|
|
|
Книги издательства «Oxford University Press»
|
Henry Jones, an unprepossessing London insurance clerk, knows that his uncle has disinherited him. The old man's will, made out at the last minute in favour of Henry's charming cousin Isabel Brodrick, lies neatly folded in a well-thumbed volume of sermons in his book-room; Henry saw him put it there before he died. Unfortunately nobody else knows where the will is, and Henry stands to lose everything by making the knowledge public. Cousin Henry, first published in 1879, is one of the most unusual and intriguing of Trollope's shorter novels and its unlikely hero is a timid coward consumed by guilt. But Trollope's handling of his character and dilemma is masterly in its insight and compassion; he knew he had nothing quite like it elsewhere in his fiction. |
|
French naturalist Dr Aronnax embarks on an expedition to hunt down a sea monster, only to discover instead the Nautilus, a self-contained world built by its enigmatic captain. Together Nemo and Aronnax explore the underwater marvels, undergo a transcendent experience amongst the ruins of Atlantis, and plant a black flag at the South Pole. But Nemo's mission is one of revenge — and his methods coldly efficient. Verne's classic work has left a profound mark on the twentieth century. Its themes are universal, is style humorous and grandiose, its construction masterly. This new and unabridged translation by the father of Verne studies brilliantly conveys the novel's tones and range. It appears with a distinguished Introduction and Notes, reporting the very first study of the manuscripts, together with revelations about the artistic and scientific references. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
|
Arms and the man I sing of Troy... So begins one of the greatest works of literature in any language. Written by the Roman poet Virgil more than two thousand years ago, the story of Aeneas' seven-year journey from the ruins of Troy to Italy, where he becomes the founding ancestor of Rome, is a narrative on an epic scale: Aeneas and his companions contend not only with human enemies but with the whim of the gods. His destiny preordained by Jupiter, Aeneas is nevertheless assailed by dangers invoked by the goddess Juno, and by the torments of love, loyalty, and despair. Virgil's supreme achievement is not only to reveal Rome's imperial future for his patron Augustus, but to invest it with both passion and suffering for all those caught up in the fates of others. Frederick Ahl's new translation echoes the Virgilian hexameter in a thrillingly accurate and engaging style. An Introduction by Elaine Fantham, and Ahl's comprehensive notes and invaluable indexed glossary complement the translation. |
|
So you're the little woman who wrote the book that started this great war! These words, said to have been uttered by Abraham Lincoln, signal the celebrity of Uncle Tom's Cabin. The first American novel to become an international best-seller, Stowe's novel charts the progress from slavery to freedom of fugitives who escape the chains of American chattel slavery, and of a martyr who transcends all earthly ties. At the middle of the nineteenth-century, the names of its characters — Little Eva, Topsy, Uncle Tom — were renowned. A hundred years later, 'Uncle Tom' still had meaning, but, to Blacks everywhere it had become a curse. This edition firmly locates Uncle Tom's Cabin within the context of African-American writing, the issues of race and the role of women. Its appendices include the most important contemporary African-American literary responses to the glorification of Uncle Tom's Christian resignation as well as excerpts from popular slave narratives, quoted by Stowe in her justification of the dramatization of slavery, Key to Uncles Tom's Cabin. |
|
The bitter tragedy of human life — horrors of death, attack, retreat, advance, and the great game of Destiny and Chance. In The Liberation of Jerusalem (Gerusalemme liberata, 1581), Torquato Tasso set out to write an epic to rival the Iliad and the Aeneid. Unlike his predecessors, he took his subject not from myth but from history: the Christian capture of Jerusalem during the First Crusade. The siege of the city is played out alongside a magical romance of love and sacrifice, in which the Christian knight Rinaldo succumbs to the charms of the pagan sorceress Armida, and the warrior maiden Clorinda inspires a fatal passion in the Christian Tancred. Tasso's masterpiece left its mark on writers from Spenser and Milton to Goethe and Byron, and inspired countless painters and composers. This is the first English translation in modern times that faithfully reflects both the sense and the verse form of the original. Max Wickert's fine rendering is introduced by Mark Davie, who places Tasso's poem in the context of his life and times and points to the qualities that have ensured its lasting impact on Western culture. |
|
In my own marriage I paid such a terrible price for sex-ignorance that I feel that knowledge gained at such a cost should be placed at the service of humanity. The book that was to become Married Love grew from Marie Stopes's conviction that the state of modern middle-class marriage was, like her own, desperate, and that the cause of this desperation was sexual unhappiness. She knew her book would probably electrify this country and it remains one of the best known sex manuals ever written. It combines a lyrical evocation of marital love with a no-nonsense and detailed account of sexual intercourse and sexual pleasure that was a sensation when it was published in 1918. Stopes advocated equality in marriage and the importance of women's sexuality and sexual desire, as well as openly supporting birth control. In this edition of Stopes's ground-breaking work, Ross McKibbin's introduction reveals fascinating insights into Stopes and prevailing attitudes to class, religion, science, and above all, sex. |
|
No man is crushed by misfortune unless he has first been deceived by prosperity. In these dialogues and essays the Stoic philosopher Seneca outlines his thoughts on how to live in a troubled world. Tutor to the young emperor Nero, Seneca wrote exercises in practical philosophy that draw upon contemporary Roman life and illuminate the intellectual concerns of the day. They also have much to say to the modern reader, as Seneca ranges widely across subjects such as the shortness of life, tranquillity of mind, anger, mercy, happiness, and grief at the loss of a loved one. Seneca's accessible, aphoristic style makes his writing especially attractive as an introduction to Stoic philosophy, and belies its reputation for austerity and dogmatism. This edition combines a clear and modern translation with an introduction to Seneca's life and philosophical interests, and helpful notes. |
|
Philip Sidney and his sister Mary translated the biblical psalms into some of the greatest lyric poems of the English Renaissance. This is the first complete edition for over forty years, providing the Psalms in an authoritative modernized text, with glosses and notes and an introduction setting the Psalms in their literary and cultural context. |
|
Written in India in the early eighth century AD, Santideva's Bodhicaryavatara became one of the most popular accounts of the Buddhist's spiritual path. The Bodhicaryavatara takes as its subject the profound desire to become a Buddha and save all beings from suffering. The person who enacts such a desire is a Bodhisattva. Santideva not only sets out what the Bodhisattva must do and become, he also invokes the intense feelings of aspiration which underlie such a commitment, using language which has inspired Buddhists in their religious life from his time to the present. Important as a manual of training among Mahayana Buddhists, especially in the Tibetan Buddhist tradition, the Bodhicaryavatara continues to be used as the basis for teaching by modern Buddhist teachers. This is a new translation from the original language, with detailed annotations explaining allusions and technical references. The Introduction sets Santideva's work in context, and for the first time explain its structure. |
|
Indiana (1831) is an absorbing and vivid romantic novel, set partly in provincial France, partly in Paris, and partly on a tropical island. It tells the story of a beautiful and innocent young woman, married at sixteen to a much older man. She falls passionately in love with a handsome, frivolous neighbour but discovers too late that his idea of love is quite different from her own. It is only after a series of painful experiences that she comes to appreciate the silent devotion of her loyal and protective cousin. |
|
These three works exemplify the Roman historian Sallust`s condemnation of the excesses of the late Republic. In the conspiracy of Catiline and the war against Jugurtha he sees moral and political corruption and the tragedy of civil strife. This new translation captures Sallust`s distinctive style and considers his work as history and literature. |
|
No one can write a man's life except himself. In his Confessions Jean-Jacques Rousseau tells the story of his life, from the formative experience of his humble childhood in Geneva, through the achievement of international fame as novelist and philosopher in Paris, to his wanderings as an exile, persecuted by governments and alienated from the world of modern civilization. In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with unique insight the relationship between an elusive but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement, and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence. |
|
Once upon a time there were just the gods; mortal beings did not yet exist. We are used to thinking of myths as stories, and modern myths as made up and fictitious. For the ancient Greeks, however, a myth was a story that unveiled reality, and for Plato, myth-maker as well as myth-teller, a myth could tell us something important about ourselves and our world. The ultimate purpose of Plato's myths is to help us live a better life, and to teach philosophical truths in a form we can most easily understand. This volume brings together ten of the most celebrated Platonic myths, from eight of Plato's dialogues ranging from the early Protagoras and Gorgias to the late Timaeus and Critias. They include the famous myth of the cave from Republic as well as The Judgement of Souls and The Birth of Love. Each myth is a self-contained story, prefaced by a short explanatory note, while the introduction considers Plato's use of myth and imagery. These myths are thought-provoking and profound, and together they provide an ideal introduction to Plato's philosophy. |
|
These new translations present Plato's remarkable dramatization of the momentous events surrounding the trial of Socrates in 399 BC, on charges of irreligion and corrupting the young. The Euthyphro, Defence of Socrates, and Crito form a dramatic and thematic sequence, raising fundamental questions about the basis of moral, religious, legal, and political obligation. Plato explores these issues with a freshness and directness that have never been surpassed. In the Defence of Socrates, Plato seeks not only to clear his master's name, but also to defend the whole Socratic way of life, and therefore philosophy itself. The result is an oratorical masterpiece. The Euthyphro, an inquiry into the nature of piety, probes the relationship between religion and morality. The Crito discusses the citizen's obligation to the state, in the context of a life-or-death issue confronting Socrates himself — whether or not to escape from prison. David Gallop's Introduction provides a stimulating philosophical and historical analysis of these texts, complemented by useful explanatory notes and an index of names, to make this edition invaluable to readers new to these timeless classics. |
|
Elfride Swancourt was a girl whose emotions lay very near the surface. Elfride is the daughter of the Rector of Endelstow, a remote sea-swept parish in Cornwall based on St Juliot, where Hardy began the book during the first days of his courtship of his first wife Emma. Blue-eyed and high-spirited, Elfride has little experience of the world beyond, and becomes entangled with two men: the boyish architect, Stephen Smith, and the older literary man, Henry Knight. The former friends become rivals, and Elfride faces an agonizing choice. Written at a crucial time in Hardy's life, A Pair of Blue Eyes expresses more directly than any of his novels the events and social forces that made him the writer he was. Elfride's dilemma mirrors the difficult decision Hardy himself had to make with this novel: to pursue the profession of architecture, where he was established, or literature, where he had yet to make his name? |
|
Wherefore is light given to him that is in misery, and life unto the bitter in soul? Jude Fawley, poor and working-class, longs to study at the University of Christminster, but he is rebuffed, and trapped in a loveless marriage. He falls in love with his unconventional cousin Sue Bridehead, and their refusal to marry when free to do so confirms their rejection of and by the world around them. The shocking fate that overtakes them is an indictment of a rigid and uncaring society. Hardy's last and most controversial novel, Jude the Obscure caused outrage when it was published in 1895. This is the first truly critical edition, taking account of the changes that Hardy made over twenty-five years. It includes a new chronology and bibliography and substantially revised notes. |
|
He loved all mankind; for fortune prevented him from knowing there were rascals. Oliver Goldsmith's hugely successful novel of 1766 remained for generations one of the most highly regarded and beloved works of eighteenth-century fiction. It depicts the fall and rise of the Primrose family, presided over by the benevolent vicar, the narrator of a fairy-tale plot of impersonation and deception, the abduction of a beautiful heroine and the machinations of an aristocratic villain. By turns comic and sentimental, the novel's popularity owes much to its recognizable depiction of domestic life and loving family relationships. Regarded by some as a straightforward and well-intentioned novel of sentiment, and by others as a satire on the very literary conventions and morality it seems to embody, The Vicar of Wakefield contains, in the figure of the vicar himself, one of the most harmlessly simply and unsophisticated yet also ironically complex narrators ever to appear in English fiction. |
|
My empire is of the imagination. These are the words of Ayesha, the mysterious white queen of a Central African tribe, whose dread title, She-who-must-be-obeyed, testifies to her undying beauty and magical powers; but they serve equally well to describe the hold of her author, Henry Rider Haggard, on generations of readers. Writing at white heat, and in the flush of success after the publication of King Solomon's Mines, Haggard drew again on his knowledge of Africa and of ancient legends, but also on something deeper and more disturbing. To the Englishmen who journey through shipwreck, fever, and cannibals to her hidden realm, She is the goal of a quest bequeathed to them two thousand years before; to Haggard's readers, She is the embodiment of one of the most potent and ambivalent figures of Western mythology, a female who is both monstrous and desirable — and, without question, deadlier than the male. |
|
Hecuba The Trojan Women Andromache In the three great war plays contained in this volume Euripides subjects the sufferings of Troy's survivors to a harrowing examination. The horrific brutality which both women and children undergo evokes a response of unparalleled intensity in the playwright whom Aristotle called the most tragic of the poets. Yet the new battleground of the aftermath of war is one in which the women of Troy evince an overwhelming greatness of spirit. We weep for the aged Hecuba in her name play and in The Trojan Women, yet we respond with an at times appalled admiration to her resilience amid unrelieved suffering. Andromache, the slave-concubine of her husband's killer, endures her existence in the victor's country with a Stoic nobility. Of their time yet timeless, these plays insist on the victory of the female spirit amid the horrors visited on them by the gods and men during war. |
|
Who or what is God? How do different religions interpret His existence? How can we know God? Many people believe in God; not just throughout history but also in the present day. But who or what is it they believe in? Many different and sometimes conflicting answers have been suggested to this question. This Very Short Introduction explores some of the answers provided by philosophers, poets, and theologians, and considers why some people believe in God and others do not. John Bowker explores how each major religion established their own distinctive beliefs about God and how they each interpret His existence, and concludes by looking at how our understanding of God continues to evolve. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
|
