|
|
|
Книги издательства «Oxford University Press»
|
«Trials of the Diaspora presents the long and troubling history of anti-Semitism in England, from the middle ages to the twenty-first century. Anthony Julius identifies four distinct versions of English anti-Semitism, which he then investigates in detail. The first is the anti-Semitism of medieval England, a radical prejudice of defamation, expropriation, and murder, which culminated in 1290, the year of Edward I's expulsion of the Jews from England, after which there were no Jews left to torment. The second major strand is literary anti-Semitism: an anti-Semitic account of Jews continuously reappearing in English literature, from the anonymous medieval ballad «Sir Hugh, or the Jew's Daughter» through Shakespeare to Charles Dickens, T. S. Eliot, and beyond. Thirdly, Julius addresses modern anti-Semitism, a quotidian anti-Semitism of insult and partial exclusion, pervasive but contained, experienced by Jews from their 'readmission' to England in the mid-17th century through to the late 20th century. The final chapters then deal with contemporary anti-Semitism, a new configuration of anti-Zionisms, emerging in the late 1960s and the 1970s, which treats Zionism and the State of Israel as illegitimate Jewish enterprises. It is this final perspective which, in Julius's opinion, now constitutes the greatest threat to Anglo-Jewish security and morale. This book, the first history of its kind, has already provoked much comment and debate in its hardback edition, coming as a timely reminder that English culture has been in no way immune to anti-Semitism — and in certain ways is still not to this day. The paperback edition now includes a new preface by the author and a conclusion delineating the main categories of anti-Semitic prejudice.» |
|
This book provides guidelines on making homework relevant to the students and the curriculum, and integrates homework into classroom activities. |
|
Grandpa is dying. He can barely move his hands anymore, but stubborn as ever, refuses to stay in hospital. He's determined to finish his last painting, 'River Boy', before he goes. A poignant story that explores the subject of grief and loss in an accessible and affecting way. Themes: grief, bereavement, testing physical limits, artistic challenge Teaching Focus: * Language rich in metaphor and other rhetorical devices. * Strong characterization and sensitive portrayal of relationships. * Creation of mood and setting through descriptive language. * Key images woven through the narrative and plot Recommended for students in Years 8 and 9. |
|
Amina was found by Auntie Vickie in a cardboard box on her doorstep and has lived with her ever since. She doesn't know who or where her parents are, and she feels misunderstood. When she is bullied by Vickie's son she can't stand it any longer, so she runs away. Squatting in an empty house, she makes friends with Paul, an older teenager. Paul tries to help her find out about her real mother and become reconciled with Auntie Vickie. But the young squatters face eviction and unwelcome attention from those opposed to asylum-seekers. Soon Amina is running again, even though she doesn't know where to run to. All she can cling to is her love of song and her hope that somewhere she will belong. |
|
Carpe diem i.e. seize the day! Which means utter experimenting as far as snogging is concerned. Am never going to find the ONE if just keep having accidental liaisons with Jack or ill-advised flirtations with Justin. The ONE is out there somewhere. Maybe even right under my nose. I just need to be open-minded. And open-armed. And possibly open-mouthed. Life, as they say, is what you make it. And am definitely, no doubt about it, going to make mine fabulous. Starting now. Read the hilarious results of Rachel Riley's 'seize the day' philosophy in this fantastic fifth instalment of her diaries. Not suitable for younger readers. |
|
After a dramatic accident Kit and his parents find themselves washed up on a small island. But there is no sanctuary here. The local community is hostile and menacing. Soon Kit's life is in danger and he is forced to face not just the inhabitants but a disturbing new arrival whose presence on the island terrifies the community. In his struggle to stay alive and make sense of what is happening Kit is forced to confront good and evil in unexpected forms, even within himself, and face trials and dangers beyond anything he could have imagined. |
|
From the Carnegie Medal-winning author of River Boy, Starseeker and Frozen Fire comes the fourth title in a startlingly compelling new series. Contemporary, pacy, and utterly gripping, Blade takes you on a roller-coaster ride through the secret, dangerous life of its unforgettable narrator. This thrilling new series for teenagers combines an enormously likable and engaging central character with the harsh realities of street life and the youth gang culture that is so prevalent in today's news. The mysteries and cliffhanger endings of these short, accessible books will have the power to tempt all readers as they gradually become absorbed into Blade's dangerous world. |
|
The building of the Berlin Wall in 1961 shocked the world. Ever since, the image of this impenetrable barrier between East and West, imposed by communism, has been a central symbol of the Cold War. Based on vast research in untapped archival, oral, and private sources, Burned Bridge reveals the hidden origins of the Iron Curtain, presenting it in a startling new light. Historian Edith Sheffer's unprecedented, in-depth account focuses on Burned Bridge-the intersection between two sister cities, Sonneberg and Neustadt bei Coburg, Germany's largest divided population outside Berlin. Sheffer demonstrates that as Soviet and American forces occupied each city after the Second World War, townspeople who historically had much in common quickly formed opposing interests and identities. The border walled off irreconcilable realities: the differences of freedom and captivity, rich and poor, peace and bloodshed, and past and present. Sheffer describes how smuggling, kidnapping, rape, and killing in the early postwar years led citizens to demand greater border control on both sides-long before East Germany fortified its 1,393 kilometer border with West Germany. It was in fact the American military that built the first barriers at Burned Bridge, which preceded East Germany's borderland crackdown by many years. Indeed, Sheffer shows that the physical border between East and West was not simply imposed by Cold War superpowers, but was in some part an improvised outgrowth of an anxious postwar society. Ultimately, a wall of the mind shaped the wall on the ground. East and West Germans became part of, and helped perpetuate, the barriers that divided them. From the end of World War II through two decades of reunification, Sheffer traces divisions at Burned Bridge with sharp insight and compassion, presenting a stunning portrait of the Cold War on a human scale. |
|
The city will fall, and fall soon. And when it happens — well, I've seen it before, and I don't want to see it again. I shouldn't think Joey does either. So I just hope that whatever he's brought us here for, we can be done with it and away again before the soldiers get in. They don't leave anything standing or anybody living. Mal doesn't know why they're heading into the city. But Joey has decided they must. And Joey, she knows, has a very special power... Inside the city, she's not the only one interested in Joey. Two rival gangs both see the arrival of this strange visionary boy — the Crowboy — as a chance to gain supremacy. But is Joey really so special? As the war tightens its grip on the city, the gangs are forced into a final conflict. It is time for the true purpose of the Crowboy to be revealed... |
|
Imogen Holst's brilliantly lucid book introduces the reader to the language of musical terms, highlighting and analysing the historical development of music's texture, harmony, and form. The perfect complement to The Concise Oxford Dictionary of Music, it can be read by anyone — absolute beginners and those who wish to consolidate and extend what they already know. But it not only informs: ultimately, for performers and listeners alike it encourages livelier participation. |
|
Thoroughly revised and updated to include the latest research in the field, A Dictionary of Environment and Conservation provides over 9,000 A to Z entries on scientific and social aspects of the environment — its key thinkers, treaties, movements, organizations, concepts, and theories. Covering subjects such as sustainable development, biodiversity, and environmental ethics, it is at the cutting edge of environmental and conservation studies. This is the ideal reference for students studying these subjects and anyone with an interest in environment and conservation. |
|
Truth uncompromisingly told will always have its ragged edges. So wrote Melville of Billy Budd, Sailor, among the greatest of his works and, in its richness and ambiguity, among the most problematic. As the critic E. L. Grant Watson writes, In this short history of the impressment and hanging of a handsome sailor-boy are to be discovered problems as profound as those which puzzle us in the pages of the Gospels. Outwardly a compelling narrative of events aboard a British man-of-war during the turmoil of the Napoleonic Wars, Billy Budd, Sailor is a nautical recasting of the Fall, a parable of good and evil, a meditation on justice and political governance, and a searching portrait of three extraordinary men. The passion it has aroused in its readers over the years is a measure of how deeply it addresses some of the fundamental questions of experience that every age must reexamine for itself. The selection in this volume represents the best of Melville's shorter fiction, and uses the most authoritative texts. The eight shorter tales included here were composed during Melville's years as a magazine writer in the mid 1850's and establish him, along with Hawthorne and Poe, as the greatest American story writer of his age. Several of the tales — Bartleby the Scrivener, Benito Cereno, The Encantadas, The Paradise of Bachelors and the Tartarus of Maids are acknowledged masterpieces of their genres. All show Melville a master of irony, point-of-view, and tone whose fables ripple out in nearly endless circles of meaning. |
|
'Therefore this terror and darkness of the mind Not by the sun's rays, nor the bright shafts of day, Must be dispersed, as is most necessary, But by the face of nature and her laws.' Lucretius' poem On the Nature of the Universe combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour Lucretius demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed not by the gods, but by the mechanical laws of nature. By believing this, men can live in peace of mind and happiness. Lucretius bases his argument on the atomic theory expounded by the Greek philosopher Epicurus. His poem explores sensation, sex, cosmology, meteorology, and geology through acute observation of the beauties of the natural world and with moving sympathy for man's place in it. Sir Ronald Melville's accessible and accurate verse translation is complemented by an introduction and notes situating Lucretius' scientific theories within the thought of 1st century BCE Rome and discussing the Epicurean philosophy that was his inspiration and why the issues Lucretius' poem raisies about the scientific and poetical views of the world continue to be important. |
|
The mystical romance Madhumalati tells the story of a prince, Manohar, and his love for the beautiful princess Madhumalati. When they are separated they have to endure suffering, adventure, and transformation before they can be reunited and experience true happiness. A delightful love story, the poem is also rich in mystical symbolism and the story of the two lovers represents the stages on the spiritual path to enlightenment. Madhumalati was written in the sixteenth century and it is an outstanding example of Sufi literature in the Indian Islamic tradition. Originally written in a dialect of Eastern Hindi it is here translated for the first time into English verse, with an introduction and notes that explain the poem's religious significance. |
|
The complex moral ambiguities of seduction and revenge make this text one of the most scandalous and controversial novels in European literature. The subject of major film and stage adaptations, the novel's prime movers, the Vicomte de Valmont and the Marquise de Merteuil, form an unholy alliance and turn seduction into a game — a game which they must win. This translation gives Laclos a modern voice, and readers will be able a judge whether the novel is as diabolical and infamous as its critics have claimed, or whether it has much to tell us about the kind of world we ourselves live in. David Coward's introduction explodes myths about Laclos's own life and puts the book in its literary and cultural context. |
|
The Monk was so highly popular that it seemed to create an epoch in our literature, wrote Sir Walter Scott. Set in the sinister monastery of the Capuchins in Madrid, The Monk is a violent tale of ambition, murder, and incest. The great struggle between maintaining monastic vows and fulfilling personal ambitions leads its main character, the monk Ambrosio, to temptation and the breaking of his vows, then to sexual obsession and rape, and finally to murder in order to conceal his guilt. Inspired by German horror romanticism and the work of Ann Radcliffe, Lewis produced his masterpiece at the age of nineteen. It contains many typical Gothic elements — seduction in a monastery, lustful monks, evil Abbesses, bandits and beautiful heroines. But, as the Introduction to this new edition shows, Lewis also played with convention, ranging from gruesome realism to social comedy, and even parodied the genre in which he was writing. |
|
In the Critique of Judgement (1790) Kant offers a penetrating analysis of our experience of the beautiful and the sublime, discussing the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits of representation and the connection between morality and the aesthetic. He also investigates the validity of our judgements concerning the apparent purposiveness of nature with respect to the highest interests of reason and enlightenment. The work profoundly influenced the artists and writers of the classical and romantic period and the philosophy of Hegel and Schelling. It has remained a central point of reference from Schopenhauer and Nietzsche through to phenomenology, hermeneutics, the Frankfurt School, analytical aesthetics and contemporary critical theory. J. C. Meredith's classic translation has been revised in accordance with standard modern renderings and provided with a bilingual glossary. This edition also includes the important 'First Introduction' that Kant originally composed for the work. |
|
The Oxford Shakespeare General Editor Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the works for modern readers — a new, modern-spelling text, based on the 1623 Folio text — on-page commentary and notes explain meaning, staging, language and allusions — detailed introduction considers composition, sources, and critical and theatrical history — includes full text of Plautus' Menaechmi and extracts from Gesta Grayorum and the Geneva Bible — illustrated with production photographs and related art — full index to introduction and commentary — durable sewn binding for lasting use not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship. Times Literary Supplement. |
|
'Long may the barbarians continue, I pray, if not to love us, at least to hate one another.' Cornelius Tacitus, Rome's greatest historian and the last great writer of classical Latin prose, produced his first two books in AD 98. He was inspired to take up his pen when the assassination of Domitian ended fifteen years of enforced silence. The first products were brief: the biography of his late father-in-law Julius Agricola and an account of Rome's most dangerous enemies, the Germans. Since Agricola's claim to fame was that as governor for seven years he had completed the conquest of Britain, begun four decades earlier, much of the first work is devoted to Britain and its people. The second is the only surviving specimen from the ancient world of an ethnographic study. Each in its way has had immense influence on our perception of Rome and the northern barbarians. This edition reflects recent research in Roman-British and Roman-German history and includes newly discovered evidence on Tacitus' early career. |
|
The Upanisads are the central scriptures of Hinduism. They represent some of the most important literary products in the history of Indian culture and religion, both because they played a critical role in the development of religious ideas in India and because they are our greatest source for the religious, social, and intellectual history of ancient India. Composed at a time of great social, economic, and religious change, the Upanisads document the transition from the archaic ritualism of the Veda into new religious ideas and institutions. The first major English translation of the ancient Upanisads for over half a century, Olivelle's work incorporates the most recent historical and philological scholarship. The introduction and detailed notes make this edition ideal for the non-specialist as well as for students of Indian religions. |
|
