|
|
|
Книги издательства «SKIRA»
|
A revolutionary movement, founded in 1924 by André Breton, dedicated to expressing the imagination as revealed in dreams. The surrealist circle was made up of many great artists, including Jean Arp, Max Ernst, Man Ray, Joan Miró, René Magritte, and Salvador Dalí. |
|
«Novembre is a solo voice in today’s chorus of minimalism. He creates interiors, furniture, designs, and installations by «mixing old and new materials, setting the time zone between Byzantium and Blade Runner.» This book is a comprehensive survey of his designs to date.» |
|
This supercondensed monograph looks at the paintings of Modigliani, known for his stylized portraits with tapering necks, from his debut in Italy to his time in Paris, as well as how the artist was able to merge the heritage of his country with the ideas of the artistic avant-garde and African art. |
|
One of the most complete monographs of the artist to date, this volume depicts the career of Roy Lichtenstein, one of the finest American pop artists of his era. Roy Lichtenstein (1923-1997) was the master of the stereotype, and the most sophisticated of the major pop artists. An emblematic protagonist of the New York art scene of the second half of twentieth century, he became a legend in his prolific lifetime. Even now, thirteen years after his death, his works and lexicon of symbols, subjects and themes continue to intrigue the art world. Published on the occasion of the major exhibition at the Milan Triennial, this monograph covers the entire artistic development of Roy Lichtenstein, through more than 250 paintings and sculptural works, a rich photographic section including unpublished material, and critical text. The reproductions of Lichtenstein’s work are large-format, in full color. The insightful quotes and most of the references to his personal life serve to explain how his art evolved or how he came to be in a particular place in the world. This deluxe edition (large square format with padded cover) offers a dynamic and provocative look at the works of Lichtenstein through a powerful combination of text and visual elements. It will appeal to Lichtenstein fans, critics, dealers, and anyone interested in contemporary art. |
|
The never-before-published wardrobe of a timeless star, for lovers of fashion, photography and film history. Greta Garbo’s influence over fashion has transcended time. Her dresses, suits, impeccably-tailored coats with a slightly masculine look and the indispensable accessories (shoes, bags, glasses, foulards) has created a style emulated, imitated, even occasionally reviled, but never fully examined. For the first time a catalogue of great glamour and a travelling exhibition detail this extraordinary wardrobe whose minimalism fits so well with current fashion trends. Edited by Stefania Ricci, the Director of Museo Salvatore Ferragamo in Florence, as the Divine Greta Garbo was a Ferragamo client from the 1920s until her death, and the founder of the Italian maison designed hundreds of original, classical, futuristic, hand-made shoes and sandals exclusively for her, most of them shown here for the first time. A stunning selection of black and white Garbo portraits by celebrated photographers completes the volume. |
|
«The fifth book in the series, this volume concludes this extraordinary publishing project by analyzing the fascinating and controversial phenomena of contemporary art. This volume presents ten chapters, each written by an international expert. To mention just a few: exhibition curator Nicolas Bourriad discusses installations, video and action art in the post-media age. Gabriella Belli, director of the Mart of Trento and Rovereto, tells of the «meaning» of the contemporary museum. Paco Barragán, cultural broker, describes art fairs and explains what is understood by the term neobiennialism. And ample space is also devoted to the critical definitions of contemporary art, to the art market and the new way of collecting, to the relationship between art and politics, to the new, confusing frontiers of photography. Each of these major chapters is followed, in alphabetical order, by the biographies of dozens of contemporary artists, illustrated through their most significant works.» |
|
«This book on the art of the twentieth century is published almost ten years after the end of the so-called «short century»—which, in terms of art, was anything but short—and is a valuable tool for reflection. The author has placed a series of works in sequence, accompanied by easy to understand critical commentary. With concise introductions devoted to every significant art movement and more than 400 color illustrations, this volume enables the reader to become familiar with the fascinating and complex world of contemporary art from futurism to pop-art, dada to conceptual. Presented are some of the most famous artists of the twentieth-century—from Arp to Brancusi, Bacon to Basquiat, Gris to Koons, Gaudi to Schnabel, Warhol to Grant Wood—and their greatest masterworks—never before have they been so accessible as they are in this format.» |
|
Emilio Cavallini is a high quality italian brand, offering a touch of class to the hosiery industry. The Emilio Cavallini style is unmistakable for its creativity: geometric cuts, optical motifs, strong colors. Since 1980, when the Emilio Cavallini brand was registered, the designer has been strongly expressing his determined style: unconventional, eccentric, ever changing. Currently Emilio Cavallini is working on a building and archive with the patterns and techniques he developed in 40 years of design. He also nourishes his passion for current and ancient art. This passion leads him to build art pieces of various forms and dimensions using tights as if they were strings. This book is dedicated to this passion for art and his creativity as a fashion designer. |
|
A beautifully designed monograph surveying the works of the highly acclaimed contemporary photographer. Kenna’s photographs captivate viewers through their silent drama and magnetism: rather than being accurate descriptions of a place, the photographer seems interested in capturing the invisible lines which enclose space, and in so doing arousing a viewer’s imagination and reverie. This catalog showcases 290 black-and-white photographs: 200 trace the artist’s career, from early 1970s images shot in England, to the photographs of the following three decades, which result from travels and commissions in every continent throughout the world; 35 record Venice’s everlasting appeal; 20 reflect one of Kenna’s most important jobs, that of recording the Nazi concentration and extermination camps. |
|
A fascinating analysis of the styles, techniques, and subjects in which de La Tour worked introduces the master of the nocturnes to a general audience. Georges de La Tour played a particular role in the history of art. Although today he is recognized as one of the most celebrated and beloved French painters, after his death in 1652 he sank into complete oblivion. Three centuries had to pass before historians rediscovered him. Then, little by little, from 1915 onwards, scholars reconstructed his works, his career, and his life. Starting out from an analysis of two of the artist's masterpieces, St. Joseph the Carpenter and The Adoration of the Shepherds, and through a series of well illustrated and accessible essays, rich in information and historical references, some of the greatest international historians and art historians cover almost his entire output, models, and sources of inspiration, as well as his iconography and technique. |
|
Architect and photographer Francesco jodice's artistic research deals with the relations between social behaviour and the transformation of the contemporary urban landscape. |
|
The Dassiers (Jean Dassier,1676-1763 and his two sons, Jacques-Antoine, 1715-1759 and Antoine, 1718-1780) were the only medalists of their time to have had the honour of being mentioned in the Encyclopedie by Diderot and DAlembert, in which one can read that they have rendered their names famous through their same talent: their fine medals after nature and several other works emerging from their burin prove that they are worthy of being counted amongst the most celebrated engravers. The book examines the works that established the reputation of the Dassiers, starting with an elegant silver watch case by Jean Dassier for the Fabrique de Geneve (Paris, Louvre), three series of small medals or tokens: The Metamorphoses by Ovid (1717; 60 pieces) and Illustrious men of the century of Louis XIV (1723-1724; 73 pieces) and, finally, The Church reformers (1725; 24 pieces). This last series was dedicated to William Wake, Archbishop of Canterbury, who offered the Dassiers his support in obtaining royal authorization to strike two major series, The Kings of England (1731-1732) and Famous Britons (1731-1738). Borrowing from the fame of his father throughout Europe, Jacques-Antoine, a former pupil of the Ecole de Rome, threw himself into the creation of a new series dedicated to worthies in England, including savants, writers and politicians. At the peak of his career, he had the privilege of producing a portrait of Montesquieu, a work that is a milestone in the history of art (1753). This European reputation ensured that he was invited as engraver to the court of Russia, where he produced his last masterpiece, The founding of the University of Moscow (1754), decorated with an extremely bold portrait of the Empress Elizabeth. The death of Jacques-Antoine in 1759 and of his father four years later marked the end of a glorious artistic and commercial enterprise after 60 years of activity. |
|
A groundbreaking work, edited by Germano Celant in collaboration with the artist and her New York studio, which enriches our knowledge of Louise Bourgeois. Over a long career she worked through most of the twentieth century's avant-garde artistic movements from abstraction to realism, yet always remained uniquely individual, powerfully inventive, and often at the forefront of contemporary art. She was one of the world’s most respected sculptors, best known for her public-space pieces, grand-scale sculptures of spiders so large they must rest outside. But beginning in the 1960s, she used her own clothing and that of her loved ones as components of her sculptures and designs: a reincarnation of her childhood and her past. Her art would expand into new realms in 2002 when she began to weave together scraps of iridescent-colored fabric, creating works that vary from figures of flowers to chromatic abstractions, constituting a repertoire of truly surprising interweaves. This set of images is collected here in its entirety for the first time, constituting the closest thing yet to a general catalog. |
|
The updated story of the Italian company, one of the most important fashion houses in the world, with material from the company’s precious archive. Thanks to a realistic approach and an all-round sense of fashion, Max Mara has been able to sustain its principles and priorities over time, values that are recognised the world over: superior quality, fashion content, superb tailoring even in mass production, design and research and last but not least, leadership in distribution and communication. This is a real voyage into the history of fashion; and the coat, the maison's symbol, which made it famous all over the world, is the key to understanding it all. The publication of this book coincides with a retrospective featuring over eighty historical coats and numerous images that will be shown in Moscow at the prestigious State Historical Museum in November 2011. |
|
With these pictures, Leonie Purchas presents a new and innovative photographic approach to the human condition. The photographer chose to take an introspective look at herself through the members of her family. The resulting photos form a highly personal and emotional record of life in the Purchas household, in which both the photographer and the other members of the family show their vulnerability. By exposing this vulnerability, Purchas breaks through the distance that often separates photographer and subject. The camera shields and at the same time opens up a world that is entirely familiar, yet nevertheless reveals itself anew. |
|
Pieter Bruegel the Elder (1528/30-1569) is one of the best-loved artists in the history of Western art. Famous for having elevated the status of landscape painting until it became a virtually independent genre, he is also considered to be the greatest 16th-century Flemish master of scenes from ordinary life. This volume presents the collection of paintings by Pieter Bruegel the Elder belonging to the Kunsthistorisches Museum. It features 12 world-famous masterpieces: The Tower of Babel, Peasant Wedding, Peasant Dance, Hunters in the Snow, Children's Games, The Fight Between Carneval and Lent, The Procession to Calvary, The Gloomy Day, The Return of the Herd, The Peasant and the Nest Robber, The Conversion of St Paul and Suicide of Saul. |
|
Salvador Dali (1904-1989), painter, sculptor, writer, and filmmaker, was one of the century's greatest exhibitionists and eccentrics. This pocket-size book tells the history of his art and life, from his early experiments to his great masterpieces, on the twentieth anniversary of his death. |
|
This pocket book is part of the Skira Mini ARTbooks: it is perfect for casual reading or easy reference: a fun and practical art history lesson that everyone can enjoy. Francis Bacon was born in Ireland of English parents in 1909 and died in 1992. Self-taught, he expressed the satirical, horrifying, and hallucinatory in such works as Three Studies for Figures at the Base of a Crucifixion (1944, Tate Gallery, London). His artwork is known for its bold, austere, and often grotesque or nightmarish imagery. |
|
Skira Mini ARTbooks is a pocket-sized series, conveniently priced, very practical and with lots of images dedicated to single international artists, artistic movements and painting genres. It is published on the occasion of the 400th anniversary of Caravaggio death, the turbulent life and revolutionary masterpieces of a genius: Michelangelo Merisi called Caravaggio. It offers a new and stimulating opportunity to penetrate the very essence of the terribly natural painter, his revolutionary and astonishing naturalistic criterion. |
|
The development of Soviet realist painting over fifty years through a selection of works from Russia's leading museums. Socialist realism remains an exceptional phenomenon in twentieth-century art. By affirming the value of content over form and restoring the central role of traditional practices, socialist realism was the declared opponent of the modern movement. In fact, it represented the only completely alternative artistic system. Created by the great Russian artists (Deineka, Malevich, Adlivankin, Laktionov, Plastov, Brodsky, Korzhev), the works present multiple themes and approaches to art, spanning from the last phases of the civil war to the beginnings of the Brezhnev era, stopping at the early 1970s when trends in Soviet art took on varied and inconsistent directions, causing the socialist-realist trend to fade. A non-monolithic view emerges, in which the movement does not originate exclusively as the product of totalitarian control and political pressures but as an evolving organism that reflected internal issues and echoed the great historic events of the twentieth century. |
|
