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Книги издательства «Phaidon Press»
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Michelangelo Merisi da Caravaggio (1571 — 1610) was one of the most innovative painters of his time, and one of the greatest artists of any age. Rescued from neglect, he has become a cultural icon in the late twentieth century, not only for his art but also because of his violent and tragic life. Catherine Puglisi's highly praised monograph, now available for the first time in paperback, supersedes all previous studies of the artist. Making full use of new research and dramatic recent discoveries, she has produced a precise, clear-headed and comprehensive work of scholarship that also provides a moving biography of the artist and a penetrating analysis of the genius with which he absorbed and transformed the artistic tradition of his time. All Caravaggio's works are discussed and illustrated in colour, and the book has an appendix of documents, full notes and bibliography, checklist of works and full indexes. This authoritative and beautifully produced monograph is the standard work on Caravaggio. |
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THE THEATRE OF THE FACE is an engaging and authoritative account of the history of portrait photography by one of the world's leading photography critics. It is an essential title for all photography students and enthusiasts, and for anyone interested in portraiture, one of the most popular and enduring of all photographic genres. The book covers many styles and movements, including works by pioneers such as Edward Sheriff Curtis; seminal figures such as Walker Evans, Cecil Beaton, and August Sander; and artists such as Martin Parr, Cindy Sherman, and Philip Lorca diCorcia. With over three hundred black & white and color photographs, THE THEATRE OF THE FACE offers a new perspective on the history of photography by examining the personalities both behind and in front of the camera. |
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Since it was first developed by Daguerre in the 1840s, photography has followed an interesting and varied course in its progress from a practical means of documentation to an art form with its own icons, heroes, galleries and collectors. This eye-catching and engrossing book contains every sort of photography, all of it arranged in an easily accessible and fun format. Pictures of famous events such as the Royal Wedding and the first landing on the moon are here, next to familiar shots by the masters of photography such as Bill Brandt, Henri Cartier-Bresson, Cecil Beaton and Robert Doisneau. There is fashion, sport, natural history, reportage and society portraiture, as well as social documentary and art. The 500 photographers features range from William Henry Fox Talbot and Julia Margaret Cameron to Larry Clarke and Herb Rittz, from Robert Capa and Josef Kondelka to Nan Goldin and Pierre et Gilles. Arranged alphabetically, each full-page photograph is accompanied by an illuminating text which gives useful insight into the work and its creator, as well as extensive cross-references to others working in the same field or the same style. Glossaries of technical terms and movements and a directory of museums and galleries are included in the back of the book to provide a fully comprehensive and self-contained volume. |
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Bonnard is acknowledged as a master of modern art, following in the tradition of the Impressionists. He is best known as a painter of intimate, domestic interiors but he was also a highly accomplished draughtsman who produced a wealth of lithographs and drawings. This volume illustrates the full range of his output, from his early works inspired by Japanese prints, to the richly coloured works of his later years. This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology. |
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Born in 1925, Mario Giacomelli died in November 2000. He trained initially as a typographer, and his early interest in graphics became a central part of his later photographic work. Winner of numerous medals and prizes, he achieved international status with exhibitions in Europe, America and Japan. He was intimately involved in the preparation of this book, which was the last major project he undertook, and represents the best of his long career as a photographer and artist. This comprehensive survey demonstrates Giacomelli's highly personal, striking and artistically atmospheric visual style. Each chapter is a carefully chosen sequence of photographs on a particular theme (some with accompanying poems which inspired the sequence). A life-long preoccupation with the life and landscape of his native Italy gives Giacomelli his subject-matter — landscapes, rural townscapes, streetscenes, still life and portraits of everyday Italian life. With 684 beautiful and poetic duotone photographs, this extraordinary and inspiring collection displays a profound understanding of the photographer's country and its people, and a mastery of form and effect that make his photographs imaginative works of art in their own right. |
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This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology. |
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A personal tour through some of the key buildings by the Renzo Piano Workshop. Each project is introduced with text by Renzo Piano himself and colour photographs take the reader on a visual guide around each building. This book features 25 built projects presented chronologically, starting from the Centre Georges Pompidou in Paris and including the Beyeler Foundation in Basel, the Potsdamer Platz masterplan in Berlin and the Renzo Piano Workshop in Genoa. The book will be published in English, French, German and Italian. Renzo Piano — winner of the Pritzker Prize, 1998 — is an architect whose work seems increasingly relevant to our times. Always challenging and surprising, each new design never fails to be innovative and exciting and to capture the imagination of his admirers. One of the few architects to be intimately involved in each stage of a building's development, from its concept and masterplan to its construction and detailing, Renzo's insights into his own projects are revealing and insightful. In this new publication, the reader is offered the rare opportunity to experience the key buildings of the Workshop with Renzo Piano himself. Featuring approximately 25 built projects, Renzo Piano introduces each building through personal text, followed by a photographic guide which takes the reader from the external to the internal of each project on a frame by frame tour. Projects featured range from urban works such as the Potsdamer Platz masterplan, to the acclaimed Beyeler Foundation and the Jean Marie Tjibaou Cultural Centre in New Caledonia. The Renzo Piano Building Workshop is characterized by its sensitivity to site and local tradition as well as by its combination of traditional materials and techniques with those from the cutting edge of technology. |
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«Piero della Francesca (c.1413-92) is one of the most intriguing artists of the early Italian Renaissance, known not only for the balance of his compositions and the emotional coolness of his style, but also for his outstanding talent as a mathematician. Taking advantage of documentary evidence that has emerged, particularly since the quincentenary of the artist's death in 1992, Piero scholar Marilyn Aronberg Lavin covers all aspects of the career of an artist who can justifiably be called a «Renaissance Man». Born in Sansepolcro, a small town on the border between Umbria and Tuscany, Piero della Francesca worked there periodically throughout his life. But he also travelled elsewhere in Italy — to Florence and Rome for brief periods, and to Urbino (the location of his famous «Flagellation»), Arezzo («Legend of the True Cross» fresco cycle), Rimini and Ferrara. He was well respected and worked for the provincial rulers in these cities. However, his fame was not just due to his skill as a painter. Concurrently, he pursued his interest in mathematics and wrote three treatises on the subject. This work was linked to his artistic output — the application of the rules of perspective in his compositions, with their structured spaces and idealized shapes, are one of the reasons why he has become so univesally admired and studied in the modern era.» |
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This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology. |
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The series has always been highly regarded for its insight and authority, providing an invaluable introduction to key artists and movements in art history. Each volume contains an introductory essay, forty-eight full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white. |
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This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology. |
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«Goya is often called the last of the Old Masters and the first of the Moderns. He is appreciated as a portrait painter; a creator of menacing and melancholy images in oils; a master of enigmatic, satirical and revolutionary drawings and etchings; the champion of Spanish people in the struggle against oppression; and the recorder of their life and their sufferings in war. This volume aims to bring out the moods of this artist, from the gaiety and tenderness of the tapestry cartoons painted for the Spanish royal palaces to the mysterious ferocity of the «Black Paintings» painted in old age for his own house. Also included are some of Goya's less well-known masterpieces. Enriqueta Harris is the author of «Velazquez». This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.» |
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«The land that is now Egypt nurtured an extraordinary pioneering civilization — one of the oldest, most powerful, long-lasting and technically accomplished cultures the world has ever known. Over the millennia its achievements have never lost their power to amaze — and justly so, for the Egyptian architects and craftsmen produced some of the greatest masterpieces of world art. This book presents a carefully chosen selection of the finest works of art and architecture produced over a period of some 4000 years, from about 4000 BC, when the first sophisticated works of art began to be made, to 200 AD, when Egypt was a province of the Roman Empire and the old traditions had all but died out. Egyptian art is usually instantly recognizable and its basic formulas remained unchanged for thousands of years, yet at the same time it was remarkably varied in size, medium, subject-matter and type of object, ranging in size from the monumental pyramids and temples to the tiniest and most delicate pieces of jewellery, and embracing painting, sculpture, metalwork, woodwork, textiles and ceramics. At whatever scale, the art has an immediate appeal for its beauty and consummate craftsmanship, and the works illustrated in this book, all of the highest quality, can be enjoyed for their aesthetic qualities alone. They are also products of a culture very different from ours, and in his concise introduction Jaromir Malek provides the essential background for understanding why Egyptian art took the forms it did. The explanations continue in the informative captions to each illustration, and the chronological chart, map, bibliography and index provide quick reference. The works illustrated in «Egypt: 4000 Years of Art» are all masterpieces that can be enjoyed in their own right. Presented in strict chronological order, they also form a succinct history of the subject that will be a valuable resource for students and teachers. For all readers it will provide a fresh and beautiful introduction to some of the most remarkable art ever produced.» |
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Heinrich Wolfflin was a pioneering critic who introduced new and rigorous methods of formal analysis into the study of art. Classic Art, first published in 1899, is itself a classic that has exercised a profound influence on the way people have looked at and thought about art. As an appraisal of the great artists of the Renaissance it can hardly be surpassed. Once again available in its elegant original format, it is an indispensable addition to every library of art books. |
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The series has always been highly regarded for its insight and authority, providing an invaluable introduction to key artists and movements in art history. Each volume contains an introductory essay, forty-eight full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white. |
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The Impressionists were scorned by the establishment during their lifetime, yet they are now among the most popular artists of all time. This volume includes the work of some of the best known, including Monet, Pissarro, Manet, Degas, Sisley, Cezanne, Renoir, and Van Gogh. The text touches on painting techniques, light, subject matter and photography. This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology. |
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This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology. |
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Jean-Baptiste-Simeon Chardin (1699-1779) was arguably the most talented French painter of the eighteenth century, best known for his original still lifes. Composed of simple, everyday objects, these works glow with warmth and magic, from the dull iron of the kitchen pans, to the glaze of the green earthenware jug or the shining copper of the cauldron. There is no superfluous detail or search for decorative effect; the beauty of his paintings lies in their minimalism. Chardin received early recognition for his work, becoming a member of the French Royal Academy in 1728 at the age of only twenty-nine. Following the success of his early still lifes and inspired no doubt by his Dutch seventeenth-century predecessors, whose work was very much in vogue in Paris at the time, Chardin went on to paint some exquisite genre scenes and portraits, remarkable for their realism and honesty as well as for their technique. His works had a tremendous influence on subsequent artists, inspiring painters as diverse as Courbet, Manet and Cezanne. |
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This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology. |
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The series has always been highly regarded for its insight and authority, providing an invaluable introduction to key artists and movements in art history. Each volume contains an introductory essay, forty-eight full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white. |
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