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Oxford University Press
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Wycherley's four comedies are admired for their satirical wit, farcical humour, vivid characterization, and social criticism.Love in a Wood, a lively comedy of intrigue, established him as a brilliant new dramatist. The Gentleman Dancing-Master, in contrast, disappointed contemporary audiences, but the central relationship between Hippolyta and Gerrard features an original and sympathetic study of a young woman's attitudes and feelings. The Country Wife is a sharp but also highly amusing attack on social and sexual hypocrisy. The Plain Dealer, a powerful dramatic satire loosely based on Moliere's Le Misanthrope, continues and enlarges Wycherley's assault on greed and corruption. Under the General Editorship of Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction, a note on staging, and detailed annotation. |
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Ford wrote darkly about sexual and political passion, despair, thwarted ambition, and incest. This selection also shows his ability to portray the poignancy of love as well as write entertaining comedy and create convincing roles for women. His Annabella, Hippolita, Penthea, Calantha, and Katherine Gordon rank among the most dramatically powerful female characters on the post-Shakespearean stage. Setting Ford's earliest surviving independently-written play, The Lover's Melancholy, alongside his three best known works, this edition includes an introduction with sections on each play addressing gender issues, modern relevance, and staging possibilities. Under the General Editorship of Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation, supplemented by detailed annotation. |
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This edition brings together Jonson's four great comedies in one volume. Volpone, which was first performed in 1606, dramatizes the corrupting nature of greed in an exuberant satire set in contemporary Venice. The first production of Epicene marked the end of a year long closure of the theatres because of an epidemic of the plague in 1609; its comedy affirms the consolatory power of laughter at such a time. The Alchemist (1610) deploys the metaphors of alchemical transformation to emphasize the mutability of the characters and their relationships. In Bartholomew Fair (1614) Jonson embroils the visitors to the fair in its myriad tempations, exposing the materialistic impulses beneath the apparent godliness of Jacobean Puritans. Under the General Editorship of Michael Cordner of the University of York the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. Stage directions hvae been added to facilitate the reconstruction of the plays' performance, and there is a scholarly introduction, detailed annotation, and a glossary. |
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Synge was one of the key dramatists in the world of Irish literature at the turn of the century. This volume offers all of Synge`s plays, which range from racy comedy to stark tragedy, all sharing a memorable lyricism. The introduction places him in the context of the Irish literary movement. |
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Sybilla considered beauty as all in all. And this child — her child and Angus's, would be a deformity on the face of the earth, a shame to its parents, a dishonour to its race. First published in 1850, Olive traces its eponymous heroine's progress from her ill-starred birth to maturity as a painter and wife. The crippled child of parents who are disgusted by her physical imperfection, a curvature of the spine, Olive struggles to take her place in the world as artist and woman. Published three years after Jane Eyre, Olive's swift fictional response to Charlotte Bronte's novel raises questions of family, race and nation. This edition also includes The Half-Caste, a story that confronts questions of miscegenation and racial prejudice in Victorian Britain. |
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The Oresteian trilogy (`Agamemnon`, `Libation Bearers`, `Eumenides`) established the themes of Greek tragedy — the inexorable nature of Fate, the relationship between justice, revenge, and religion. The plays dramatize the murder of Agamemnon by his wife Clytemnestra, the revenge of her son Orestes, and his judgement by the court of Athens. |
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Now listen with good will, as I go straight to my subject matter, in which you may hear the double sorrows of Troilus in his love for Criseyde, and how she forsook him before she died Like Romeo and Juliet, or Tristan and Iseult, the names of Troilus and Criseyde will always be united: a pair of lovers whose names are inseparable from passion and tragedy. Troilus and Criseyde is Chaucer's masterpiece and was prized for centuries as his supreme achievement. The story of how Troilus and Criseyde discover love and how she abandons him for Diomede after her departure from Troy is dramatically presented in all its comedy and tragic pathos. With its deep humanity and penetrating insight, Troilus and Criseyde is now recognized as one of the finest narrative poems in the English language. This is a new translation into contemporary English of Chaucer's greatest single poem which can be read alongside the Middle English original, or as an accurate and readable version in its own right. |
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The Federalist Papers comprise eighty-five essays written to persuade New Yorkers to ratify the Constitution of the United States in 1787-8. Written by key players in the American Revolution, they made a case for a new, united nation. They are the most important work of political thought to have come out of America. |
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No person can be blamed for refusing to read another word of what promises to be a mere imposition upon his credulity. Julian West, a feckless aristocrat living in fin-de-siecle Boston, plunges into a deep hypnotic sleep in 1887 and wakes up in the year 2000. America has been turned into a rigorously centralized democratic society in which everything is controlled by a humane and efficient state. In little more than a hundred years the horrors of nineteenth-century capitalism have been all but forgotten. The squalid slums of Boston have been replaced by broad streets, and technological inventions have transformed people's everyday lives. Exiled from the past, West excitedly settles into the ideal society of the future, while still fearing that he has dreamt up his experiences as a time traveller. Edward Bellamy's Looking Backward (1888) is a thunderous indictment of industrial capitalism and a resplendent vision of life in a socialist utopia. Matthew Beaumont's lively edition explores the political and psychological peculiarities of this celebrated utopian fiction. |
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Oh! Monsieur is Persian? That's most extraordinary! How can someone be Persian? Two Persian travellers, Usbek and Rica, arrive in Paris just before the death of Louis XIV and in time to witness the hedonism and financial crash of the Regency. In their letters home they report on visits to the theatre and scientific societies, and observe the manners and flirtations of polite society, the structures of power and the hypocrisy of religion. Irony and bitter satire mark their comparison of East and West and their quest for understanding. Unsettling news from Persia concerning the female world of the harem intrudes on their new identities and provides a suspenseful plot of erotic jealousy and passion. This pioneering epistolary novel and work of travel-writing opened the world of the West to its oriental visitors and the Orient to its Western readers. This is the first English translation based on the original text, revealing this lively work as Montesquieu first intended. |
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Some of our greatest blessings come from madness Phaedrus is widely recognized as one of Plato's most profound and beautiful works. It takes the form of a dialogue between Socrates and Phaedrus and its ostensible subject is love, especially homoerotic love. Socrates reveals it to be a kind of divine madness that can allow our souls to grow wings and soar to their greatest heights. Then the conversation changes direction and turns to a discussion of rhetoric, which must be based on truth passionately sought, thus allying it to philosophy. The dialogue closes by denigrating the value of the written word in any context, compared to the living teaching of a Socratic philosopher. The shifts of topic and register have given rise to doubts about the unity of the dialogue, doubts which are addressed in the introduction to this volume. Full explanatory notes also elucidate issues throughout the dialogue that might puzzle a modern reader. |
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How well do you really know your favourite author? Ace literary detective turned quizmaster John Sutherland challenges the reader to find out. Starting with easy, factual questions that test how well you remember a novel and its characters, the quiz progresses to a level of greater difficulty, demanding close reading and interpretative deduction. What really motivates the characters, and what is going on beneath the surface of the story? From Bathsheba's valentine to Tess's favourite cows, the subjects range across six of Hardy's most popular novels. Designed to amuse and divert, the questions and answers take the reader on an imaginative journey into the world of Thomas Hardy, where hypothesis and speculation produce fascinating and unexpected insights. Whether you are an expert or enthusiast, So You Think You Know Thomas Hardy? guarantees you will know him much better after reading it. |
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What does the future hold in store for the human race? Aliens from distant galaxies, telepathic horror, interstellar war, time-warps, the shriek of a rose, collision with an asteroid — the unknown lies around every corner, and the universe is a big place. These nine science-fiction stories offer possibilities that are fantastic, humorous, alarming, but always thought-provoking. This collection contains stories by Ray Bradbury, Bill Brown, Philip K. Dick, Arthur C. Clarke, Jerome Bixby, Isaac Asimov, Brian Aldiss, Roald Dahl, and John Wyndham. |
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What does it feel like to be a child? Learning how to negotiate with the unpredictable adult world, learning how to pick a path through life's traps and hazards, learning when the time has come to put away childish things. The writers of these short stories show us the world as seen from the far side of the child-adult divide, a gap that is sometimes small, and sometimes an unbridgeable chasm. This collection contains stories by John Updike, Graham Greene, William Boyd, Susan Hill, D. H. Lawrence, Saki, Penelope Lively, Bernard MacLaverty, Frank Tuohy, and Morley Callaghan. |
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Deception is usually frowned on as morally unacceptable, but is it always wrong? Can hiding or distorting the truth sometimes have good effects, adding to the sum of human happiness? These ten stories are full of secrets and lies, from a light-hearted bit of fun to dark and desperate deceit; but whether harmless or evil, deception can sometimes lead to quite unexpected complications. |
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What sad, appalling, and surprising things people do in the name of love and for the sake of love. These short stories give us love won and love lost, love revenged, love thrown away, love in triumph, love in despair. It might be love between men and women, children and parents, even humans and cats; but whichever it is, love is a force to be reckoned with. This collection contains stories by Maeve Binchy, Edith Wharton, Virginia Woolf, James Joyce, H.E. Bates, Graham Greene, Fay Weldon, Patricia Highsmith, John Morrison, and Somerset Maugham. |
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People love and need animals. They keep them in their homes and on their farms. They enjoy going to zoos, and watching animals on films and on TV. Little children love to play with toy animals. But people are a great danger to animals too. They take their land, and cut down the trees where animals have their homes. They pollute the rivers and seas, and kill big animals for their skins or for medicine. Now there are about 7,000 species of animals in danger. What can we do to protect the animals of the world — from us? |
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Twenty-five million people come to England every year, and some never go out of London. But England is full of interesting places to visit and things to do. There are big noisy cities with great shops and theatres, and quiet little villages. You can visit old castles and beautiful churches — or go to festivals with music twenty-four hours a day. You can have an English afternoon tea, walk on long white beaches, watch a great game of football, or visit a country house. Yes, England has something for everybody — what has it got for you? |
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Deep rivers, tall trees, strange animals, beautiful flowers — this is the rainforest. Burning trees, thick smoke, new roads and cities, dead animals, people without homes — this is the rainforest too. To some people the rainforests mean beautiful places that you can visit; to others they mean trees that they can cut down and sell. Between 1950 and 2000 half of the world's rainforests disappeared. While you read these words, somewhere in the world people are cutting down rainforest trees. What are these wonderful places that we call rainforests — and is it too late to save them? |
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In English-speaking countries around the world people celebrate Easter, Valentine's Day, Christmas, and other special days. Some celebrations are new, like Remembrance Day and Mother's Day; others, like the summer solstice, go back thousands of years. What happens on these special days? What do people eat, where do they go, what do they do? Why is there a special day for eating pancakes? Who is the 'guy' that children take onto the streets in November? And where do many people like to spend the shortest night of the year in England? Come on a journey through a year of celebrations, from New Year's Eve to Christmas. |
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