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Phaidon Press
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«Danny Lyon emerged as a courageous participant and recorder of the civil rights movement in America in the early 1960s. He has long been considered one of the most popular and influential American photographers and pioneered the style of photographic 'New Journalism' — immersing himself and becoming a participant in his subjects' lives and leading the way in a style of photography that has influenced a following generation of photographers such as Nan Goldin. He has received much recognition for his work including two Guggenheim Fellowships, a Rockefeller Fellowship, and ten National Endowment for the Arts awards. His work is in a number of major photography collections and he has had solo exhibitions at many museums including the Museum of Modern Art, the Art Institute of Chicago.He recently was the subject of a retrospective at the Whitney Museum of American Art in 2007. His best-known bodies of work, mostly in black and white, include «The Bikeriders», a documentation of a Chicago outlaw motorcyle club that he photographed after joining them on the road, and «Conversations with the Dead», a portrayal of life in the Texas prison system. Both projects were published as photobooks and are among the most sought-after photobooks for collectors and photo-enthusiasts. A first edition of «The Bikeriders» can now be found on auction sites for over $2000 and both books are among Parr and Badger's selection of the most important photobooks in history in Phaidon's «The Photobook: A History, Volume I». This book presents a collection of Lyon's photo essays, published in their complete form for the first time, accompanied by texts written by Lyon in his own distinctive voice.These short bodies of work range from his early colour work made in Colombia in 1966 to his recent work made in Cuba. Sexy, edgy, visceral, and rough, most of this work has never been seen before and this book also includes lesser-known examples of Lyon's work in colour. Each of the nine photo essays includes 15 to 20 photographs, and the topics include his 1966 series on the women living in a brothel in a Colombian barrio, a beautiful 1965 series on a gang of young boys from Chicago, a mesmerising and joyful black and white series on Haiti from 1983, a humorous project on derby cars and their contestants from the late 1980s, a series on the troubled youth living in the Bushwick neighbourhood of Brooklyn in the 1990s, and a stunning colour series from Cuba in 2002.An introduction by Lyon gives an insight into his motivations and his career and an interview with the highly influential photography curator, Hugh Edwards, completes the portrait of this rebellious and important figure of American photography.» |
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A personal cookbook that presents a multitude of ideas on how to cook fine and succulent pork. It features 150 recipes that are divided between thirteen chapters, including one on black pudding, one on sausages and one on ham. Each recipe is accompanied by a photograph of the dish, and between each chapter there are photographs of the region. |
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In a survey of Californian-based artist Mike Kelly, the author of this volume discusses with the artist his various aesthetic and symbolic strategies in both the American and In European contexts. Kelly's work is considered in the context of his anti-art predecessors since Dada and chronicles all of Kelly's work, from his earliest performances in the late 1970s to his large sculptural installations in the 1990s. |
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Francois Truffaut (1932-1984), French motion-picture director and critic, a leader of the nouvelle vague movement of filmmakers who rejected the slick, impersonal style of studio filmmaking for a more personal approach, in which the director has sole creative authority and is recognized as the author of a film. Truffaut was born in Paris. After a troubled childhood, he left school at the age of 14. Through his passion for film, he met Andre Bazin, founder and co-editor of the influential journal Cahiers du Cinema, for which Truffaut began writing. Throughout his filmmaking career, which began in the late 1950s, Truffaut wrote or co-authored as well as directed all his feature films, which combine comedy, pathos, suspense, and melodrama. His first film was the highly acclaimed 400 Blows (1959), the story of Antoine Doinel, a misunderstood adolescent. This semi-autobiographical protagonist is featured and further developed in Stolen Kisses (1968), Bed and Board (1970), and Love on the Run (1979). Truffaut's eclectic films also include Shoot the Piano Player (1960), mixing farce and suspense; Jules and Jim (1962), the wistful story of a love triangle; Fahrenheit 451 (1966), his one excursion into science fiction; The Wild Child (1970), based on a true 19th-century story of a dedicated doctor's attempt to civilize a feral child; Two English Girls (1971), a tale of a young man in love with two sisters; Day for Night (1973), an homage to filmmaking that won an Academy Award for best foreign film; The Story of Adele H (1975), portraying an obsessive love; Small Change (1976), exploring the lives of children in a French village; and a theatre tribute, The Last Metro (1980).Truffaut was strongly influenced by French filmmakers Jean Vigo and Jean Renoir and by English-American director Alfred Hitchcock. In Truffaut at Work, film expert Carole Le Berre looks beyond the usual anecdotal sources about Truffaut to reveal an inspired and inspiring portrait of one of the most influential directors of the 20th century. She draws heavily from Truffaut's personal papers and the archives of the film studios he worked for detailing shooting schedules, budgets, memos, letters, storyboards and transcripts of discussions with key collaborators. The result is a major reassessment of the working methods of this groundbreaking director. |
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The Three Robbers has been translated into sixteen languages and has sold millions of copies in the 45 years since it was first published. However, it has been unavailable in English for years, depriving English-speaking children around the world of one of the most memorable, entertaining, and beautiful storybooks ever published, in which good triumphs over evil in a delightfully unexpected way. Tomi Ungerer has been described as 'the direct natural descendent of the Brothers Grimm and Hans Christian Andersen' and, like all the best fairy tales, The Three Robbers is by turns scary, charming, and surprising. The book tells the story of three fierce black-clad robbers who terrorize and plunder the countryside, armed with a blunderbuss, a pepper blower, and a huge red axe. One night, they meet a small girl called Tiffany, who is on her way to live with a wicked aunt. Tiffany is delighted to meet the robbers, and they take her back to their hideout in place of their usual haul of gold and jewels. Tiffany asks what they plan to do with their riches, but the robbers had never thought about spending money before. They soon find themselves embarking on a completely new career: they gather all of the lost, unhappy, and abandoned children that they can find, and then they buy a big castle so they can give all of the children a happy home. Hailed by the New York Times Book Review as 'one of the most brilliant illustrators at work today' Tomi Ungerer writes and illustrates unique books that have been the mainstay of children s libraries around the world for almost five decades. This book was first published in 1962, the same year as Maurice Sendak's Where the Wild Things Are. After the publication of these two groundbreaking titles, both of which are far removed from the cute, safe, nursery world of cuddly toys and fluffy bunnies, storybooks for children would never be the same again. In 1990, Sendak wrote: ''Some adults look at [Ungerer's] work, then rush to drag out the bromide that explains how easy it is to make a picture book: 'Just a handful of sentences and a lot of blazing pictures.' These critics fail to see that a successful picture book is a visual poem.'' In only 300 words and 20 unforgettable pictures, Ungerer creates an entertaining, wry modern morality tale in which good overcomes evil in the end. Ungerer's little blonde orphan Tiffany is far from helpless, she is not afraid of the robbers and instead reforms them, converting their evil into goodness. By the end of the story, the robbers are using their ill-gotten gains to create a kinder, better world for other unhappy children who have been neglected by a thoughtless society. At the time of the book's first publication, Tomi Ungerer summed up the moral of the story as, 'Whatever the color of money, it is never too late to make good use of it' an intriguingly ambivalent statement that serves as a good indication of the playful, unconventional, sometimes provocative and always entertaining nature of this author. |
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«Cartoonist and illstrator Jean-Jacques Sempe has been delighting readers in France and beyond with his witty drawing and cunning eye for the finer amusements of the human condition for over 40 years. This most recent body of his work from 2003, is now available in English. In «Mixed Messages», Sempe turns his attention to the trappings of modern life, mobile phones, designer water, as well as revisiting his favourite subjects, struggling artists, aloof psychologists and unhappy couples. Now in English by the «Asterix the Gaul» translator Anthea Bell, this book appeals to Francophiles, cartoonists, and the general public.» |
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«Welles is one of the legendary film directors whose persona has been created through a myriad of myths and legends. Enfant terrible of American cinema, his groundbreaking entry into Hollywood with «Citizen Kane» propelled him to fame as a young prodigy and unfailing genius. Many studies to date have focused on this aspect of Welles, highlighting his clashes with film studios to paint a turbulent picture of an artist repressed by his producers. In this book, however, by returning to the original works and analysing the primary sources, the authors strip back the myths and rumours (many of which were created and fanned by Welles himself) to draw a realistic portrait of this most remarkable filmmaker at work. Welles possessed an exceptional ability to adapt and radically change the stylistic choices of a film to suit his production conditions.His artistic vision was so intense that the various different methods he used from one film to another, and even during the same film, inescapably led to a work stamped with his seal. Whether in control of every detail or deliberately delegating to his team, meticulously prepared or urgently improvised, Welles delighted in working to extremes and was never afraid to challenge the seemingly insuperable. This book recounts the various stages (from conception and pre-production, through the filming and editing to critical reception) of each of his films from the 1940s to the 1970s, including the celebrated «Citizen Kane», «The Magnificent Ambersons», «Othello», «The Trial» and «Touch of Evil».Discussion of each film is supported by numerous illustrations of screenplays and scripts, contracts, sketches, storyboards, models, production reports, memos, letters and correspondence uncovered by new research in European and American archives. In June 2007, «Citizen Kane» was once again voted the 'best movie ever made' by the American Film Institute. A position it has held since the institution opened its poll in 1998. The film has also been hailed by renowned directors worldwide the best film ever made, repeatedly topping the famous ten-year poll of the British Film Institute decade after decade. It is evident that interest in Welles never wanes and his remarkable body of work continuously attracts new devotees.» |
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From the late 1950s to the late 1960s the word 'Pop' described any example of art, film, photography and architectural design that engaged with the new realities of mass production and the mass media. In addition to key artworks by Andy Warhol, Roy Lichtenstein, Ed Ruscha, Richard Hamilton and many others, this book includes works of photography and avant-garde film, as well as what the critic Reyner Banham defined as pop architecture, ranging from Alison and Peter Smithson's House of the Future to Archigram's Walking City and Robert Venturi and Denise Scott Brown's Learning from Las Vegas. Edited by an internationally recognized expert on Pop art and culture, this book surveys Pop across all artforms and gives equal coverage to its American, British and European manifestations. Survey: renowned scholar and critic Hal Foster focuses on the Pop image as it developed over the period: Reyner Banham, The Independent Group and Pop Design; Richard Hamilton and the Tabular Image; Roy Lichtenstein and the Screened Image; Andy Warhol and the Seamy Image; Gerhard Richter and the Photogenic Image; Ed Ruscha and the Cineramic Image; and, Robert Venturi, Denise Scott Brown and the Postmodern Absorption of Pop. Works: each image is accompanied by an extended caption. This section is chronologically sequenced: Revolt into Style (1956-60) surveys the birth of Pop culture and its images, including the American Beat generation artists, photographers and filmmakers; Jasper Johns and Robert Rauschenberg, the French Decollageistes, Richard Hamilton and the 'British Pop' of the Independent Group. Consumer Culture (1960-63) chronicles American Pop's explosion, from Roy Lichtenstein's cartoon-based paintings to Claes Oldenburg's Store and Andy Warhol's Factory. Colonization of the Mind (1963-66) looks at American Pop's reception in Europe, in the work of Gerhard Richter, Sigmar Polke and others. Spectacular Time (1966-67) surveys late Pop developments, from Warhol's Silver Clouds to Malcolm Morley's Photorealism. Helter Skelter (1968) documents Pop's demise and transformation into postmodernism, in projects such as Robert Venturi and Denise Scott Brown's Learning from Las Vegas. |
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Surrealism is a survey of the twentieth century's longest lasting and, arguably, most influential art movement. Championed and held together by Andre Breton for over forty years, Surrealism was France's major avant-garde artistic tendency from 1924 onwards, rapidly spreading around the globe to become an international phenomenon. During World War II Surrealism's exiled artists and writers had a major impact on American art and were a primary influence for the Abstract Expressionist generation. The official surrealist movement continued to the end of Breton's life in 1966, and its legacy is still pervasive today, in contemporary art as well as in numerous quotations from surrealist imagery in cinema, advertising and the media. The Survey essay by Mary Ann Caws — a distinguished scholar, translator and associate of the Surrealists — describes in clear, perceptive and lively prose the essential characteristics that define Surrealism, as well as tracing a concise path through the chronology of this prolific and wide-ranging movement. The text also demonstrates how surrealist art and writing are interdependent. The Works section follows the movement from its beginnings in the 1920s up to the 1940s and 1950s. Its six sections trace the themes which predominated at different stages: Chance and Freedom — the earliest work, characterized by complete automatic spontaneity; Poetics of Vision — the strategies of surrealist image-making, reflecting the mind's inner visions; Elusive Objects — the fascination with objects of all kinds from which emerged artworks such as Meret Oppenheim's celebrated fur-lined cup and saucer; Desire — the investigation of desire, eroticism and 'mad love' which is central and unique to the movement; Delirium — Surrealism's high-risk engagement with extreme mental states and disturbing, uncanny visions; and, the Infinite Terrains of later Surrealism, ranging from Joseph Cornell's magical assemblages in box frames, like 'theatres of the mind', to the infinite fields and dynamic energy of late surrealist painting at the dawn of Abstract Expressionism. |
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For more than a thousand years, until its fall in 1453, the Byzantine Empire, the Christian successor to the Roman Empire in the eastern Mediterranean, stretched across large areas of Europe, North Africa and the Near East. Under successive emperors, the artists, architects and craftsmen of Byzantium (Constantinople, modern Istanbul) worked within a long-established tradition to produce superb buildings and art works of great expressive power. Churches were planned around a central, domed space, and their walls were covered in mosaics showing mysterious, stylized figures set against a shimmering gold background. Subsequent centuries tended to view Byzantine art as stagnant and corrupt, and the style was all but forgotten. From the beginning of the nineteenth century, however, the Eastern city once more began to inspire artists, architects and writers to produce not only palaces and churches, but also paintings, jewellery, interiors and art criticism. Byzantium was revitalized as a new source of inspiration, free from the associations of the other, ubiquitous styles of the nineteenth century: the Gothic and the Classical. Professor Bullen's original and pioneering interdisciplinary study presents the first coherent account of the varied manifestations of the revival of Byzantinism in Germany, Austria, France, Britain and America. The book is richly illustrated not only with original Byzantine models and the works that they inspired, but also with reproductions from the finely illustrated publications that played an important role in their own right by promoting Byzantium as an ideal. Covering the themes of politics, religion and literature as well as the arts, this book serves as an exemplary study in cultural history, providing real insight into the interplay of ideas and forms, in addition to being a fascinating account of an influential but little-known artistic movement. |
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Magnum photographer Steve McCurry has beautifully and evocatively photographed the temples of Angkor in Cambodia, among the world’s most impressive monuments. Published for the first time in paperback, over one hundred of his images of the site are collected in this stunning book, which documents a magical world of carved gods, weathered masonry, tangled vegetation and orange-robed monks. |
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This new monograph explores the life and works of Theodore Gericault (1791-1824), whose compelling career and legacy continue to captivate audiences, artists, and critics alike. In her comprehensive survey, Nina Athanassoglou-Kallmyer pays tribute to established Gericault scholarship while reassessing the career of an artist too easily miscast as the archetypal 'tortured soul' of art-historical Romantic mythology. She examines Gericault's career in the context of France under the Restauration, during which Louis XVIII s controversial rule resulted in vigorous popular debate over civic structures, the political process, and even aesthetic categories. Gericault immersed himself in these polemics, taking an intense interest in the fait divers, or 'daily happenings', of his time. The author explores his interest in medical and psychiatric science (as exemplified by a series of portraits of mental patients), his empathy for the poor and dispossessed (the subject of numerous lithographs), and the entrepreneurial spirit that led him to exhibit his epic canvas, the Raft of the Medusa, in London as a commercial venture. Gericault is presented as an artist committed to capturing contemporary life with creative integrity and dramatic verve. |
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«Francis Ford Coppola (USA, b. 1939) is the oldest of the generation of 'movie brats', including Scorsese and Spielberg, who breathed new life into the Hollywood of the 1970s. He revived the glory of the studio age with the legendary «Godfather» saga (1972-90), explored the soul of America at war in Vietnam with «Apocalypse Now» (1979) and has directed some of the greatest actors, including Brando, Pacino and De Niro. Having outgrown the role of director decreed by the major studios, he is now an independent producer and continues to direct films with undimmed brilliance («Tetro», 2009).» |
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This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology. |
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R. B. Kitaj (1932-) is recognized as a modern master whose powerful, controversial and highly personal paintings, pastels and drawings reflect his unfashionable commitment to the human figure as a subject, and his complex involvement with the art of the past, with political and social issues, and with his own Jewish identity. Marco Livingstone's definitive and much praised monograph on Kitaj is based on an extraordinary series of interviews and letters between the artist and the author, and provides full and up-to-date documentation of Kitaj's life and work. The artist himself participated actively in the design of the book, and a series of articulate and revealing 'prefaces' to his own paintings are also included here. For this expanded third edition, the author has written a new chapter surveying Kitaj's work in the 1990s, a tragic period dominated by his now famous confrontation with the critics of his 1994 retrospective exhibition, the subsequent death of his wife the artist Sandra Fisher, and his eventual return to the United States. This text is complemented by a new plate section illustrating 22 recent works, and three additional 'prefaces' written by the artist. The Bibliography and Catalogue of Works have been expanded and updated, and finally many illustrations that were black-and-white in earlier editions are now reproduced in full colour. With its fresh account of a productive and turbulent phase in Kitaj's career, this new edition will be indispensable for all admirers of the artist. |
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This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology. |
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«Marina Abramovic is a widely revered artist whose courageous performance works have revolutionized visual arts. A pivotal figure for several generations, Abramovic has been enthusiastically embraced by the newest crop of artists, critics and art historians. Her iconic endurance works have featured prominently in virtually every comprehensive survey of performance art. With a career that spans more than thirty years, Abramovic continues to produce groundbreaking new work, including the acclaimed seven-day performance «Seven Easy Pieces» at the Guggenheim in 2006. As the first book in more than a decade to look at her challenging work in its entirety, this monograph will offer a fresh take on an artist whose work is key to the latest developments in contemporary art.» |
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«Alfred Hitchcock (UK, 1899-1980) is undeniably the world's most famous film director. His name has become synonymous with the cinema, and each new generation takes the same pleasure in rediscovering his films, which are now treasures of our artistic heritage. Hitchcock started out in the British silent cinema of the 1920s, which reached its peak with successful thrillers such as «The Man Who Knew Too Much» (1934), «Sabotage» (1936) and «The Lady Vanishes» (1938). Recognized as a 'young genius', Hitchcock moved to Hollywood and set about reinventing cinematic tradition, combining the modern with the classic in films such as «Vertigo» (1957), «North by Northwest» (1959) and «The Birds» (1963). Hitchcock gave talented actors such as James Stewart and Cary Grant the chance to play enduring antiheroes and imprinted the public imagination with the myth of the 'blonde', as embodied by Grace Kelly, Kim Novak and Tippi Hedren.» |
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This book brings together the finest collection available of star clusters, galaxies, nebulae and other such spectacular phenomena caught on film. Each beautiful image, made from a series of delicate yet rich platinum prints, is accompanied by a clear and engaging caption. Malin's short texts (approximately 100 words) describe the depicted phenomena and some of the mythology surrounding them. The book is divided into nine sections, using the constellations as a framework to identify the positions of the images in the sky. Each section is introduced by a short text describing the featured constellations and a celestial map. In his introductory essay, Malin outlines the history and importance of photographing the night sky, describing how very long exposures taken with a telescope reveal stars and distant galaxies too faint to be seen by the eye. By studying galaxies, we learn about our origins and perhaps our destiny and, the origins of the ingredients of life and the destinies of stars like the Sun and the planets associated with them. Much of our current knowledge on these subjects was gleaned from black and white photographs like those in this book, which were originally taken for scientific purposes. Using the world's most sophisticated telescopes and his own revolutionary techniques, Malin brings us awe-inspiring images of distant worlds and amazing phenomena. He is a pioneer of space photography and has invented new ways of capturing the unseen universe on photographic plates, leading to the discovery of two new types of galaxies. His photographs capture light that has travelled immense distances, sometimes thousands of light years, to reach us. |
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Beginning with 'Gilles de Binche' (Antwerp, 2005) and concluding with 'Against the Day' (Brussels, Moscow and Malmo, 2009-10), acclaimed painter Luc Tuymans produced a landmark suite of seven thematically linked bodies of work. Their meta-narrative, which traces the philosophical and psychic roots of contemporary civilization, weaves together a range of photographic source images, from St Peter's to Disneyland to Big Brother, that together tell the banal and terrifying story of our times. Luc Tuymans: Is It Safe? features this source imagery alongside more than 100 of the artist's newest paintings, many never before published. Accompanying each body of work is an introductory text written by the artist, while the essay 'Tuymans, Loyola, Leibniz', specially commissioned by Mexican artist Pablo Sigg, provides historical and philosophical context. 'Proper', an essay by Belgian art historian Gerrit Vermeiren, looks at one body of work in detail, tracing the themes and sources of each painting and capturing the cultural atmosphere of the moment in which they were produced. And an extensive interview between Tuymans and his assistant Tommy Simoens offers additional insight into the artist's thinking and motivations. Celebrated as one of the world's most gifted and visionary painters, Tuymans has been creating iconic works of contemporary painting for nearly three decades. With their enigmatic compositions and modulated colours, these works are moving and unmistakable, and their power continues to win new converts to Tuymans's chilling vision of history painting. |
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