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Книги издательства «Oxford University Press»
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I have heard the supreme mystery, yoga, from Krishna, from the lord of yoga himself. Thus ends the Bhagavad Gita, the most famous episode from the great Sanskrit epic, the Mahabharata. In its eighteen short chapters Krishna's teaching leads the warrior Arjuna from perplexity to understanding and correct action, in the process raising and developing many key themes from the history of Indian religions. The Bhagavad Gita is the best known and most widely read Hindu religious text in the Western world. It considers social and religious duty, the nature of sacrifice, the nature of action, the means to liberation, and the relationship of human beings to God. It culminates in an awe-inspiring vision of Krishna as God omnipotent, disposer and destroyer of the universe. |
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Aurora Leigh is the foremost example of the mid-nineteenth-century poem of contemporary life. This verse-novel is a richly detailed representation of the early Victorian age. The social panorama extends from the slums of London, through the literary world, to the upper classes and a number of superb satiric portraits: an aunt with rigidly conventional notions of female education; Romney Leigh, the Christian socialist; Lord Howe, the amateur radical; Sir Blaise Delorme, the ostentatious Roman Catholic; and the unscrupulous society beauty Lady Waldemar. However, the dominant presence in the work is the narrator, Aurora Leigh herself. From early years in Italy and adolescence in the West Country to the vocational choices, creative struggles, and emotional entanglements of her first decade of adult life, Aurora Leigh develops her ideas on art, love, God, the Woman Question, and society. This is the first critically edited and fully annotated edition for almost a century. |
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I evidently saw that unless the great God of his infinite grace and bounty, had voluntarily chosen me to be a vessel of mercy, though I should desire, and long, and labour until my heart did break, no good could come of it... How can you tell you are Elected? (GA, 47) In seventeenth-century England, the Calvinist doctrine of predestination, with its belief in the predetermined salvation of the few and damnation of the many, led many Christians to an anguished search for evidence of God's favour. John Bunyan's Grace Abounding records this spiritual crisis and its gruelling fluctuations between hope and despair in all its psychological intensity. It is a classic of spiritual autobiography — a genre which flourished in seventeenth-century England, as anxiety over one's spiritual state encouraged rigorous self-scrutiny and the sharing of spiritual experiences. This edition sets Grace Abounding alongside four of the most interesting and varied contemporary spiritual autobiographies, making its cultural milieu more meaningful to the modern reader. |
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Lord Orville did me the honour to hand me to the coach, talking all the way of the honour I had done him! O these fashionable people! Frances Burney's first and most enduringly popular novel is a vivid, satirical, and seductive account of the pleasures and dangers of fashionable life in late eighteenth-century London. As she describes her heroine's entry into society, womanhood and, inevitably, love, Burney exposes the vulnerability of female innocence in an image-conscious and often cruel world where social snobbery and sexual aggression are played out in the public arenas of pleasure-gardens, theatre visits, and balls. But Evelina's innocence also makes her a shrewd commentator on the excesses and absurdities of manners and social ambitions — as well as attracting the attention of the eminently eligible Lord Orville. Evelina, comic and shrewd, is at once a guide to fashionable London, a satirical attack on the new consumerism, an investigation of women's position in the late eighteenth century, and a love story. The new introduction and full notes to this edition help make this richness all the more readily available to a modern reader. |
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The Gallic War, published on the eve of the civil war which led to the end of the Roman Republic, is an autobiographical account written by one of the most famous figures of European history. On one level a straightforward narrative of the campaigns Caesar fought against the Gauls, Germans and Britons, it also serves a deeper political purpose, revealing him as a commander of breathtaking flair, courage and persistence — a man of the people, a man without rival. This new translation reflects the purity of Caesar's Latin while preserving the pace and flow of his momentous narrative of the conquest of Gaul and the first Roman invasions of Britain and Germany. The introduction includes a survey of Caesar's role and reputation in later thought, while detailed notes, maps, a table of dates, and glossary make this the most useful edition available. |
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Two things alone I long for: first, that when I die I may leave the Roman people free... and second, that each person's fate may reflect the way he has behaved towards his country. Cicero (106-43 BC) was the greatest orator of the ancient world and a leading politician of the closing era of the Roman republic. This book presents nine speeches which reflect the development, variety, and drama of his political career, among them two speeches from his prosecution of Verres, a corrupt and cruel governor of Sicily; four speeches against the conspirator Catiline; and the Second Philippic, the famous denunciation of Mark Antony which cost Cicero his life. Also included are On the Command of Gnaeus Pompeius, in which he praises the military successes of Pompey, and For Marcellus, a panegyric in praise of the dictator Julius Caesar. These new translations preserve Cicero's rhetorical brilliance and achieve new standards of accuracy. A general introduction outlines Cicero's public career, and separate introductions explain the political significance of each of the speeches. Together with its companion volume, Defence Speeches, this edition provides an unparalleled sampling of Cicero's oratorical achievements. |
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Now the sport begins! An Essay on the Art of Ingeniously Tormenting is the first English book on the craft of nagging. A bitingly funny social satire, it is also an advice book, a handbook of anti-etiquette, and a comedy of manners. Collier describes methods for 'teasing and mortifying' one's intimates and acquaintances in a variety of social situations by taking advantage of their affections and goodwill. Written primarily for wives, mothers, and the mistresses of servants, The Art suggests the difficulties women experienced exerting their influence in private and public life — and the ways they got round them. In anatomizing the art of emotional abuse Collier piques readers into acknowledging their own faults, and persuades them that tormenting is a useful skill, even as she censures its effects. The Art provides a fascinating glimpse into eighteenth-century daily life, the treatment of servants and dependants and the bringing up of children, and is a thrilling precursor to the art of Jane Austen. |
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This time the fiction is founded upon facts stated Wilkie Collins in his Preface to Man and Wife (1870). Many Victorian writers responded to contemporary debates on the rights and the legal status of women, and here Collins questions the deeply inequitable marriage laws of his day. Man and Wife examines the plight of a woman who, promised marriage by one man, comes to believe that she may inadvertently have gone through a form of marriage with his friend, as recognized by the archaic laws of Scotland and Ireland. From this starting-point Collins develops a radical critique of the values and conventions of Victorian society. Collins had already developed a reputation as the master of the sensation novel, and Man and Wife is as fast moving and unpredictable as The Moonstone and The Woman in White. During the novel the atmosphere grows increasingly sinister as the setting moves from a country house to a London suburb and a world of confinement, plotting, and murder. |
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Few individuals have shaped their country's civilization more profoundly than the Master Kong (Confucius, 551-479 BC). Compulsory reading in the late Imperial period for all who wished to enter the Civil Service or Government, his sayings and those of his disciples form the foundation of a distinct social, ethical, and intellectual system. They have retained their freshness and vigour throughout the two and a half millennia of their currency, and are still admired even in today's China. This lively new translation with clear explanatory notes by one of the foremost scholars of classical Chinese provides the ideal introduction to the Analects for readers who have no previous knowledge of the Chinese language and philosophical traditions. |
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To the white men in the waterside business and to the captain of ships he was just Jim — nothing more. He had, of course, another name, but he was anxious that it should not be pronounced. Lord Jim tells the story of a young, idealistic Englishman — as unflinching as a hero in a book — who is disgraced by a single act of cowardice while serving as an officer on the Patna, a merchant-ship sailing from an Eastern port. His life is blighted: an isolated scandal assumes horrifying proportions. An older man, Marlow, befriends Jim, and helps to establish him in Patusan, a remote Malay settlement. There he achieves a kind of peace, but his courage is put to the test once more. Lord Jim is one of the most profound and rewarding psychological novels in English. Set in the context of social change and colonial expansion in late Victorian England, it embodies in Jim the values and the turmoil of a fading empire. In his introduction and notes to this new edition Jacques Berthoud explores the social and cultural dynamics that inform the novel. |
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Few venture as thou hast in the alarming paths of sin. This is the final judgement of Satan on Victoria di Loredani, the heroine of Zofloya, or The Moor (1806), a tale of lust, betrayal, and multiple murder set in Venice in the last days of the fifteenth century. The novel follows Victoria's progress from spoilt daughter of indulgent aristocrats, through a period of abuse and captivity, to a career of deepening criminality conducted under Satan's watchful eye. Charlotte Dacre's narrative deftly displays her heroine's movement from the vitalized position of Ann Radcliffe's heroines to a fully conscious commitment to vice that goes beyond that of Monk Lewis's deluded Ambrosio. The novel's most daring aspect is its anatomy of Victoria's intense sexual attraction to her Moorish servant Zofloya that transgresses taboos both of class and race. A minor scandal on its first publication, and a significant influence on Byron and Shelley, Zofloya has been unduly neglected. Contradicting idealized stereotypes of women's writing, the novel's portrait of indulged desire, gratuitous cruelty, and monumental self-absorption retains considerable power to disturb.The introduction to this edition, the first for nearly 200 years, examines why Zofloya deserves to be read alongside established Gothic classics as the highly original work of an intriguing and unconventional writer. |
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The Dharmasutras are the four surviving works of the ancient Indian expert tradition on the subject of dharma, or the rules of behaviour a community recognizes as binding on its members. Written in a pithy and aphoristic style and representing the culmination of a long tradition of scholarship, the Dharmasutras record intense disputes and divergent views on such subjects as the education of the young and their rites of passage, ritual procedures and religious ceremonies, marriage and marital rights and obligations, dietary restrictions, the right professions for and the proper interaction between different social groups, sins and their expiations, institutions for the pursuit of holiness, king and the administration of justice, crimes and punishments, death and ancestral rites. In short, these unique documents give us a glimpse of how people, especially Brahmin males, were ideally expected to live their lives within an ordered and hierarchically arranged society. In this first English translation of the Dharmasutras for over a century, Patrick Olivelle uses the same lucid and elegant style as in his award-winning translation of the Upanisads and incorporates the most recent scholarship on ancient Indian law, society, and religion. Complex material is helpfully organized, making this the ideal edition for the non-specialist as well as for students of Indian society and religion. |
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Following his father's death John Harmon returns to London to claim his inheritance, but he finds he is eligible only if he marries Bella Wilfur. To observe her character he assumes another identity and secures work with his father's foreman, Mr Boffin, who is also Bella's guardian. Disguise and concealment play an important role in the novel and individual identity is examined within the wider setting of London life: in the 1860s the city was aflame with spiralling financial speculation while thousands of homeless scratched a living from the detritus of the more fortunate-indeed John Harmon's father has amassed his wealth by recycling waste. This edition includes extensive explanatory notes and significant manuscript variants. |
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Louise de la Balliere is the middle section of The Vicomte de Bragelonne or, Ten Years After. Against a tender love story, Dumas continues the suspense which began with The Vicomte de Bragelonne and will end with The Man in the Iron Mask. It is early summer, 1661, and the royal court of France is in turmoil. Can it be true that the King is in love with the Duchess d'Orleans? Or has his eye been caught by the sweet and gentle Louise de la Valliere? No one is more anxious to know the answer than Raoul, son of Athos, who loves Louise more than life itself. Behind the scenes, dark intrigues are afoot. Louis XIV is intent on making himself absolute master of France. Imminent crisis shakes the now aging Musketeers and d'Artagnan out of their complacent retirement, but is the cause just? This new edition of the classic English translation of 1857 is richly annotated and sets Dumas's invigorating tale in its historical and cultural context. |
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One of France's best-selling writers at the time of the novel's composition, Dumas here combines what he considered to be life's essentials — l'action et l'amour. This historical romance is the climax of his epic of chivalry and valour that began with The Three Musketeers, and it is here that Athos, Porthos, Aramis, and their friend d'Artagnan, once invincible, meet their destinies. This edition provides background information and notes crucial to an understanding of the legend and the novel's setting. |
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The Moving Finger writes; and, having writ Moves on: nor all thy Piety nor Wit Shall lure it back to cancel half a line Nor all thy tears wash out a word of it. In the 'rubaiyat' (short epigrammatic poems) of the medieval Persian poet, mathematician, and philosopher Omar Khayyam, Edward FitzGerald saw an unflinching challenge to the illusions and consolations of mankind in every age. His version of Omar is neither a translation nor an independent poem; sceptical of divine providence and insistent on the pleasure of the passing moment, its Orientalism offers FitzGerald a powerful and distinctive voice, in whose accents a whole Victorian generation comes to life. Although the poem's vision is bleak, it is conveyed in some of the most beautiful and haunting images in English poetry — and some of the sharpest-edged. The poem sold no copies at all on its first appearance in 1859, yet when it was 'discovered' two years later its first admirers included Dante Gabriel Rossetti, Swinburne, and Ruskin. Daniel Karlin's richly annotated edition does justice to the scope and complexity of FitzGerald's lyrical meditation on human death and fate. |
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New Grub Street (1891), generally regarded as Gissing's finest novel, is the story of the daily lives and broken dreams of men and women forced to earn a living by the pen. With vivid realism it tells of a group of novelists, journalists, and scholars caught in the literary and cultural crisis that hit Britain in the closing years of the nineteenth century, as universal education, popular journalism, and mass communication began to leave their mark on the life of intellectuals. Projecting a strong sense of the London in which his characters struggle, Gissing also illuminates the valley of the shadow of books, where the spirit of alienation that created modernism was already stirring. |
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So many odd women — no making a pair with them. The idea of the superfluity of unmarried women was one the New Woman novels of the 1890s sought to challenge. But in The Odd Women (1893) Gissing satirizes the prevailing literary image of the New Woman and makes the point that unmarried women were generally viewed less as noble and romantic figures than as odd and marginal in relation to the ideal of womanhood itself. Set in grimy, fog-ridden London, these odd women range from the idealistic, financially self-sufficient Mary Barfoot and Rhoda Nunn, who run a school to train young women in office skills for work, to the Madden sisters struggling to subsist in low-paid jobs and experiencing little comfort or pleasure in their lives. Yet it is for the youngest Madden sister's marriage that the novel reserves its most sinister critique. With superb detachment Gissing captures contemporary society's ambivalence towards its own period of transition. The Odd Women is a novel engaged with all the major sexual and social issues of the late-nineteenth century. Judged by contemporary reviewers as equal to Zola and Ibsen, Gissing was seen to have produced an intensely modern work and it is perhaps for this reason that the issues it raises remain the subject of contemporary debate. |
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The Communist Manifesto is one of the most influential pieces of political propaganda ever written. It is a summary of the whole Marxist vision of history and is the foundation document of the Marxist movement. Karl Marx and Friedrich Engels were aged 29 and 27 respectively when The Communist Manifesto was published on the eve of the 1848 revolutions. The authors had been close collaborators since 1844, and the Manifesto is a condensed and incisive account of the world-view they had evolved during their hectic intellectual and political involvement of the previous few years. This new edition is critically and textually up to date, and includes the Prefaces written by Marx and Engels subsequent to the 1848 edition. |
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Monsieur de Maupassant has never before been so clever. Henry James Henry James's admiration for this masterly little novel has been echoed throughout the twentieth century by readers of Pierre et Jean. It marked a turning-point in the development of French fiction, situated as it is between traditional social realism and the psychological novel. It is recognized as a classic study of filial jealousy, triggered by one of the two brothers of its title finding himself the sole inheritor of the fortune of his mother's former lover. Pierre et Jean is set in Le Havre in the 1880s and is notable for its evocation of the Normandy coastline captured by the Impressionists. But Maupassant's achievement is to have woven from this simple plot in a maritime context a brilliantly crafted exploration of the complexities at the heart of family life. |
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