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Книги издательства «Oxford University Press»
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Loose ends and red herrings are the stuff of detective fiction, and under the scrutiny of master sleuths John Sutherland and Cedric Watts Shakespeare's plays reveal themselves to be as full of mysteries as any Agatha Christie novel. Is it summer or winter in Elsinore? Do Bottom and Titania make love? Does Lady Macbeth faint, or is she just pretending? How does a man putrefy within minutes of his death? Is Cleopatra a deadbeat Mum? And why doesn't Juliet ask 'O Romeo Montague, wherefore art thou Montague?' As Watts and Sutherland explore these and other puzzles Shakespeare's genuius becomes ever more apparent. Speculative, critical, good-humoured and provocative, their discussions shed light on apparent anachronisms, performance and stagecraft, linguistics, Star Trek and much else. Shrewd and entertaining, these essays add a new dimension to the pleasure of reading or watching Shakespeare. |
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First published in 1844, this is Thackeray's earliest substantial work of fiction and perhaps his most original. The text is that of Saintbury's 1908 Oxford edition which incorporates Thackeray's revisions. |
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The Charterhouse of Parma (1839) is a compelling novel of passion and daring. Set at the beginning of the 19th-century in northern Italy, it traces the joyous but ill-starred amorous exploits of a handsome young aristocrat called Fabrice del Dongo. The novel's great achievement is to conjure up the excitement and romance of youth while never losing sight of the harsh realities which beset the pursuit of happiness. This new translation captures Stendhal's narrative verse, while the Introduction explores the novel's reception and the reasons for its enduring popularity and power. |
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The Father; A Dream Play; Miss Julie; The Ghost Sonata; The Dance of Death 'Ibsen can sit serenely in his Doll's House,' Sean O'Casey remarked, 'while Strindberg is battling with his heaven and his hell.' Strindberg was one of the most extreme, and ultimately the most influential theatrical innovators of the late nineteenth century. The five plays translated here are those on which Strindberg's international reputation as a dramatist principally rests and this edition embraces his crucial transition from Naturalism to Modernism, from his two finest achievements as a psychological realist, The Father and Miss Julie, to the three plays in which he redefined the possibilities of European drama following his return to the theatre in 1898. Michael Robinson's highly performable translations are based on the authoritative texts of the new edition of Strindberg's collected works in Sweden and include the Preface to Miss Julie, Strindberg's manifesto of theatrical naturalism. Introduction Textual Note Bibliography Chronology Explanatory Notes ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
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The introduction includes an examination of the Quarto and texts, and of the relationship between them; a critical discussion of the play's historical and literary sources; an examination of conflicting critical attitudes to the play, and of its fluctuating theatrical fortunes; and a demonstration of the range and variety of Shakespeare's characterization. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more. |
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Philip Sidney was in his early twenties when he wrote his 'Old' Arcadia for the amusement of his younger sister, the Countess of Pembroke. The book, which he called 'a trifle, and that triflingly handled', reflects their youthful vitality. The 'Old' Arcadia tells a romantic story in a manner comparable to that of Shakespeare's early comedies. It is divided into five 'Acts', and abounds in lively speeches, dialogues, and quasi-dramatic tableaux. Two young princes, Pyrocles and Musidorus, disguise themselves as an Amazon and a shepherd to gain access to the Arcadian Princesses, who have been taken into semi-imprisonment by their father to avoid the dangers foretold by an oracle. As a vehicle for Sidney's prophetic ideas about English versification, the 'Old' Arcadia also includes over seventy poems in a wide variety of metres and genres. In clarity, symmetry, and coherence the 'Old' version is greatly superior both to the ambitious but unfinished 'New' Arcadia and the amalgamated, 'composite' version, a hybrid monster which Sidney himself never envisaged. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
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In a literary career spanning over forty years, Wilkie Collins wrote over twenty novels, several plays, and numerous short stories. However, he is mainly remembered for his best-selling sensation novel The Woman in White. Irregular liasons, the chaotic state of the marriage laws, social and psychological identity, and the interconnections between respectable society and the world of crime are recurring themes in Collins's fiction. In this lively, accessible, and critically topical exploration of his novels, Lyn Pykett looks at Collins's long and varied career in relation to the changing circumstances of his own life, a changing literary marketplace, and the changing worlds of nineteenth-century Britain, as well as his enduring legacy for modern writers and interpreters. The volume includes a chronology of Collins's life and times, a comprehensive index, websites, illustrations, and suggestions for further reading. |
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Don Carlos and Mary Stuart, two of German literature's greatest historical dramas, deal with the timeless issues of power, freedom, and justice. Dating from 1787 and 1800 respectively, one play was written immediately before the French Revolution, the other in its aftermath. These new translations into blank verse are accurate, elegant, and playable. The Introduction, Notes, and Chronology set the plays in their cultural and intellectual background, while a family tree explains the historical relationship between Don Carlos and Mary Stuart. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more. |
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In January 1912, Britain's Captain Robert F. Scott reached the South Pole, only to find he had been beaten by Roald Amundsen's Norwegian expedition. Scott and his companions faced an 850-mile march to safety. All perished on the return. A few months later, a search party found Scott's body and the journals that told his tragic story. Scott's own account was published to extraordinary acclaim in 1913. This new edition draws on ninety years of reflection on the Antarctic disaster to illuminate Scott's journals, publishing for the first time a complete list of the changes made to Scott's original text. Drawing on previously unused papers from the John Murray archive, Max Jones tells the story of this remarkable book and charts the changing fortunes of Scott's reputation. The first fully annotated edition, it also includes appendixes on J. M. Barrie's Biographical Introduction' and The Finding of the Dead, plus a glossary of names and a full index. The story of Captain Scott and his team is sure to captivate modern readers just as much as it did almost one-hundred years ago. |
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Poised between the fading world of chivalric romance and a new psychological realism, Madame de Lafayette's novel of passion and self-deception marks a turning point in the history of the novel. When it first appeared anonymously in 1678--in the heyday of French classicism--it aroused fierce controversy among critics and readers, particularly for the extraordinary confession which forms the climax of the story. It is now regarded as a landmark in the history of women's writing. In this entirely new translation, The Princesse de Cleves is accompanied by two shorter works also attributed to Mme de Lafayette, The Princesse de Montpensier and The Comtesse de Tende. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more |
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This entirely new translation includes Petrarch's short autobiographical prose works, The Letter to Posterity and The Ascent of Mount Ventoux, and a selection of twenty-seven poems from the Canzoniere, Petrarch's best-known work in Italian. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more. |
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The Satyricon is the most celebrated prose work to have survived from the ancient world. It can be described as the first realistic novel, the father of the picaresque genre. It recounts the sleazy progress of a pair of literate scholars as they wander through the cities of the southern Mediterranean in the age of Nero, encountering en route type-figures whom the author wishes to satirize. P.G. Walsh captures the spirit of the original in this new and lively translation. His introduction and detailed notes provide the reader with a comprehensive guide to the meanings and intentions of the story and the later history of its literary influence. |
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«John Polidori's classic tale «The Vampyre»(1819), was a product of the same ghost-story competition that produced Mary Shelley's Frankenstein. The present volume selects thirteen other tales of mystery and the macabre, including the works of James Hogg, J.S. LeFanu, Letitia Landon, Edward Bulwer, and William Carelton. The introduction surveys the genesis and influence of «The Vampyre» and its central themes and techniques, while the Appendices contain material closely associated with its composition and publication, including Lord Byron's prose fragment «Augustus Darvell.» |
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Mrs. Gareth, widowed chatelaine of Poynton, is fighting to keep her house with its priceless objets d'art from her son Owen and his lovely, utterly philistine fiancée. When she discovers that her young friend and sympathizer Fleda Vetch is secretly in love with Owen, she thrusts her into the battle-line. The power struggle that ensues between the three women leaves Owen vacillating. What is at stake is not the mere possession of tables and chairs; it is, for Fleda, a conflict between aesthetic ideals, ethical imperatives, and her innermost feelings, in which she risks betraying, and being betrayed by, all that she holds most dear. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more. |
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The first five books of Livy's history of early Rome recount the great stories and moments of Roman history. From Romulus and Remus, to the rape of Lucretia, to Horatius at the bridge, Livy's massive work immortalizes the events which both defined early Roman civilization and helped to shape our cultural heritage. This new annotated translation includes both maps and an index, making it the most complete and up-to-date edition available. |
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Longus's romance tells the story of two teenagers, Daphnis and Chloe, who love each other but do not know how to make love. Around their predicament Longus weaves a fantasy which entertains and instructs, but never errs in taste. The hard toil and precariousness of peasant life are here, but so are its compensations--revelry, music, dance, and storytelling. Above the action brood divinities--Eros, Dionysus, Pan, the Nymphs--who collaborate to guide the adolescents into the mystery of Love, at once a sensual and a religious initiation. Daphnis and Chloe is the best known, and the best, of the early Greek romances, precursors to the modern novel. Admired by Goethe, it has been reinterpreted in music and art by Ravel and Chagall. This new translation is immensely readable, and does full justice to the humor and humanity of the story. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more. |
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The Oxford Illustrated Shakespeare Dictionary is the first of its kind, a brand new illustrated alphabetical dictionary of all the words and meanings students of Shakespeare need to know. Every word has an example sentence selected from the twelve most studied plays including Macbeth, Hamlet, Romeo and Juliet, A Midsummer Night's Dream, and Henry V. Usage notes and theatre notes provide additional background to Shakespearean times and the performance of his plays. Further support is provided by language panels on select topics like the humours, swearing, and stage directions, and full-colour illustrated thematic spreads on special feature topics from clothes and armour to music and recreation. The dictionary is easy to use with its clear signposting, accessible design, and expertly levelled contemporary look and feel. It is the perfect support for a full understanding of Shakespeare, created by renowned authors Professor David Crystal and actor Ben Crystal, a father and son team who combine for the first time the academic and the theatre, bringing together language, literature, and lexicography in this unique Shakespeare dictionary of global appeal. |
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At the end of The Dark Ground, Robert finally managed to escape from the tiny underground world in which he had found himself trapped. He needed Lorn's help to do it, and he had to leave her behind. Now, back in his own world and his own size again, he realises that Lorn will die if she has to spend the winter underground. To rescue her, he has to do two things: entrust his friend Tom with the incredible story of what happened to him, and find the 'real' Lorn above ground. Using all of their ingenuity, Tom and Rob finally track down the girl for whom they are searching. Her name is Hope, and she's been locked in a pit by her misguided parents. She is filthy, backwards, and completely dependent on others. How can she help Lorn? Getting Hope out of her prison will take more courage and patience than the boys feel they have. And then they still have to rescue Lorn. Time is ticking away. With each passing second, Lorn feels inexplicably called by a strange force drawing her into the dangerous tunnels of her underground world while, above ground, Tom and Rob begin the desperate battle to save her. |
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The Oxford Mini School Dictionary is the best quick reference tool for students ten years plus, ideal for primary school leavers who are about to start secondary school. Packed with information, it includes thousands of up-to-date words and phrases, with simple definitions and carefully-levelled context. It is powered by the Oxford Children's Corpus, a unique electronic database of millions of words of writing for children. The clear and accessible design in two-colour, the alphabet down the side of every page, and specially highlighted information on spelling, usage, and word histories, makes finding the word you are looking for quick and easy. A special supplement on tricky words, confusable words, overused words, synonyms and idioms, gives pupils all the reading and writing support they need. The Oxford Mini School Dictionary is compact enough to fit into any pocket, now with an eco-friendly cover, and is perfect to use at home and at school. |
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Red asks, Will we always be together? Always, I say. Just you and me in that little boat, watching the scarlet ibis flying back to the Caroni Swamp. Scarlet's used to looking after her brother, Red. He's special — different. Every night she tells him his favourite story — about the day they'll fly far away to the Caroni Swamp in Trinidad, where thousands of birds fill the sky. But when Scarlet and Red are split up and sent to live with different foster families, Scarlet knows she's got to do whatever it takes to get her brother back... Once read, never forgotten — this is the deeply moving new story from award-winning author Gill Lewis, now available in paperback. |
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