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Oxford University Press
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Madness is something that frightens and fascinates us all. It is a word with which we are universally familiar, and a condition that haunts the human imagination. Through the centuries, in poetry and in prose, in drama and in the visual arts, its depredations are on display for all to see. A whole industry has grown up, devoted to its management and suppression. Madness profoundly disturbs our common sense assumptions; threatens the social order, both symbolically and practically; creates almost unbearable disruptions in the texture of daily living; and turns our experience and our expectations upside down. Lunacy, insanity, psychosis, mental illness — whatever term we prefer, its referents are disturbances of reason, the passions, and human action that frighten, create chaos, and yet sometimes amuse; that mark a gulf between the common sense reality most of us embrace, and the discordant version some humans appear to experience. Social responses to madness, our interpretations of what madness is, and our notions of what is to be done about it have varied remarkably over the centuries. In this Very Short Introduction, Andrew Scull provides a provocative and entertaining examination of the social, cultural, medical, and artistic responses to mental disturbance across more than two millennia, concluding with some observations on the contemporary accounts of mental illness. |
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As the founder of Islam Muhammad is one of the most influential figures in history. The furor surrounding the Satanic Verses and the Danish cartoon crisis reminded the world of the tremendous importance of the prophet of Islam, Muhammad. Learning about his life and understanding its importance, however, has always proven difficult. Our knowledge of Muhammad comes from the biography of him written by his followers, but Western historians have questioned the reliability of this story in their quest to uncover the 'historical Muhammad'. As modern controversies have shown, whatever the truth about Muhammad's life, his persona has taken on numerous shapes and played a crucial role in Muslim life and civilization. This Very Short Introduction provides an introduction to the major aspects of Muhammad's life and its importance, providing both the Muslim and Western historical perspectives. It also explains the prominent roles that Muhammad's persona has played in the Islamic world, from the medieval to the modern period. |
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Ritual is part of what it means to be human. Like sports, music, and drama, ritual defines and enriches culture, putting those who practice it in touch with sources of value and meaning larger than themselves. Ritual is unavoidable, yet it holds a place in modern life that is decidedly ambiguous. What is ritual? What does it do? Is it useful? What are the various kinds of ritual? Is ritual tradition bound and conservative or innovative and transformational? Alongside description of a number of specific rites, this Very Short Introduction explores ritual from both theoretical and historical perspectives. Barry Stephenson focuses on the places where ritual touches everyday life: in politics and power; moments of transformation in the life cycle; as performance and embodiment. He also discusses the boundaries of ritual, and how and why certain behaviors have been studied as ritual while others have not. Stephenson shows how ritual is an important vehicle for group and identity formation; how it generates and transmits beliefs and values; how it can be used to exploit and oppress; and how it has served as a touchstone for thinking about cultural origins and historical change. Encompassing the breadth and depth of modern ritual studies, Barry Stephenson's Very Short Introduction also develops a narrative of ritual's place in social and cultural life. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
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Although there are many kinds of love, erotic love has been celebrated in art and poetry as life's most rewarding and exalting experience, worth living and dying for and bringing out the best in ourselves. And yet it has excused, and even been thought to justify, the most reprehensible crimes. Why should this be? This Very Short Introduction explores this and other puzzling questions. Do we love someone for their virtue, their beauty, or their moral or other qualities? Are love's characteristic desires altruistic or selfish? Are there duties of love? What do the sciences — neuroscience, evolutionary and social psychology, and anthropology — tell us about love? Many of the answers we give to such questions are determined not so much by the facts of human nature as by the ideology of love. Ronald de Sousa considers some of the many paradoxes raised by love, looking at the different kinds of love — affections, affiliation, philia, storage, agape, but focusses on eros, or romantic love. He considers whether our conventional beliefs about love and sex are deeply irrational and argues that alternative conceptions of love and sex, although hard to formulate and live by, may be worth striving for. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
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Corruption is one of the biggest global issues, ahead of extreme poverty, unemployment, the rising cost of food and energy, climate change, and terrorism. It is thought to be one of the principal causes of poverty around the globe. Its significance in the contemporary world cannot be undervalued. In this Very Short Introduction, Leslie Holmes looks the history of corruption across the millennia and considers why the international community has only highlighted it as a problem in the past two decades. Holmes explores the phenomenon from several different perspectives, from the cultural differences affecting how corruption is defined, its impact, its various causes, and the possible remedies. Providing evidence of corruption and considering ways to address it around the world, this is an important introduction to a significant and serious global issue. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
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'Intellectual freedom depends on material things. Poetry depends on intellectual freedom. And women have always been poor...' In these two classic essays of feminist literature, Woolf argues passionately for women's intellectual freedom and their role in challenging the drive towards fascism and conflict. In A Room of One's Own she explores centuries of limitations placed on women, as well as celebrating the creative achievements of the women writers who overcame these obstacles. In this first history of women's writing, she describes the importance of education, financial independence, and equality of opportunity to creative freedom. Three Guineas was written under the threat of fascism and impending war. A radical articulation of Woolf's pacifist politics, it investigates the causes of gender inequalities and the ways in which women's historic outsider position make them crucial in the prevention of war. Both these works started life as talks to groups of young women, and their engaging wit and informality establish Woolf as one of the twentieth-century's greatest essayists. Their arguments continue to reverberate in feminist discourse to this day. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
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Love and loyalty, hatred and revenge, fear, deprivation, and political ambition: these are the motives which thrust the characters portrayed in these three Sophoclean masterpieces on to their collision course with catastrophe. Recognized in his own day as perhaps the greatest of the Greek tragedians, Sophocles' reputation has remained undimmed for two and a half thousand years. His greatest innovation in the tragic medium was his development of a central tragic figure, faced with a test of will and character, risking obloquy and death rather than compromise his or her principles: it is striking that Antigone and Electra both have a woman as their intransigent hero. Antigone dies rather neglect her duty to her family, Oedipus' determination to save his city results in the horrific discovery that he has committed both incest and parricide, and Electra's unremitting anger at her mother and her lover keeps her in servitude and despair. These vivid translations combine elegance and modernity, and are remarkable for their lucidity and accuracy. Their sonorous diction, economy, and sensitivity to the varied metres and modes of the original musical delivery make them equally suitable for reading or theatrical peformance. |
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The court of Holy Roman Emperor Rudolf II produced nothing more amazing than the Mira colligrophioe monumenta, a flamboyant demonstration of two arts-calligraphy and miniature painting. The project began when Rudolf's predecessor commissioned the master calligrapher Georg Bocskay to create a model book of calligraphy. A preeminent scribe, Bocskay assembled a vast selection of contemporary and historic scripts. Many were intended not for practical use but for virtuosic display. Years later, at Rudolf's behest, court artist Joris Hoefnagel filled the spaces on each manuscript page with images of fruit, flowers, insects, and other natural minutiae. The combination of word and images is rare and, on its tiny scale, constitutes one of the marvels of the Central European Renaissance. The manuscript is now in the collections of the Getty Museum. Forty-eight of its pages are reproduced in this book, containing samples of classic italic hands; historical, invented, and exhibition hands; Rotunda, a classicizing humanist script based on Carolingian miniscule; classically based scripts; and Gothic blackletter and chancery. |
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Cyber warfare has become more pervasive and more complex in recent years. It is difficult to regulate, as it holds an ambiguous position within the laws of war. This book investigates the legal and ethical ramifications of cyber war, considering which sets of laws apply to it, and how it fits into traditional ideas of armed conflict. |
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Everybody took photos of Prince William when he first arrived at the University of St Andrews. Crowds of photographers came to the little Scottish town next to the sea and took pictures of this new student — the nineteen-year-old grandson of the Queen of England. But nobody photographed Kate Middleton on her first day at the university. She moved in quietly, ready to begin her studies in art history. She was just an ordinary student with an ordinary future in front of her. Or was she? |
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Thousands of years ago, people looked out across an ocean and asked themselves, 'What is on the other side?' And the bravest of them began to travel and find the answers — beautiful islands, frozen lands, different peoples ...And there are still interesting questions about the oceans. How do they change our weather? Why does the water go up and down twice a day? Why do most animals and plants live near the land? And what can possibly live at the bottom of the ocean, thousands of metres down, where there is no light? Surely nothing can stay alive in a place like that ... |
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A brand-new edition of the best-selling course, maintaining the successful core content but updated and refreshed. |
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On a quiet sea, the biggest ship in the world is waiting. There is no noise from the engines. Up in the night sky there are hundreds of stars. Behind the ship, an iceburg — a great mountain of ice — goes slowly away into the black night. In the beautiful first-class rooms, rich passengers eat and listen to music. Down in the third-class cabins, families sleep. An exciting new life is waiting for them in America. But for many of the people in this small 'city on the sea', this is their last night alive... |
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Expanding vital core grammar in exploratory language focus sections, this title includes texts from a variety of sources that aim to provide the rich vocabulary input that learners need at this level. |
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The world's best-selling adult English course — a perfectly-balanced syllabus, strong grammar focus, and full support for your elementary class. |
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The world's best-selling adult English course — a perfectly-balanced syllabus, strong grammar focus, and full support for your elementary class. |
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A new Beginner edition from the world's best-selling English course — a perfectly-balanced syllabus and lots of support for beginner students. |
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New digital resource for interactive whiteboards. |
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This book is intended for teachers of English as a foreign language. |
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Helps teachers of young learners introduce and practise grammar in a fun and motivating way. Steers a middle course between grammar-based and communicative approaches to teaching: meaning is the main focus of all language teaching and grammar is an intrinsic part of making meaning explicit. |
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