and dynamic, existing somewhere between still life and portrait. They are richly layered with graffiti, drawings, animals, and found objects. In a world where photographers seek to avoid definition, Roger Ballen is a true original who not only defies genres, but has defined his own artistic space as well. |
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Today's menswear designers must understand the history of fashion to come up with new and innovative ideas. Filled with inspiration for designers and students alike, The Fashion Resource Book: Men is a collection of research essential to the study of men's fashion. The book is divided into three sections, each structured as a series of detailed case studies. The first section investigates the research process in the work of such designers as Louis Vuitton, Alexander McQueen, and Yohji Yamamoto, among others. The second section is on research and inspiration, including street style and uniform, and the influence of established companies. The third section presents detailed case studies of particular garments, including parkas, trench coats, and denim jackets.The follow-up to the hugely successful The Fashion Resource Book, this volume is sure to become required reading in fashion classes and home libraries alike. |
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Henri Cartier-Bresson's work embraced art, politics, revolution, and war. But more powerful than any of these overarching themes was his evident concern for the human individual at every social level. This lavishly illustrated monograph — published to accompany France's first major retrospective since the photographer's death in 2004 — traces Cartier-Bresson's development as a photographer, activist, journalist, and artist. In addition to some of Cartier-Bresson's best-known photographs, included here are many seldom seen or unpublished images and some rarities in color as well as black-and-white. From his earliest photographs in Paris in the 1920s and Africa in the 1930s, Cartier-Bresson's capacity to conjure coherence and harmony out of a chaotic world appears effortless and innate — a deep-centered attitude rather than a merely learned technique. His observations of the effects of poverty and revolution around the world led directly to his pioneering photojournalism and to his co-founding of Magnum Photos. He became renowned for his penetrating portraits of the most prominent figures of his time, becoming, in the words of his biographer Pierre Assouline, the eye of the century. |
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Moscow Style is the first book to showcase the latest work of talented young Muscovites in the fields of graphic design, architecture, furniture design, fashion, music and interior design. In the fifteen years since the demise of the Soviet Union, Russia's capital has undergone extraordinary transformations — politically, socially and creatively. Moscow has long been associated with innovative creative talent, starting in the early Soviet period with such names as Tatlin and Rodchenko: here is a chance to meet the 21st-century successors to those famous innovators. By bringing together the best of Moscow's young, creative talent, and showing the unique synthesis of Western and Russian influences, this book is set to become the benchmark of new-millennium Russian design. |
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This is a comprehensive sourcebook of decorative ideas and much more for anyone who dreams of living in the country, or is lucky enough to live there already. From the vineyards of Provence to the hills of California and the farms of Australia, stunning photographs from across the world capture the distinctive architecture, decorative schemes, landscapes and rustic details that make country living so desirable. Traditional and contemporary elements are treated with the same sympathetic eye: an airy, minimalist room looks out on an ancient piazza; herbs and antique tools hang from wooden beams beside a roaring fire; a ancient stone floor, worn smooth, shines through the sleek glass top of a modern dining table. Always at the heart of the experience is the landscape itself that draws the town-or city-dweller to the joys of the. |
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Edgar Degas (1834–1917) was one of the outstanding draughtsmen of the 19th century; for him drawing was not only a central tenet of his art but was essential to his existence. In Edgar Degas: Drawings and Pastels, Christopher Lloyd examines the artist’s drawings and pastels, traces the development of his style, and explores his biography, including his complicated relationship with the Impressionists. The artist’s entire career is covered, from his early days copying the Old Masters through 1912, when failing eyesight caused him to cease working. Following a broadly chronological approach, Lloyd discusses Degas’s images of dancers, nudes, milliners, and the less well-known racehorse and landscape drawings. His extensive research, which included consulting the artist’s detailed notebooks, results in a fascinating and comprehensive exposition of Degas’s work, at the heart of which are beautiful reproduction of over 200 pencil, black-chalk, pen-and-ink, and charcoal drawings and pastels. |
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Here is an alphabetically presented, richly illustrated guide to 88 of the most creative bicycle makers working today, includes established names such as Achielle, Cielo Cycles and Corima and new kids on the block such as Art & Industry, Bondi Beach Cruisers and Foffa, as well as product designers (Torkel Dohmers, Marc Newson). Today's cyclists are seeking increasingly custom-made bicycles as reflections of their personalities whether a Danish-style cargo bike, a recumbent, a cyclocross trainer or a randonneur. Often working in tiny studios and workshops in hidden parts of our cities, the master craftsmen featured in these pages produce pieces that are highly personal and sought after and rarely seen. |
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Modern art, reflecting and defining new intellectual, scientific and technological developments, has radically extended the conventional media of sculpture and painting. Following innovative ideas about representation and the free use of materials in Cubism, Futurism and Surrealism — particularly in the work of Duchamp — artists abandoned strict adherence to traditional hierarchies of media and embraced any means, including technological, which best served their purposes. In the last 50 years especially, ideas about time and duration have reinstated narrative in art, via film-making and video, the theatricality of Happenings, Performance and Installation art, digitally manipulated photography and Virtual Reality. This pioneering book, originally published under the title New Media in Late 20th-Century Art, discusses the most influential artists internationally — from Eadweard Muybridge to Robert Rauschenberg, Bill Viola and Pipilotti Rist — and those seminal works which have radically transformed the map of world art. |
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This authoritative survey of the work of Italian Renaissance painter Paolo Veronese presents masterfully reproduced works accompanied by an astute text by Alessandra Zamperini. |
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One of the most evocative photographic memoirs every published. It was known that Brassai had taken a series of 'secret photographs' which could not be published because of their daring nature — the forbidden Paris, a sordid bas-monde where high society mingled with the underworld. |
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«The Body in Contemporary Art» presents an international survey of art made over the last two decades in which the human form is central. Featuring work across a range of media, from painting and sculpture to installation, video art and performance, the book examines the different roles played by the body in art, from being the subject of portraiture to becoming an active presence in live and participatory events. Including the work of both internationally renowned and up-and-coming artists from Francis Alys, Marlene Dumas and Matthew Barney to Oleg Kulik, Olafur Eliasson and Ernesto Neto, the book shows how the body continues to be pivotal to our understanding and expression of our place in the universe.» |
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In April 1979, a book of fifteen colour photographs by William Eggleston was published in a limited edition of twenty. The photographs were taken from the second chapter of an unpublished larger work entitled Wedgewood Blue. Amidst his publications Chromes (2011), Los Alamos Revisited (2012), and the upcoming Democratic Forest (2014) and Election Eve (2016), all documenting his lifetime work, At Zenith constitutes a calm and experimental intermezzo from Eggleston's familiar loudness and intensity of colours. The photographer pointed his camera at the sky to focus on the clouds rolling by. |
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