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Книги Shakespeare William
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Dès ses premières représentations à la fin du XVIe siècle, la pièce de Shakespeare connaît un succès considérable. Le dramaturge anglais donne à l'histoire tragique des deux amants de Vérone une dimension mythique. L'édition Classico propose la traduction de J.-M. Déprats, publiée en 2002, et qui est aujourd'hui considérée comme la traduction de référence. Dans le volume de l'édition, de nombreux éclairages sur les adaptations musicales et cinématographiques de l'œuvre (Histoire des arts). Groupements de textes de l'édition: Passions mortelles, Le poids de la fatalité. |
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This is a wonderful collection of six retellings of William Shakespeare's best-loved plays — a perfect mix of comedy, tragedy, magic and romance, retold for younger readers. It is full of colourful illustrations from the Usborne Young Reading Programme. It contains the plays: A Midummer Night's Dream, Hamlet, Macbeth, Romeo and Juliet, The Tempest, and Twelfth Night. It also includes a section at the back on the life and times of Shakespeare. |
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No Fear Shakespeare gives you the complete text of the Sonnets on the left-hand page, side-by-side with an easy-to-understand translation on the right. Each No Fear Shakespeare contains: The complete text of the original play; A line-by-line translation that puts Shakespeare into everyday language; A complete list of characters with descriptions; Plenty of helpful commentary. |
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Romeo and Juliet is one of the most famous love stories in the world. But it is more than a great love story. It is also about life and death, happiness and sadness, and the terrible hate between two great families. Shakespeare's beautiful tale is still as popular today as it was more than 400 years ago. |
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'Hail, Macbeth, who will be king one day'. On a cold Scottish heath, three witches make a prophecy. Inspired by their words and encouraged by his evil wife, Macbeth begins his trail of destruction to gain and keep the Scottish throne. |
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This inexpensive Dover edition brings together 5 of Shakespeare's most popular comedies, all filled with humor, joy, and, above all, happy endings. From the magic and mischief of A Midsummer Night's Dream to the rollicking farce of The Merry Wives of Windsor, these masterpieces are in demand by students of literature and by general readers. |
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A complete and annotated edition of Shakespeare's non-dramatic verse, including the sonnets, Venus and Adonis and The Rape of Lucrece. |
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This is an attractive genuine bonded leather edition, with gilt-edged pages and gold ribbon marker that will make an elegant addition to any home library. This is a beautiful collection of Shakespeare's works that will be treasured forever; a wonderful gift idea. William Shakespeare is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. His plays remain highly popular today and are constantly studied, performed and reinterpreted in diverse cultural and political contexts throughout the world. |
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Shakespeare's enduring characters are set adrift in present-day Athens, but a present with a massive difference — an alternative history. Rigid class systems and 'god given' monarchies of the past have not been lost. Modern technologies meet ancient tradition; and the citizens of Athens are frustrated by continuing restrictions and hierarchies. Only the forest, home to the fairies and fey spirits can offer the illicit lovers what they seek. |
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Полный, неадаптированный текст произведения. The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. Hamlet is not only one of Shakespeare's greatest plays but also the most fascinatingly problematic tragedy in world literature. First performed around 1600, this is a gripping and exuberant drama of revenge, rich in contrasts and conflicts. Its violence alternates with introspection, its melancholy with humor, and its subtlety with spectacle. The Prince, Hamlet himself, is depicted as a complex, divided, introspective character. His reflections on death, morality and the very status of human beings make him 'the first modern man'. |
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«Полный, неадаптированный текст произведения. Love, sex and death are the components of Shakespeare's classic story of the love of two young people which reaches across the barriers of family and convention. It encompasses great love, high drama, low comedy and a tragic ending. «Romeo and Juliet» is a pure tragedy of youth told in verse that is both youthful and intense. The loveliness and the music of the poetry make believable the otherwise commonplace afflictions of blighted love. The beautiful personification of some of the main characters has caused Romeo, Juliet, Mercutio and the Nurse to become part of the world's literary mythology.» |
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King John had a distinguished life on the eighteenth and nineteenth-century stage, and this edition presents the fullest account of its stage history. The play's political importance, its rich and varied language, and its skillful design suggest that King John deserves a high place among Shakespeare's historical tragedies. The textual analysis includes examination of several disputed emendations to the text. In the appendix, Beaurline surveys the arguments about the dating of Shakespeare's King John and the anonymous Troublesome Reign of King John, presenting new evidence for the possibility that Shakespeare's play was written first. |
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For this updated edition, David Bevington has included in his introductory section a thorough consideration of recent critical and stage interpretations of Antony and Cleopatra, demonstrating how the theatrical design and imagination of this play make it one of Shakespeare's most remarkable tragedies. The edition is attentive throughout to the play as theatre: a detailed, illustrated account of the stage history is followed, in the commentary, by discussion of staging options offered by the text. The commentary is especially full and helpful, untangling many obscure words and phrases, illuminating sexual puns, and alerting the reader to Shakespeare's shaping of his source material in Plutarch's Lives. This is a scholarly edition, but its scholarship is not intrusive: it will also satisfy those approaching the play for the first time. |
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This generously annotated updated edition of Coriolanus provides a thorough reconsideration of Shakespeare's remarkable, and probably his last, tragedy. A substantial introduction situates the play within its contemporary social and political contexts — dearth, riots, the struggle over authority between James I and his first parliament, the travails of Essex and Ralegh — and pays particular attention to Shakespeare's shaping of his primary source in Plutarch's Lives. It presents a fresh account of how the protagonist's personal tragedy evolves within Shakespeare's most searching exploration of the political life of a community. The edition is alert throughout to the play's theatrical potential, while the stage history also attends to the politics of performance from the 1680s onwards, including European productions following the Second World War. A new introductory section by Bridget Escolme covers recent productions of Coriolanus, and criticism of the last ten years, with particular focus on gender and the play's politics. |
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This is the most extensively annotated edition of Macbeth currently available, offering a thorough reconsideration of one of Shakespeare's most popular plays. A full and accessible updated introduction studies the immediate theatrical and political contexts of Macbeth's composition, especially the Gunpowder Plot and the contemporary account of an early performance at the Globe. It treats such issues as whether the Witches compel Macbeth to murder; whether Lady Macbeth is herself in some sense a witch; whether Banquo is Macbeth's accomplice in crime; and what criticism is levelled against Macduff. Several possible new sources are suggested, and the presence of Thomas Middleton's writing in the play is proposed. An extensive, well-illustrated account of the play in performance examines several cinematic versions, such as those by Kurosawa and Roman Polanski, and a brand new introductory section on recent performances and adaptations brings the edition completely up-to-date. |
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This new edition of Shakespeare's Cymbeline takes full account of the critical and historical scholarship produced in the late twentieth century. It foregrounds the elements of romance, tragicomedy and Jacobean stagecraft which together shape the play; it also acknowledges the postmodern indeterminacy of the play's key moments. Martin Butler breaks with the legacy of the sentimental Victorian reading of the heroine, Innogen, which still exerts some hold on production and interpretation today, and has given greater space than his predecessors to the politics of 1610, especially to questions of British union and nationhood. The play has been freshly edited from the text in the 1623 folio, with some interesting textual choices, and has a detailed commentary on linguistic and historical aspects of the text. There is also a full treatment of the play's stage history, from 1610 to the present day. |
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Love's Labour's Lost, the first work to bear Shakespeare's name on its title page, differs greatly from his other early plays both for its highly unorthodox ending and its extraordinary use of language. This new edition presents a highly readable, modernised text of the play, freshly edited from the first quarto published in 1598. A thorough but concise scholarly and critical commentary provides exciting new perspectives on Love's Labour's Lost, and a comprehensive introduction discusses the significant elements of the play and its place in theatrical history. New critical trends are reflected in the special attention paid to the play's performance history since 1950, including films and adaptations, with illustrations of several productions. Engaging and illuminating, this will be an invaluable guide for seasoned scholars as well as students approaching the play for the first time. |
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This new edition of Shakespeare's The Merry Wives of Windsor focuses on a theatrical understanding of the play. While emphasising the liveliness of the play in stage terms, David Crane also claims that this citizen comedy needs to be taken much more seriously than in the past, as an expression of Shakespeare's fundamental understanding of human life, conveyed centrally in the character of Falstaff. In the process he also examines Shakespeare's free and vigorous use of different linguistic worlds within the play. The revision of this edition includes a response to some current arguments about the dating of Merry Wives, and also considers how recent productions bear upon the critical and theatrical account Crane gives of the play. |
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