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Книги издательства «Oxford University Press»
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In 1843, after three years of voyaging in the South Seas, Melville signed up as an ordinary seaman on the man-of-war United States, and headed for home. What he observed on that trip formed the basis of White-Jacket, a success both as a story and as an expose of certain naval practices of which the public was only dimly aware. Melville's subtitle, The World in a Man-of-War, points to its broad theme: the autocratic, male regime aboard the Neversink is perhaps no more than a microcosm of pre-Civil War America. But under his scandalized liberalism, his desire to expose and to reform a barbaric system which reflects badly on the Declaration of Independence, runs an unspoken connection. The treatment meted out to the white men on the man-of-war is the same as that experienced by black slaves in every state. With hindsight, Melville's novel is double-edged. This is the only paperback edition currently available. |
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The Eclogues, ten short pastoral poems, were composed between approximately 42 and 39 BC, during the time of the 'Second' Triumvirate of Lepidus, Anthony, and Octavian. In them Virgil subtly blended an idealized Arcadia with contemporary history. To his Greek model — the Idylls of Theocritus — he added a strong element of Italian realism: places and people, real or disguised, and contemporary events are introduced. The Eclogues display all Virgil's art and charm and are among his most delightful achievements. Between approximately 39 and 29 BC, years of civil strife between Antony, and Octavian, Virgil was engaged upon the Georgics. Part agricultural manual, full of observations of animals and nature, they deal with the farmer's life and give it powerful allegorical meaning. These four books contain some of Virgil's finest descriptive writing and are generally held to be his greatest and most entertaining work, and C. Day Lewis's lyrical translations are classics in their own right. |
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A moving tale of a young woman caught between the attractions of two very different men, set in the time of Napoleon, against the tensions of wartime. As the author depicts Sylvia's fateful decision to marry one man while loving the other, she deftly interweaves the eternal themes of jealousy, unrequited love, and the consequences of individual choice. |
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First published in the turbulent decade following the French Revolution, Memoirs of Emma Courtney is based on Mary Hays' own passionate struggle with romance and Enlightenment philosophy. A feminist and ardent disciple of Mary Wollstonecraft, Hays reveals the lamentable gap between 'what women are' and 'what woment ought to be'. The novel is one of the most articulate and detailed expressions of the yearnings and frustrations of a woman living in late eighteenth-century English society. It questions marital arrangements and courtship rituals by depicting a woman who actively pursues the man she loves. The novel explores the links between sexuality, desire, and economic and social freedom, suggesting the need for improvement in the laws of society which have enslaved, enervated, and degraded woman. |
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Dickson McCunn, a respectable, newly retired grocer of romantic heart, plans a modest walking holiday in the hills of south-west Scotland. He meets a young English poet and, contrary to his better sense, finds himself in the thick of a plot involving the kidnapping of a Russian princess, who is held prisoner in the rambling mansion, Huntingtower. This modern fairy-tale is also a gripping adventure story, and in it Buchan introduces some of his best-loved characters, including the Gorbals Die-Hards, who reappear in later novels. He also paints a remarkable picture of a man rejuvenated by joining much younger comrades in a challenging and often dangerous fight against tyranny and fear. |
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This new translation of The Princesse de Cleves also includes two shorter works also attributed to Mme de Lafayette, The Princesse de Montpensier and The Comtesse de Tende. |
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Roderick is combative, often violent, but capable of great affection and generosity. His father had been disinherited and has left Scotland leaving his son penniless. After a brief apprenticeship to a surgeon, the innocent Roderick travels to London where he encounters various rogues. |
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The Romance of the Forest (1791) heralded an enormous surge in the popularity of Gothic novels, in a decade that included Ann Radcliffe's later works, The Mysteries of Udolpho and The Italian. Set in Roman Catholic Europe of violent passions and extreme oppression, the novel follows the fate of its heroine Adeline, who is mysteriously placed under the protection of a family fleeing Paris for debt. They take refuge in a ruined abbey in south-eastern France, where sinister relics of the past — a skeleton, a manuscript, and a rusty dagger — are discovered in concealed rooms. Adeline finds herself at the mercy of the abbey's proprietor, a libidinous Marquis whose attentions finally force her to contemplate escape to distant regions. Rich in allusions to aesthetic theory and to travel literature, The Romance of the Forest is also concerned with current philosophical debate and examines systems of thought central to the intellectual life of late eighteenth-century Europe. |
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Wilkie Collin's intriguing story about a blind girl, Lucilla Finch, and the identical twins who both fall in love with her, has the exciting complications of his better known novels, but it also overturns conventional expectations. Using a background of myth and fairy-tale to expand the boundaries of nineteenth century realist fiction, Collins not only takes a blind person as his central character but also explores the idea of blindness and its implications. His sensitive presentation of the difficulties, disappointments, and occasional delights which follow the recovery of sight by someone blind since infancy is still one of the best accounts in fiction of a problem which continues to intrigue philosophers, psychologists, and the general public, as it has done since it was first discussed by Locke and Berkeley in the eighteenth century. |
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Zola's masterpiece of working life, Germinal (1885), exposes the inhuman conditions of miners in northern France in the 1860s. By Zola's death in 1902 it had come to symbolise the call for freedom from oppression so forcefully that the crowd which gathered at his State funeral chanted Germinal! Germinal! The central figure, Etienne Lantier, is an outsider who enters the community and eventually leads his fellow-miners in a strike protesting against pay-cuts — a strike which becomes a losing battle against starvation, repression, and sabotage. Yet despite all the violence and disillusion which rock the mining community to its foundations, Lantier retains his belief in the ultimate germination of a new society, leading to a better world. Germinal is a dramatic novel of working life and everyday relationships, but it is also a complex novel of ideas, given fresh vigour and power in this new translation. |
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«Based on Hawthorne's own experience of a Utopian socialist community outside Boston, «The Blithedale Romance» tells of the attempts of a like-minded group to begin reforming a dissipated America. However, rather than dropping bad habits and changing the world, Coverdale the prurient bachelor, Hollingsworth the furious philanthropist, Zenobia the voluptuous feminist, and Priscilla the vulnerable seamstress soon find themselves pursuing egotistical paths which must lead ultimately to tragedy. Evoking a bright rural idyll which fails to survive the ravages of lust and power, Hawthorne cynically undermines the fatuities of nineteenth-century American idealism.» |
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The Condition of the Working Class in England is the best known work of Engels, and still in many ways the best study of the working class in Victorian England. What Cobbett had done for agricultural poverty in his Rural Rides, Engels did — and more — in this work on the plight of industrial workers in England in the 1840s. |
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This is a reissue of the previous World's Classics edition in the new larger format, and with the series name changed to Oxford World's Classics. |
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The Greek lyric, elegiac, and iambic poets of the two centuries from 650 to 450 BC — Archilochus and Alcman, Sappho and Mimnermus, Anacreon, Simonides, and the rest — produced some of the finest poetry of antiquity, perfect in form, spontaneous in expression, reflecting all the joys and anxieties of their personal lives and of the societies in which they lived. This new poetic translation by a leading expert captures the nuances of meaning and the whole spirit of this poetry as never before. It is not merely a selection but covers all the surviving poems and intelligible fragments, apart from the works of Pindar and Bacchylides, and includes a number of pieces not previously translated. The Introduction gives a brief account of the poets, and explanatory Notes on the texts will be found at the end. |
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I sing of knights and ladies, of love and arms, of courtly chivalry, of courageous deeds. So begins Ariosto's Orlando Furioso (1532), the culmination of the chivalric legends of Charlemagne and the Saracen invasion of France. It is a brilliantly witty parody of the medieval romances, and a fitting monument to the court society of the Italian Renaissance which gave them birth. This unabridged prose translation faithfully captures the narrative entire and is a kaleidoscope of scenes and emotions of fact and fantasy. |
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This new translation is an accurate and stylish rendering of Zola's original, which was first published in 1880. |
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Aurora Leigh is an example of the mid-19th-century poem of contemporary life. This verse-novel is a detailed representation of the early Victorian age. The social panorama extends from the slums of London, through the literary world, to the upper classes and a number of satiric portraits: an aunt with rigidly conventional notions of female education; Romney Leigh, the Christian socialist; Lord Howe, the amateur radical; Sir Blaise Delorme, the ostentatious Roman Catholic; and the unscrupulous society beauty Lady Waldemar. However, the dominant presence in the work is the narrator, Aurora Leigh herself. From early years in Italy and adolescence in the West Country to the vocational choices, creative struggles, and emotional entanglements of her first decade of adult life, Aurora Leigh develops her ideas on art, love, God, the Woman Question, and society. |
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This is a reissue of the previous World's Classics edition in the new, larger format and with the series name changed to Oxford World's Classics. |
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Three Tales offers an excellent introduction to the work of one of the world's greatest novelists. A Simple Heart is set in the Normandy of Flaubert's childhood, while Saint Julian and Herodias draw on medieval myth and the biblical story of John the Baptist for their inspiration. Each of the tales invites comparison with one or other of Flaubert's novels, but they also reveal a fresh and distinctive side to the writers's genius. |
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