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Книги издательства «Oxford University Press»
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«Crime and Punishment» is the story of a murder committed on principle, of a killer who wishes by his action to set himself outside and above society. A novel of fearful tension, physical, and psychological, it is pervaded by Dostoevsky's sinister evocation of St Petersburg, yet in the life of its gloomy tenements and drink-shops provides moments of wild humour. «Crime and Punishment» was marked by Dostoevsky's own harrowing experiences. He had himself undergone interrogation and trial, and was condemned to death, a sentence commuted to penal servitude. In prison he was particularly impressed by one hardened murderer who seemed to have attained a spiritual equilibrium beyond good and evil: yet witnessing the misery of other convicts also engendered in Dostoevsky a belief in the Christian idea of salvation through suffering.» |
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«Dostoevsky's last and greatest novel, «The Karamazov Brothers» (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons — the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha — are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disatrous consequences of rationalism. The novel is also richly comic: the Russian Orthodox Church, the legal system, and even the authors most cherisehd causes and beliefs are presented with a note of irreverence, so that orthodoxy, and radicalism, sanity and madness, love and hatred, right and wrong are no longer mutually exclusive. Rebecca West considered it «the allegory for the world's maturity», but with children to the fore. This new translation does full justice to Doestoevsky's genius, particularly in the use of the spoken word, which ranges over every mode of human expression.» |
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«Into a compellingly real portrait of nineteenth-century Russian society, Dostoevsky introduces his ideal hero, the saintly Prince Myshkin. The tensions subsequently unleashed by the hero's innocence, truthfulness, and humility betray the inadequacy of his moral idealism and disclose the spiritual emptiness of a society that cannot accommodate him. Myshkin's mission ends in idiocy and darkness, but it is the world that is rotten, not he. Written under appalling personal circumstances when Dostoevsky was travelling in Europe, «The Idiot» not only reveals the author's acute artistic sense and penetrating psychological insight, but also affords his most incisive indictment of Russia's struggling to emulate contemporary Europe and sinking under the weight of Western materialism. This new translation by Alan Myers is meticulously faithful to the original and has a critical introduction by W. J. Leatherbarrow.» |
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«`You don't know about me, without you have read a book by the name of «The Adventures of Tom Sawyer», but that ain't no matter.' So begins, in characteristic fashion, one of the greatest American novels. Narrated by a poor, illiterate white boy living in America's deep South before the Civil War, «Adventures of Huckleberry Finn» is the story of Huck's escape from his brutal father and the relationship that grows between him and Jim, the slave who is fleeing from an even more brutal oppression. As they journey down the Mississippi their adventures address some of the most profound human conundrums: the prejudices of class, age, and colour are pitted against the qualities of hope, courage, and moral character. Enormously influential in the development of American literature, «Huckleberry Finn» remains a controversial novel at the centre of impassioned critical debate. This edition discusses all the current issues and the evolution of Mark Twain's penetrating genius.» |
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'Tom was a glittering hero once more — the pet of the old, and the envy of the young...There were some that believed he would be President yet, if he escaped hanging.' In this enduring and internationally popular novel, Mark ogaincombines social satire and dime-novel sensation with a rhapsody on boyhood and on America's pre-industrial past. Tom Sawyer is resilient, enterprising, and vainglorious. In a series of adventures along the banks of the Mississippi, he usually manages to come out on top. From petty triumphs over his friends and over his long-suffering Aunt Polly, to his intervention in a murder trial, Tom engages readers of all ages. He has long been a defining figure in the American cultural imagination. Alongside the charm and the excitement, Twain raises serious questions about community, race, and the past. Above all, the book invites discussion of the way in which childhood is invoked to counter the uncomfortable truths of the adult world. |
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Virginia Woolf's exuberant `biography' tells the story of the cross-dressing, sex-changing Orlando who begins life as a young noble in the sixteenth century and moves through numerous historical and geographical worlds to finish as a modern woman writer in the 1920s. The book is in part a happy tribute to the `life' that her love for Vita Sackville-West had breathed into Virginia Woolf's own day-to-day existence; it is also Woolf's light-hearted and light-handed teasing out of the assumptions that lie behind the normal conventions for writing about a fictional or historical life. In this novel, Virginia Woolf plays loose and fast: Orlando uncovers a literary and sexual revolution overnight. |
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«Porthgenna Tower on the remote western Cornish coast. Moments before her death, Mrs Treverton dictates a secret to her maid, never to be passed to her husband as she had instructed. Fifteen years later, when Mrs Treverton's daughter, Rosamond, returns to Porthgenna with her blind husband, Leonard, she is intrigued by the strange and seemingly disturbed Mrs Jazeph's warning not to enter the Myrtle Room in the ruined north wing. Strong-minded and ingenious, Rosamond's determined detective work uncovers shocking and unsettling truths beyond all expectation. A mystery of unrelenting suspense and psychologically penetrating characters, «The Dead Secret» explores the relationship between a fallen woman, her illegitimate daughter, and buried secrets in a superb blend of romance and Gothic drama. Wilkie Collins's fifth novel, «The Dead Secret» anticipates the themes of his next novel, «The Woman in White» in its treatment of mental illness, disguise and deception, and the dispossession of lost identity. Yet a series of comic figures offsets the tension, from the dyspeptic Mr Phippen to the perpetually smiling governess, Miss Sturch. Displaying the talent and energy which made Collins the most popular novelist of the 1860s, «The Dead Secret» represents a crucial phase in Collins's rise as a mystery writer, and was his first full-length novel written specifically for serialization.» |
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«On a broad and colourful canvas, extending from urban and rural England to Waterloo and the continental haunts of exiles, Thackeray gives us one of the greatest social-satirical novels in the language-one of the most entertaining and profound, and, in the person of Becky Sharp, we have one of literature's most resourceful, attractive, and amoral characters. Essentially a commentary on hypocrisy and those ethical principles to which society pays lip-service, «Vanity Fair» (1847-8) invites us to consider which is to blame: the opportunist or the society that makes opportunism necessary. This edition, which reproduces the text of the Oxford Thackeray enhanced by John Sutherland's lively introduction and notes, includes all of Thackeray's own illustrations.» |
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«Don Quixote», first published in two parts in 1605 and 1615, is one of the world's greatest comic novels. Inspired by tales of chivalry, Don Quixote of La Mancha embarks on a series of adventures with his faithful servant Sancho Panza by his side. The novel has acquired mythic status and its influence on modern fiction is profound.» |
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This authoritative edition was formerly published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Donne's poetry and prose — all the major poems, complemented by rarely published letters and extracts from Donne's sermons — to give the essence of his work and thinking. John Donne (1572-1631) is today celebrated as one of the greatest of the metaphysical poets, whose verse was daringly original and whose use of imagery and conceits marked a new, intellectual approach to poetry. His Satires, Elegies, and Songs and Sonnets, which contain his most famous love poems, were complemented by his religious writing, both verse and prose. He was one of the most renowned preachers of his day, and this volume does equal justice to the full range of his work. In addition to nearly all his English poetry this volume includes over 130 extracts from Donne's sermons, as well as the full text of his last sermon, 'Death's Duel'. A distinguishing feature of the selection is that the works are arranged in the chronological order of their composition. |
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«It is May 1660 and the fate of nations is at stake. Mazarin plots, Louis XIV is in love, and Raoul de Bragelonne, son of Athos, is intent on serving France and winning the heart of Louise de la Valliere. D'Artagnan, meanwhile, is perplexed by a mysterious stranger, and soon he learns that his old comrades already have great projects in hand. Athos seeks the restoration of Charles II, while Aramis, with Porthos in tow, has a secret plan involving a masked prisoner and the fortification of the island of Belle-Ile. D'Artagnan finds a thread leading him to the French court, the banks of the Tyne, the beaches of Holland, and the dunes of Brittany. «The Vicomte de Bragelonne» opens an epic adventure which continues with «Louise de la Valliere» and reaches its climax in «The Man in the Iron Mask». This new edition of the classic translation is fully annotated, and an introduction sets Dumas's saga in its historical and cultural context.» |
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This selection of 21 stories represents the best of James's work, and includes three stories which are not in the Collected Edition. |
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`When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse'. The tale of Carrie Meeber's rise to stardom in the theatre and George Hurstwood's slow decline captures the twin poles of exuberance and exhaustion in modern city life as never before. The premier example of American naturalism, Dreiser's remarkable first novel has deeply influenced such key writers as William Faulkner, F. Scott Fitzgerald, Saul Bellow, and Joyce Carol Oates. This edition uses the 1900 text, which is regarded as the author's final version. |
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This collection brings together six of Turgenev's best-known `long' short stories, in which he turns his skills of psychological observation and black comedy to subjects as diverse as the tyranny of serfdom, love, and revenge on the Russian steppes. These stories all display the elegance and clarity of Turgenev's finest writing. |
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Alexandre Dumas's novels are notable for their suspense and excitement, their foul deeds, hairsbreadth escapes, and glorious victories. In The Black Tulip (1850), the shortest of Dumas's most famous tales, the real hero is no Musketeer, but a flower. The novel — a deceptively simple story — is set in Holland in 1672, and weaves the historical events surrounding the brutal murder of John de Witte and his brother Cornelius into a tale of romantic love. The novel is also a timeless political allegory in which Dumas, drawing on the violence and crimes of history, makes his case against tyranny and puts all his energies into creating a symbol of justice and tolerance: the fateful tulipa negra. This new edition reprints the first, classic English translation. David Coward sets the novel in the context of its author's life, the turbulent history of the Dutch Republic, and the amazing `tulipmania' of the seventeenth century which brought wealth to some and ruin to many. |
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«This authoritative edition was formerly published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Wilde's poetry and prose short stories, plays, critical dialogues and his only novel — to give the essence of his work and thinking. Oscar Wilde's dramatic private life has sometimes threatened to overshadow his great literary achievements. His talent was prodigious: the author of brilliant social comedies, fairy stories, critical dialogues, poems, and a novel, «The Picture of Dorian Gray». In addition to «Dorian Gray», this volume represents all these genres, including such works as «Lady Windermere's Fan» and «The Importance of Being Earnest», «The Happy Prince», «The Critic as Artist», and «The Ballad of Reading Gaol».» |
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«This anthology traces the history of modern Irish literature from the revolutionary era of the late eighteenth century to the early years of political independence. From Charlotte Brooke and Edmund Burke to Elizabeth Bowen and Louis MacNeice, the anthology shows how, in forging a tradition of their own, Irish writers have continually challenged and renewed the ways in which Ireland is imagined and defined. The anthology includes a wide-ranging and generous selection of fiction, poetry, and drama. Three plays by W. B. Yeats, Augusta Gregory, and J. M. Synge are printed in their entirety, along with the opening episode of James Joyce's «Ulysses». The volume also includes letters, speeches, songs, memoirs, essays, and travel writings, many of which are difficult to obtain elsewhere.» |
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«John Polidori's classic tale of the vampyre was a product of the same ghost-story competition that produced Mary Shelley's «Frankenstein». Set in Italy, Greece, and London, Polidori's tales is a reaction to the dominating presence of his employer Lord Byron, and transformed the figure of the vampire from the bestial ghoul of earlier mythologies into the glamorous aristocrat whose violence and sexual allure make him literally a 'lady-killer'. Polidori's tale introduced the vampire into English fiction, and launched a vampire craze that has never subsided. «The Vampyre» was first published in 1819 in the London New Monthly Magazine. The present volume selects thirteen other tales of the macabre first published in the leading London and Dublin magazines between 1819 and 1838, including Edward Bulwer's chilling account of the doppelganger, Letitia Landon's elegant reworking of the Gothic romance, William Carleton's terrifying description of an actual lynching, and James Hogg's ghoulish exploitation of the cholera epidemic of 1831-2.» |
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Writing towards the close of the nineteenth century, Chekhov — himself a country doctor — recorded in his fiction the symptoms of a diseased society. The seven stories collected here are a bleakly savage indictment of a society paralysed by spiritual malaise, and morbidly conscious of evils which can neither be killed nor cured. This volume also contains an Introduction by Ronald Hingley. |
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«This collection of eleven stories spans virtually the whole of Tolstoy's creative life. While each is unique in form, as a group they are representative of his style, and touch on the central themes that surface in «War and Peace» and «Anna Karenina». Stories as different as 'The Snowstorm', 'Lucerne', 'The Diary of a Madman', and 'The Devil' are grounded in autobiographical experience. They deal with journeys of self-discovery and the moral and religious questioning that characterizes Tolstoy's works of criticism and philosophy. 'Strider' and 'Father Sergy', as well as reflecting Tolstoy's own experiences, also reveal profound psychological insights. These stories range over much of the Russian world of the nineteenth century, from the nobility to the peasantry, the military to the clergy, from merchants and cobblers to a horse and a tree. Together they present a fascinating picture of Tolstoy's skill and artistry.» |
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