|
|
|
Random House, Inc.
|
«This book is the follow up to the previous volume, «On Beauty». Apparently beauty and ugliness are concepts that imply each other, and by ugliness we usually mean the opposite of beauty, so all we need do is define the first to understand the nature of the second. But the various manifestations of ugliness over the centuries are richer and more unpredictable than is commonly thought. The anthological quotations and the extraordinary illustrations in this book lead us on a surprising journey among the nightmares, terrors, and loves of almost three thousand years, where acts of rejection go hand in hand with touching gestures of compassion, and the rejection of deformity is accompanied by decadent ecstasies over the most seductive violations of all classical canons.Among demons, madmen, horrible enemies, and disquieting presences, among horrid abysses and deformities that verge on the sublime, among freaks and the living dead, we discover a vast and often unsuspected iconographic vein. So much so that, on gradually encountering in these pages the ugliness of nature, spiritual ugliness, asymmetry, disharmony, disfigurement, and the succession of things sordid, weak, vile, banal, random, arbitrary, coarse, repugnant, clumsy, horrendous, vacuous, nauseating, criminal, spectral, witchlike, satanic, repellent, disgusting, unpleasant, grotesque, abominable, odious, crude, foul, dirty, obscene, frightening, abject, monstrous, hair-raising, ugly, terrible, terrifying, revolting, repulsive, loathsome, fetid, ignoble, awkward, ghastly and indecent, the first foreign publisher to see this book exclaimed: 'How beautiful ugliness is!'» |
|
«The hill people and the Mexicans arrived on the same day. It was a Wednesday, early in September 1952. The Cardinals were five games behind the Dodgers with two weeks to go, and the season looked hopeless. The cotton, however, was waist high to my father, almost over my head, and he and my grandfather could be heard before supper whispering words that were seldom heard. It could be a «good crop». Thus begins the new novel from John Grisham, a story inspired by his own childhood in rural Arkansas. The narrator is a farm boy named Luke Chandler, age seven, who lives in the cotton fields with his parents and grandparents in a little house that's never been painted. The Chandlers farm eighty acres that they rent, not own, and when the cotton is ready they hire a truckload of Mexicans and a family from the Ozarks to help harvest it. For six weeks, they pick cotton, battling the heat, the rain, the fatigue, and sometimes, each other. As the weeks pass Luke sees and hears things no seven year old could possibly be prepared for, and finds himself keeping secrets that not only threaten the crop but will change the lives of the Chandlers forever. «A Painted House» is a moving story of one boy's journey from innocence to experience.» |
|
«In this first of a series, David Talbot, vampire survivor of «Memnoch the Devil», calls forth Pandora, last seen in «Queen of the Damned», to tell her own extraordinary tale. Once a mortal girl in ancient Rome, she was given immortality by Marius, her lover and the dark genius of the Lestat novels.» |
|
Ten years on from Trainspotting, Simon 'Sick Boy' Williamson is back in Edinburgh after a long spell in London. Having failed spectacularly as a hustler, pimp, husband, father and businessman, Sick Boy taps into an opportunity, which to him represents one last throw of the dice. However, to realize his dream of directing and producing a pornographic movie, Sick Boy must team up with old pal and fellow exile Mark Renton and a motley crew that includes the city's favourite ex-aerated-water-salesman, 'Juice' Terry Lawson. In the world of Porno, however, nothing is straightforward, as Sick Boy and Renton find out that they have unresolved issues to address, concerning the increasingly unhinged Frank Begbie, the troubled, drug-addled Spud, but, most of all, with each other. |
|
«Former KGB spy Vladimir Putin, named Prime Minister of Russia in 1999 and, one year later, President, has been something of a media darling in the West, having successfully marketed himself as an enlightened leader with both feet planted firmly on the Eastern borders of Europe. Anti-establishment journalist and human-rights activist Anna Politkovskaya disagrees strenuously with this point of view. In her new book, she trains her steely gaze on, as she puts at, Putin «without the rapture». From her privileged vantage-point at the heart of Russian current affairs, Politkovskaya reports from behind the scenes, dismantling both Putin the man and Putin the brand name, arguing that he is a power-hungry product of his own history in the security forces and so unable to prevent himself from stifling dissent and other civil liberties at every turn. After centuries of living under tyrants, Politkovskaya argues, this is not what contemporary Russians want. The book is, however, not simply a biography or an analysis of Putin's presidency. Politkovskaya's writing is known for its humanity and its passion, and her focus is on individual human beings and their stories. As she puts it, «my book is jottings made on the margins of life in Russia. For the time being, I cannot analyse that existence. I'm just living and noting what I see». So her readers are treated to expos-s of mafia dealings and scandals in the provinces, of corruption in the military and the judiciary, of the decline of the dissident intelligentsia and concomitant rise of street traders, and of the truth behind the Moscow theatre siege. Other shocking stories fill out an intimate portrait of nascent civil institutions being subverted under the unquestioning eyes of the West.» |
|
Set in Reformation Europe, Q begins with Luther's nailing of his 95 theses on the door of the cathedral church in Wittenberg and traces the adventures and conflicts of two central characters, an Anabaptist, a member of the most radical of the Protestant sects, the anarchists of the Reformation, and a Catholic spy and informer, as they travel across Germany, Italy and the Netherlands. The four young writers who shelter behind the pseudonym Luther Blissett have created a world of intrigue, violence and intense political and religious passion. Far from the traditional historical novel, Q is the stuff of which cults are made. |
|
Into the intrigue and violence of Indo-China comes Pyle, a young idealistic American sent to promote democracy through a mysterious 'Third Force'. As his naive optimism starts to cause bloodshed, his friend Fowler, a cynical foreign correspondent, finds it hard to stand aside and watch. But even as he intervenes he wonders why: for the sake of politics, or for love? |
|
Tom Ripley detests murder — unless it is absolutely necessary. If possible he prefers someone else to do the dirty work; in this case, a victim of a fatal disease, with no criminal record, who will murder for a reward, in order to provide for his young widow and child. |
|
«On the 45th floor of the Matsumoto Tower in LA, the headquarters of the Japanese Electronics Corporation, celebrities from the film and music world mix with the captains of industry and politics. On the 46th floor, the dead body of a young woman is discovered. By the author of «Jurassic Park».» |
|
Greeks living in Germany who speak Italian because they run a pizzeria; Katka, whose mescalin cactus enables her to separate body and mind, with the result that they check in a psychiatric clinic together; Klaus who tries to broaden his vocabulary with the help of a radio programme, Russian for Children, and promptly ends up in jail on his first visit to Moscow; contract killers on the trams; bodies in the basement; lunatics on the road: welcome to the wonderfully absurd world of Wladimir Kaminer. Kaminer moved from Moscow to Berlin ten years ago in a lucky wave of emigration, hoping for a better life and an apartment of his own. But, he found much more: a country adrift in the extraordinary flux of reunification and a city that was casting a spell on artists, drifters, losers and hopeless idealists. Of his encounters with these people, Kaminer makes unforgettable tales of compassion and humour. And in relating the singulary offbeat encounters of his own life, he manages to capture something universal about our disjointed times. |
|
In this vast and gorgeous tapestry of a novel, serf and master, Cossack and tsar, priest and Jew are brought together in a family saga which unrolls through centuries of history to reveal that most impenetrable and mysterious of lands...Russia. Through the life of a little town east of Moscow in the Russian heartland, Edward Rutherfurd creates a sweeping family saga from the baffling contradictions of Russia's culture and her people — bleak yet exotic, brutal but romantic, land of ritual yet riddled with superstitious fears. From Russia's dawn and the cruel Tartar invasions to Ivan the Terrible and the wild Cossacks, from Peter, Catherine and the days of 'War and Peace' to the drama of the Revolution and the extraordinary events of today — here is Russia's story in a spellbinding novel...history recreated with breathtaking detail and passion. |
|
«No book in modern times has matched the uproar sparked by Salman Rushdie's «The Satanic Verses», which earned its author a death sentence. Furor aside, it is a marvelously erudite study of good and evil, a feast of language served up by a writer at the height of his powers, and a rollicking comic fable. The book begins with two Indians, Gibreel Farishta («for fifteen years the biggest star in the history of the Indian movies») and Saladin Chamcha, a Bombay expatriate returning from his first visit to his homeland in 15 years, plummeting from the sky after the explosion of their jetliner, and proceeds through a series of metamorphoses, dreams and revelations. Rushdie's powers of invention are astonishing in this Whitbread Prize winner.» |
|
«Death stalks the city of angels...Jimmy Gage, a reporter for «SLAP» magazine, stumbles on an explosive story while interviewing Garrett Walsh, an Oscar-winning Hollywood director who has just finished serving time for the murder of a teenage actress. Walsh swears he's not guilty and tells Gage he's written a movie about what really happened — «The Most Dangerous Screenplay in Hollywood». Gage is sceptical, but when Walsh turns up dead — and the screenplay missing — he goes to work to find out the truth.» |
|
Peter Ackroyd's marvellous biography is a living attempt to reach into the heart of Shakespeare. He creates an intimate and immediate connection with his subject, so that the book reads like the work of a contemporary — meeting Shakespeare afresh on his own ground. Written with intuition and imagination unique to Peter Ackroyd, this is a book by a writer about a writer, and a fascinating and detailed depiction of the world Shakespeare inhabited. |
|
Los Angeles, 1991. Maximilian Ophuls, one of the makers of the modern world, is knifed to death in broad daylight on the doorstep of his illegitimate daughter India, slaughtered by his Kashmiri driver, a mysterious figure who calls himself Shalimar the Clown. The dead man is a World War II Resistance hero, a man of formidable intellectual ability and much erotic appeal, a former United States ambassador to India, and subsequently America's counter-terrorism chief. The murder looks at first like a political assassination but turns out to be passionately personal. This is the story of Max, his killer, and his daughter — and of a fourth character, the woman who links them, whose story explains them all. The story of a deep love gone fatally wrong, destroyed by a shallow affair, it is an epic narrative that moves from California to France, England, and above all, Kashmir. At its heart is the tale of that earthly paradise of peach orchards and honey bees, of mountains and lakes, of green-eyed women and murderous men: a ruined paradise, not so much lost as smashed. Lives are uprooted, names keep changing — nothing is permanent, yet everything is connected. Spanning the globe and darting through history, Salman Rushdie's majestic narrative captures the heart of the reader and the spirit of a troubled age. |
|
On Christmas Eve 1957, alone in the cockpit of his Vampire, an RAF pilot is returning from Germany to Lakenheath on leave — 66 minutes of trouble-free, routine flying. Then, out over the North Sea, the fog begins to close in, radio contact ceases, and the compass goes haywire. |
|
«Prisoner of war, optometrist, time-traveller — these are the life roles of Billy Pilgrim, hero of this miraculously moving, bitter and funny story of innocence faced with apocalypse. «Slaughterhouse 5» is one of the world's great anti-war books. Centring on the infamous fire-bombing of Dresden in the Second World War, Billy Pilgrim's odyssey through time reflects the journey of our own fractured lives as we search for meaning in what we are afraid to know.» |
|
In these Hemingway stories, which are partly autobiographical, men and women of passion live, fight, love and die in scenes of dramatic intensity. They range from hauntingly tragedy on the snow-capped peak of Kilimanjaro, to brutal America with its deceptive calm, and war-ravaged Europe. |
|
«Emotional Intelligence was an international phenomenon, appearing on the «New York Times» bestseller list for over a year and selling more than 5 million copies worldwide. Now, once again, Daniel Goleman has written a groundbreaking synthesis of the latest findings in biology and brain science, revealing that we are 'wired to connect' and the surprisingly deep impact of our relationships on every aspect our lives. Far more than we are consciously aware, our daily encounters with parents, spouses, bosses, and even strangers, shape our brains and affect cells throughout our bodies, down to the level of our genes — for good or ill. In «Social Intelligence», Daniel Goleman explores an emerging new science with startling implications for our interpersonal world. Its most fundamental discovery: we are designed for sociability, constantly engaged in a 'neural ballet' that connects us brain-to-brain with those around us. Goleman explains the surprising accuracy of first impressions, the basis of charisma and emotional power, the complexity of sexual attraction, and how we detect lies. He describes the 'dark side' of social intelligence, from narcissism to Machiavellianism and psychopathy. He also reveals our astonishing capacity for 'mindsight', as well as the tragedy of those, like autistic children, whose mindsight is impaired. In this book Daniel Goleman delivers his most heartening news with powerful conviction: we humans have a built-in bias toward empathy, cooperation and altruism — provided we develop the social intelligence to nurture these capacities in ourselves and others.» |
|
The story of the dissolution of the once aristocratic Compson family told through the eyes of three of its members. In different ways they prove to be inadequate to their own family history, unable to deal with either the responsibility of the past or the imperatives of the present. |
|
