|
|
|
Random House, Inc.
|
«Welcome to Animal House, where occupancy is strictly limited to the furry, the feathered, the hoofed, and the clawed. In this tongue-in-cheek peek at critters great and small, photographer Catherine Ledner has brought the animals indoors to create a collection of magical and clever portraits unlike any you’ve ever seen before. Discover a series of brightly-colored rooms, lined with plush carpets and bold decorative wallpapers, each inhabited by a different creature. Here is the flirty flamingo posing her posterior quite purposely, the painfully shy armadillo who cannot even face the camera, the kindly cow mugging shamelessly for laughs, the turkey caught in the midst of his macho march, and dozens more. Die cuts featuring cutouts of keyholes, windows, and skylights provide teasing glimpses of what dwells behind the next door or curtain, and gatefolds reveal surprising neighbors--such as the sly fox and the unkowing hen... Ledner’s whimsical images are perfectly paired with a selection of sophisticated light verse, witticisms, and humorous poetry from the likes of Oliver Herford and Ogden Nash: «The Cow is of the bovine ilk, One end is moo, the other milk.» What emerges is a marvelous fantasy world where the animals rule the roost and the turn of every page offers unexpected delights.» |
|
Omerta, the Sicilian code of silence, has been the cornerstone of the Mafia's sense of honor for centuries. Born in the Sicilian hills, omerta carried the Mafia through a hundred years of change, but now at the century's end it is becoming a relic from a bygone age. Honor may be silent — but money talks. New York — a mob boss is assassinated. His nephew Astorre Viola and the head of the city's FBI both launch investigations into the murder. But this time silence spreads like a contagion: the silence of rival gangs, the silence of crooked bankers, even the silence of the courts. The world of the Mafia is riven with greed, and Viola knows that now is the time to claim his destiny... |
|
The star of The Lorax by Dr. Seuss makes his Step into Reading debut in this rhymed reader that offers kids easy suggestions for going green! After explaining how the trash in a wastebasket ultimately ends up in a landfill or incinerator, the Lorax suggests realistic ways children can reduce waste, such as by carrying a lunch box, donating old clothes and toys, sharing magazines with friends, recycling cans and bottles, and using rechargeable batteries. He also explains how they can save energy around the home by turning off lights, taking shorter showers, donning sweaters to stay warm, and much, much more. All in all, this is a great introduction to helping the Earth and helping kids step into reading! |
|
Night Shift — Stephen King's first collection of stories — is an early showcase of the depths that King's wicked imagination could plumb. In these 20 tales, we see mutated rats gone bad ( Graveyard Shift ); a cataclysmic virus that threatens humanity ( Night Surf, the basis for The Stand ); a smoker who will try anything to stop ( Quitters, Inc. ); a reclusive alcoholic who begins a gruesome transformation ( Gray Matter ); and many more. This is Stephen King at his horrifying best. |
|
«The only daughter of a European banking dynasty, Raphaella had always been sheltered from the world. Married to a much older American, she was kept in the privacy of great luxury, tended to by servants, watched over by bodyguards. She was the beautiful dark-eyed woman the young lawyer from San Francisco, Alexander Hale, saw sitting alone one misty evening. Before he could approach her, she rushed away into the garden. She was the «perfect stranger» he couldn't forget. When they met again their lives would change forever.» |
|
The fifth volume in the greatest epic work of the modern age The future of the Seven Kingdoms hangs in the balance. In the east, Daenerys, last scion of House Targaryen, her dragons grown to terrifying maturity, rules as queen of a city built on dust and death, beset by enemies. Now that her whereabouts are known many are seeking Daenerys and her dragons. Among them the dwarf, Tyrion Lannister, who has escaped King's Landing with a price on his head, wrongfully condemned to death for the murder of his nephew, King Joffrey. But not before killing his hated father, Lord Tywin. To the north lies the great Wall of ice and stone — a structure only as strong as those guarding it. Eddard Stark's bastard son Jon Snow has been elected the 998th Lord Commander of the Night's Watch, but he has enemies both in the Watch and beyond the Wall, where the wildling armies are massing for an assault. On all sides bitter conflicts are reigniting, played out by a grand cast of outlaws and priests, soldiers and skinchangers, nobles and slaves. The tides of destiny will inevitably lead to the greatest dance of all. |
|
Word geeks (1984), rejoice! Crack open these covers and immerse yourself in a mind-expanding (1963) compendium of the new words (or new meanings of words) that have sprung from American life to ignite the most vital, inventive, fruitful, and A-OK (1961) lexicographical Big Bang (1950) since the first no-brow (1922) Neanderthal grunted meaningfully. From the turn of the twentieth century to today, our language has grown from around 90,000 new words to some 500,000 — at least, that's today's best guesstimate (1936). What accounts for this quantum leap (1924)? In There's a Word for It, language expert Sol Steinmetz takes us on a super califragilistic expeditious (1949) joyride (1908) through our nation's cultural history, as seen through the neato (1951) words and terms we've invented to describe it all. From the quaintly genteel days of the 1900s (when we first heard words such as nickelodeon, escalator, and, believe it or not, Ms.) through the Roaring Twenties (the time of flappers, jalopies, and bootleg booze) to the postwar 50s (the years of rock ’n’ roll, beatniks, and blast-offs) and into the new millennium (with its blogs, Google, and Obamamania), this feast for word lovers is a boffo (1934) celebration of linguistic esoterica (1929). In chapters organized by decade, each with a lively and informative narrative of the life and language of the time, along with year-by-year lists of words that were making their first appearance, There's a Word for It reveals how the American culture contributed to the evolution and expansion of the English language and vice versa. Clearly, it's must-reading (1940). And not to disparage any of the umpteen (1918) other language books on the shelf — though they have their share of hokum (1917) and gobbledygook (1944) — but this one truly is the bee's knees and the cat's pajamas (1920s). |
|
Precious Jones, an illiterate sixteen-year-old, has up until now been invisible to the father who rapes her and the mother who batters her and to the authorities who dismiss her as just one more of Harlem's casualties. But when Precious, pregnant with a second child by her father, meets a determined and radical teacher, we follow her on a journey of education and enlightenment as she learns not only how to write about her life, but how to make it truly her own for the first time. |
|
Apple is the opposite of her outspoken mother and gossipy, chatty best friends; she’s always been the cool, calm, and collected one. But her life is about to spiral out of control. Apple’s super-sized, secret crush on her friend Zen leads her into major trouble. And she’s realizing it might not have been such a good idea to pose as her mother–the famous talk show host and self-help guru, Dr. Bee Berg–and send out fake advice emails to keep her (devastatingly beautiful) friend Happy away from Zen. Before she knows it, her best friend hates her, the whole school knows about her crush, and she is humiliated on national TV. How much more will it take for Apple to learn that taking advice is just as important as giving it? |
|
The Psychologists would call it folie a deux... 'Bruno slammed his palms together.' Hey! Cheeses, what an idea! I kill your wife and you kill my father! We meet on a train, see, and nobody knows we know each other! Perfect alibis! Catch? From this moment, almost against his conscious will, Guy Haines is trapped in a nightmare of shared guilt and an insidious merging of personalities. |
|
Diary takes the form of a 'coma diary' kept by one Misty Tracy Wilmot as her husband lies senseless in hospital after a suicide attempt. Once she was an art student dreaming of creativity and freedom; now, after marrying Peter at art school and being brought back to once quaint, now tourist-overrun Waytansea Island, she's been reduced to the condition of a resort hotel maid. Peter, it turns out, has been hiding rooms in houses he's refurbished and scrawling vile messages all over the walls. Angry homeowners are suing, and Misty's dreams of artistic greatness are in ashes. But then, as if possessed by the spirit of Maura Kinkaid, a fabled Waytansea artist of the nineteenth century, Misty begins painting again, compulsively. The canvases are taken away by her mother-in-law and her doctor, who seem to have a plan for Misty — and for all those annoying tourists... |
|
Richard Yates was acclaimed as one of the most powerful, compassionate and accomplished writers of America's post-war generation. Whether addressing the smothered desire of suburban housewives, the white-collar despair of Manhattan office workers or the heartbreak of a single mother with artistic pretensions, Yates ruthlessly examines the hopes and disappointments of ordinary people with empathy and humour. |
|
SLOW: Life in a Tuscan Town is an unprecedented photographic personal journey into the heart of hidden Tuscany that celebrates the principles that define the Slow Food movement and pays tribute to the region’s kaleidoscope of vibrant characters, whose shared culture revolves around the everyday pleasure of growing, preparing, and eating food. With an anecdotal charm reminiscent of Peter Mayle’s A Year in Provence, Douglas Gayeton’s interplay of pictures and words conveys a thrilling narrative that transports you halfway around the globe to the charming town of Pistoia, nestled in the outskirts of Florence. There we meet the mushroom hunters and sheep farmers, the winemakers and fishermen, the bakers, butchers and chocolate makers whose lives are profoundly bound to the rhythms of nature. It is a riveting story told in a riveting way: each image comprised of multiple photographs taken over a period of time that can range anywhere from ten minutes to several hours, and layered with Gayeton’s handwritten notes, recipes, facts, and sayings. With this process, Gayeton has managed to introduce the concept of story and time; both compressed and exploded, into his portraits. The result is a photographic approach critics have dubbed flat film; the effect is exhilarating. As Gayeton observes, “What my eyes saw was always grander than any lens could capture…How could I introduce the presence of time, of an emerging and evolving story comprised of not one, but many moments, into a single photograph?” In the accompanying text, Gayeton offers an absorbing first person account of his immersion into rural Italian culture, offering an intimacy that draws us deeper into this romantic and rustic world. A photographer, a pioneering new media creator, a wonderful writer and an award winning documentarian, Gayeton is passionately interested in food, culture, art, and people. |
|
Sophie Rose is a crime reporter at a major Chicago newspaper and the daughter of Bobby Rose, a charming gentleman and big-time thief. When asked to write an exposé about her notorious father, Sophie quits and goes to work at a small newspaper, covering local personalities such as William Harrington, the 5K runner whose trademark is red socks. Those socks—with Sophie’s business card tucked inside—are practically all that’s found after Harrington is killed near Prudhoe Bay, Alaska, seemingly in a brutal polar bear attack. Sophie heads north to investigate, but danger follows in her wake. After one attempt on her life, she’s assigned brash but sexy Jack MacAlister as a bodyguard. But Sophie and Jack will soon be fighting more than their growing passion for each other. Powerful forces will stop at nothing to prevent the exposure of the sinister conspiracy Sophie and Jack are about to uncover. |
|
Ellie Enderlin spent most of her childhood living in her sister's shadow. Lila was the good daughter — a mathematical genius who could do no wrong in their parents' eyes. Whereas Ellie was younger, wilder and could never quite match up. Until one day the shape of their family changes forever. Lila is brutally murdered. In the aftermath of her sister's death, Ellie entrusts her most intimate feelings to a man who betrays her utterly by turning the story into a bestselling true crime book — a book that both devastates her family and identifies one of Lila's professors as her killer. Twenty years later and two Americans meet by chance in a remote village in Nicaragua. Ellie is now a professional coffee buyer, an inveterate traveler and incapable of trust. Peter is the academic who saw his career ruined by being named as Lila's killer. He protests his innocence and leaves Ellie with a gift — the notebook that Lila carried everywhere, a piece of evidence not found with her body. Stunned, Ellie will return home to San Francisco to explore the mysteries of Lila's notebook, filled with mathematical equations, and begin a search that has been waiting for her all these years. It will lead her to discover more about the lover no one knew Lila had, to the motives and fate of the man who profited from their family's anguish — and to the deepest secrets even sisters keep from each other. |
|
Growing up in Boiling Springs, North Carolina, in the '70s and '80s, Linda Hammerick knows that she is different. She has strong, almost paralysing associations between words and tastes; she doesn't look like everyone else; and she isn't popular at school. She finds her way through life with the help of her great uncle 'Baby' Harper, who loves her and loves to dance, and her best friend fat-thin-fat Kelly with whom she has been exchanging letters since they were seven. But then a tragedy and a revelation will make her question everything she thought she knew about herself and her family. |
|
Offers an account of the legal case against a fictional woman condemned to death for secretly burying her dead, illegitimate newborn in Cromwell's England. |
|
Enderby — poet, social critic, comrade and Catholic — is endlessly hounded by women. He may be found hiding in the lavatory where much of his best work is composed, or perhaps in Rome, brainwashed into respectability by a glamorous wife, aftershave and the dolce vita. But whether he is pursuing revenge and inspiration in Morocco, expounding on his notorious sex film on a TV chat show, or writing a hit musical based on the life and work of Shakespeare, Enderby emerges triumphant. |
|
There was a bloodied knife on Allbran's bed. Lady Gateway Barker knew what she had to do; what all the royals in Summerseve did when somebody tried to kill a member of their family: gather up a bunch of people and horses, and go from one place to another. |
|
Set in the Gulf Stream off the coast of Havana, Hemingway's magnificent fable is the story of an old man, a young boy and a giant fish. It was The Old Man and the Sea that won for Hemingway the Noble Prize for Literature. Here, is a perfectly crafted story is a unique and timeless vision of the beauty and grief of man's challenge to the elements in which he lives. |
|
