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Книги издательства «Oxford University Press»
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«`The victor belongs to the spoils'. Fitzgerald's ironic epigraph to «The Beautiful and Damned» exemplifies his attitude toward the young rootless post-World War One generation who believed life to be meaningless and who pursued wealth despite its corrosive effect. Gloria and Anthony Patch party until money runs out; then their goal becomes Adam Patch's fortune. Gloria's beauty fades and Anthony's drinking takes its horrible toll. Fitzgerald here once again displays a wariness of the upper classes, `an abiding distrust, an animosity, toward the leisure class — not the conviction of a revolutionist but the smouldering hatred of a peasant'.» |
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The Barber of Seville * The Marriage of Figaro * The Guilty Mother Eighteenth-century France produced only one truly international theatre star, Beaumarchais, and only one name, Figaro, to put with Don Quixote or D'Artagnan in the ranks of popular myth. But who was Figaro? Not the impertinent valet of the operas of Mozart or Rossini, but both the spirit of resistance to oppression and a bourgeois individualist like his creator. The three plays in which he plots and schemes chronicle the slide of the ancien régime into revolution but also chart the growth of Beaumarchais' humanitarianism. They are also exuberant theatrical entertainments, masterpieces of skill, invention, and social satire which helped shape the direction of French theatre for a hundred years. This lively new translation catches all the zest and energy of the most famous valet in French literature. |
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«'Yes, what is Dionysian? — This book provides an answer — «a man who knows» speaks in it, the initiate and disciple of his god'. «The Birth of Tragedy» (1872) is a book about the origins of Greek tragedy and its relevance to the German culture of its time. For Nietzsche, Greek tragedy is the expression of a culture which has achieved a delicate but powerful balance between Dionysian insight into the chaos and suffering which underlies all existence and the discipline and clarity of rational Apollonian form. In order to promote a return to these values, Nietzsche undertakes a critique of the complacent rationalism of late nineteenth-century German culture and makes an impassioned plea for the regenerative potential of the music of Wagner. In its wide-ranging discussion of the nature of art, science and religion, Nietzsche's argument raises important questions about the problematic nature of cultural origins which are still of concern today.» |
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«This wide-ranging, jargon-free dictionary contains over 2,000 entries on all aspects of statistics, including terms used in computing, mathematics, and probability. It also includes biographical information on over 200 key figures in the field and coverage of statistical journals and societies. While embracing the whole multi-disciplinary spectrum of this complex subject, information is presented in a clear and practical manner. This revised and updated edition features recommended web links for many entries, accessible via the «Dictionary of Statistics» website, which provide valuable extra information. Entries are generously illustrated with useful figures and diagrams, and include worked examples where applicable. Appendices include a historical calendar of important statistical events, lists of statistical and mathematical notation, and statistical tables. An invaluable dictionary for statistics students and professionals from a wide range of disciplines, including economics, politics, market research, medicine, psychology, pharmaceuticals, and mathematics. Also provides a clear introduction to the subject for the general reader.» |
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«The very first Sherlock Holmes story, «A Study in Scarlet» was also the first of Conan Doyle's books to be published. His two creations, Holmes, the master of the science of detection and Watson, the great detective's faithful companion, are immediately in fine form. The mystery itself, its solution plucked unerringly by Holmes from the heart of Victorian London, proves to be the inevitable consequence of a tragedy of the American West. The story is harrowing in its alternating hope and despair, although Holmes himself was later to complain that the book `produces much the same effect as if you worked a love-story or an elopement into the fifth proposition of Euclid'.» |
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«In these tales Gogol guides us through the elegant streets of St Petersburg, the city erected by force and ingenuity on the marshes of the Neva estuary. Something of the deception and violence of the city's creation seems to lurk beneath its harmonious facade, however, and it confounds its inhabitants with false dreams and absurd visions — `nothing is what it seems!' warns Gogol. St Petersburg is also the setting for «Marriage», Gogol's satire on courtship and cowardice. Finally, for «The Government Inspector», indisputably Russia's greatest comedy, we move to the provinces although even here St Petersburg's preoccupation with status and appearances makes its presence felt.» |
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''The people are silent'' So ends Pushkin's great historical drama Boris Godunov, in which Boris's reign as Tsar witnesses civil strife and intrigue, brutality and misery. Its legacy is an uncertain future for the new Tsar whose inauguration is met with devastating silence by the people. Pushkin's dramatic work displays a scintillating variety of forms, from the historical to the metaphysical and folkloric. After Boris Godunov, they evolved into Pushkin's own unique, condensed transformations of Western European themes and traditions. The fearful amorality of A Scene from Faust is followed by the four Little Tragedies which confront greed, envy, lust, and blasphemy, while Rusalka is a tragedy of a different kind — a lyric fairytale of despair and transformation. James E. Falen's verse translations of Pushkin's dramas are here accompanied by an Introduction by Caryl Emerson on Russia's Top page most cosmopolitan playwright. |
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Of all Jack London's fictions none have been so popular as his dog stories. In addition to The Call of the Wild, the epic tale of a Californian dog's adventures during the Klondike gold rush, this edition includes White Fang, and five famous short stories — 'Batard', 'Moon-Face', 'Brown Wolf', 'That Top page Spot', and 'To Build a Fire. |
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'Rus! Russ!...Everything within you is open, desolate, and flat; your squat towns barely protrude above the level of your wide plains, marking them like little dots, like specks; here is nothing to entice and fascinate the onlooker's gaze. Yet whence this unfathomable, uncanny force that draws me to you?' Although Dead Souls (1842) was largely composed by Gogol during self-imposed exile in Italy in the late 1830s, his last work remains to this day the most essentially Russian of all the great novels in Russian literature. As we follow its hero Chichikov, a dismissed civil servant turned unscrupulous confidence man, about the Russian countryside in pursuit of his shady enterprise, there unfolds before us a gallery of characters worthy in comic range of Chaucer, Rabelais, Fielding and Sterne. With its rich and ebullient language, ironic twists and startling juxtapositions, Dead Souls stands as one of the most dazzling and poetic masterpieces of the nineteenth century. This brilliant new translation by Christopher English is complemented by Top page a superb introductory essay by the pre-eminent Gogol scholar, Robert Maguire. |
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The three novels which make up The Forsyte Saga chronicle the ebbing social power of the commerical upper-middle class Forsyte family between 1886 and 1920. Soames Forsyte is the brilliantly portrayed central figure, a Victorian who outlives the age, and whose baffled passion for his beautiful but unresponsive wife Irene reverberates throughout the saga. Written with both compassion and ironic detachment, Galsworthy's masterly narrative examines not only the family's fortunes but also the wider developments within society, particularly the changing position of women in an intensely competitive male world. Above all, Galsworthy is concerned with the conflict at the heart of English culture between the soulless materialism of wealth Top page and property and the humane instincts of love, beauty, and art. |
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'To love him was not enough for me after the happiness I had felt in falling in love. I wanted movement and not a calm course of existence. I wanted excitement and danger and the chance to sacrifice myself for my love.' Leo Tolstoy, known to the world for his famous novels, also created throughout his sixty-year career as a writer a significant body of works of shorter ficiton. These fictions, like his novels, tend toward a uniqueness in form, even as they explore a set of themes common in the longer works. The four novellas selected here stand closest to the novels, and represent Tolstoy at his creative best, exploring in a specific and focused way his characteristic themes: life understood as a journey of the discovery of identity and vocation, the meaning of one's life in the face of death, and the redemptive role of suffering and compassion. Family Happiness (1859) traces the psychology of failed married love yet is written against the tradition of the novel of romance, marriage and adultery. The Kreutzer Sonata (1889) recounts a husband's addictions, jealousy, sinister guilt and subsequent isolation, while The Cossacks (1863) focuses on the experiences of a young Russian on in the Caucusus whose quest for romantic love becomes one for the love of 'the whole of God's world'. Finally, the superbly crafted Hadji Murad (1905) juxtaposes the military and civilian worlds, and relates a tale of the human violation of the natural through a series of parallel episodes. Written over a period of almost fifty years, these works display Tolstoy's changing views on art and sexuality, women and marriage, nationalism and ethnicity, war and empire. All four novellas develop, each in its own unique way, the central Tolystoyan theme of love. This edition, which updates a classic Top page translation, has explanatory notes and a substantial introduction based on the most recent scholarship in the field. |
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''The ordinary laws of Nature are suspended. The various checks with influence the struggle for existence in the world at large are all neutralized or altered. Creatures survive which would otherwise disappear.'' Headed by the larger than life figure of Professor Challenger, a scientific expedition sets out to explore a plateau in South America that remains frozen in time from the days when dinosaurs roamed the Earth. Seemingly impossible to penetrate, this lost word holds great danger for the four men, whether from fiendish ape-men or terrifying prehistoric creatures. Arthur Conan Doyle's Top page classic tale of adventure and discovery still excites the reader today, just as dinosaurs continue to grip the popular imagination. |
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The new Oxford World's Classics edition of Oliver Twist is based on the authoritative Clarendon edition, which uses Dickens's revised text of 1846. It includes his preface of 1841 in which he defended himself against hostile criticism, and includes all 24 original illustrations by George Cruikshank. Stephen Gill's groundbreaking Introduction gives a fascinating new account of the novel. He also provides appendices on Dickens and Cruikshank, on Top page Dickens's Preface and the Newgate Novel Controversy, on Oliver Twist and the New Poor Law and on thieves' slang. |
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The Oxford Shakespeare General Editor: Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers — A new, modern-spelling text, collated and edited from all existing printings — Extensive introduction gives full attention to the play's bold treatment of racial themes, gender, and social relations — Detailed performance history designed to meet the needs of theatre professionals — On-page commentary and notes explain language, word-play, and staging — Appendices on music in the play and a full translation of the Italian novella from which the story derives — Illustrated with production photographs and related art — Full index to introduction and commentary — Durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major Top page achievement of twentieth-century scholarship.' |
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In 1836 the 23-year-old Dickens was invited by his publishers to write 'a monthly something' illustrated by sporting plates. Thus the Pickwick Club was Top page born: its supposed 'papers' soom outgrew their origins and became a brilliantly comic novel, still among Dicken's most popular works. |
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A schoolteacher in a provincial town falls in love with and marries a young local woman. He thinks he's found a bliss only described in novels. But before long, his sharp points of bliss become blurred. The loss of ideals and poverty of actual experience are the themes of these stories. Chekhov's Russians, at the close of the 19th century are trapped in a prison of frustration, which he depicts with laconic power. |
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Since their first publication in the 1830s and 1840s, Edgar Allan Poe's extraordinary Gothic tales have established themselves as classics of horror fiction and have also created many of the conventions which still dominate the genre of detective fiction. Yet, as well as being highly enjoyable, Poe's tales are works of very real intellectual exploration. Abandoning the criteria of characterization and plotting in favour of blurred boundaries between self and other, will and morality, identity and memory, Poe uses the Gothic to question the integrity of human existence. Indeed, Poe is less interested in solving puzzles or in moral retribution than in exposing the misconceptions that make things seem 'mysterious' in the first place. Attentive to the historical and political dimensions of these very American tales, this new critical edition selects twenty-four tales and places the most popular — 'The Fall of the House of Usher', 'The Masque of the Red Death', 'The Murders in the Rue Morgue; and 'The Purloined Letter' — alongside less well-known Top page travel narratives, metaphysical essays and political satires. |
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Dashwood, sensible and sensitive, and her romantic, impetuous younger sister Marianne, the prospect of marrying the men they love appears remote. In a world ruled by money and self-interest, the Dashwood sisters have neither fortune nor connections. Concerned for others and for social proprieties, Elinor is ill-equipped to compete with self-centred fortune-hunters like Lucy Steele, whilst Marianne's unswerving belief in the truth of her own feelings makes her more dangerously susceptible to the designs of unscrupulous men. Through her heroines' parallel experiences of love, loss, and hope, Jane Austen offers a powerful analysis of the ways in which women's lives were shaped by the claustrophobic society in which they had to Top page survive. |
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The Three Musketeers (1844) is one of the most famous historical novels ever written. It is also one of the world's greatest historical adventure stories, and its heroes have become symbols for the spirit of youth, daring, and comradeship. The action takes place in the 1620s at the court of Louis XIII, where the musketeers, Athos, Porthos, and Aramis, with their companion, the headstrong d'Artagnan, are engaged in a battle against Richelieu, the King's minister, and the beautiful, unscrupulous spy, Milady. Behind the flashing blades and bravura, in this first adventure of the Musketeers, Dumas explores the eternal conflict between good and evil. This new edition is the most fully annotated to date in English, providing explanatory Top page notes which set the work in its historical, literary, and cultural context. |
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The profoundest book there is, born from the innermost richness of truth, an inexhaustible well into which no bucket descends without coming up with gold and goodness.''Thus Spoke Zarathustra (1885) was Nietzsche's own favourite among all his books and has proved to be his most popular, having sold millions of copies in many different languages. In it he addresses the problem of how to live a fulfilling life in a world without meaning, in the aftermath of 'the death of God'. Nietzsche's solution lies in the idea of eternal recurrence which he calls 'the highest formula of affirmation that can ever be attained''. A successful engagement with this profoundly Dionysian idea enables us to choose clearly among the myriad possibilities that existence offers, and thereby to affirm every moment of our lives with others on this 'sacred' earth. This translation of Zarathustra (the first new English version for over forty years) conveys the musicality of the original German, and for the first time annotates the abundance of allusions to the Top page Bible and other classic texts with which Nietzsche's masterpiece is in conversation. |
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