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Книги издательства «Monacelli Press»
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Bringing Paris Home invites the reader to re-create the panache of French interior style in an American setting. Author Penny Drue Baird shares her love and knowledge of French history and decorative arts and describes the design elements essential to an elegant French interior — architectural details, furniture, paint and wall covering, fireplaces, lighting, and tabletop settings. A special chapter on shopping offers tips on finding treasures in the famed Marche aux Puces in Paris. Penny Drue Baird's highly engaging text, filled with reminiscences and anecdotes, brings the charm and pleasure of Paris to life. Lavishly illustrated with Parisian scenes and completed interiors by Baird, Bringing Paris Home is an essential resource for capturing the atmosphere of Paris. |
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Clean and simple design coupled with an embrace of color, beautifully crafted millwork, and environmentally friendly materials are hallmarks of the work of Campion Platt. Every project is firmly rooted in the belief that handcrafting a home of one's own should be a pleasure, and that an individualized, intensely personal interior can be achieved on any budget when an honest conversation is opened with a designer, or yourself, about what is most important in a home, and that this process will yield achievable, comfortable results. To that end, his firm creates spaces that are bespoke on many levels — each residence and all of its furnishings are literally made to order. This lavish color presentation of over 200 images showcases the results of this unique approach in eighteen projects that range in size and location from demure city pied-a-terres to chic lofts and grand country estates. Conversational, engaging commentary and original sketches from the designer's portfolio reveal his creative process, explain the inspiration from which each space's theme is derived, disclose his most valuable tips, and explain how his experience has informed the creation of his own custom furniture, fabric, and carpet lines. I discovered that Campion was almost obsessively concerned with fabrics and finishes, which resulted in a very visually rich environment. |
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Penny Baird's intelligence and heightened sensibility are asintegral as her eye to the genius of her work. With characteristic French insistence on beauty even in the everyday Penny shows you how enhancing the look of your home can influence the overall experience of living in it. — Trish McEvoy. Penny Baird embraces the new French interior with her innate taste, sensitive mastery of detail, and eclectic designpassions. — Gael Greene. Beautifully photographed book of a younger, modern Parisienne look... Perfect for today. — Kenneth Jay Lane. Penny Baird is the quintessential Parisian New Yorker who composed the perfect mix of tradition and elegance paired with a French sensibility for our time. — Daniel Boulud. |
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For Jose Solis and Paul Sherrill, partners in Solis Betancourt, the goal for every interior is a balance between formal and informal, traditional and contemporary, while always keeping comfort and livability in mind. There is a striking simplicity to their arrangement of furniture and art: the look is subtle, never excessive, yet the designers are not afraid to bring in dramatic elements to surprise and enchant the eye. These choices contribute to a look that appears effortless, as though the collection of objects came together little by little over decades. Most notably in a Solis Betancourt room, comfort centers on the sensuous fabrics that might envelop an armchair, cushion a delicate settee, or softly frame a set of French doors. Fabric might be used as an accent, lining niches or bookcases as a background for the objects on display. Or fabric might take on a more important role, covering the ceiling and walls to create a tactile and alluring environment. Nubby linens, shimmering silks, regal damasks, are subtly layered into a serene composition that begs to be touched and enjoyed. These are interiors that offer a moment of transcendence, a glimpse beyond everyday routine. These are rooms to come home to, sanctuaries that offer a sense of protection, tranquility, and beauty. |
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Celebrated as the American Rhine, the majestic Hudson River flows more than three hundred miles from its source high in the Adirondack Mountains to New York Harbor. Lining its banks are the marks of the four hundred years of history that have transpired since Henry Hudson piloted the Half Moon north from New Amsterdam in 1609. Today the river and the surrounding valley are protected as a National Heritage Area by the National Park Service. This stunning photographic journey explores the Hudson River's historic riverfront towns, stately mansions, public parks, and pristine wilderness. The images follow the course of the river and are paired with writings and poetry by such distinguished writers as Washington Irving, Charles Dickens, and Robert Caro. First published in a deluxe edition in 1996, this unique presentation is now accessible to all who admire the beauty and power of this magnificent landscape. Photographer Jake Rajs has traveled across America and throughout the world, capturing the image and spirit of place. His work is widely published, and his books include the highly acclaimed America and New York: City of Islands. |
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The South Fork of Long Island extends only forty miles, stretching east into the Atlantic Ocean from the Shinnecock Canal to the majestic bluffs at Montauk Point. Dotting the coastline are the stylish Hamptons—Southampton, East Hampton, Westhampton Beach, and Bridgehampton—and villages of Sag Harbor, Amagansett, Watermill, and Sagaponack. The landscape in which these towns sit is unique in the United States. It is not one landscape but a collection of them—dune, farmland, woods, bays, swamps, ponds, marshes, pine barrens, and a high ridge, the moraine left by the glacier that long ago swept across the continent. All is bathed in an extraordinary silvery light that, at once warm and crisp, washes over both land and sea. Acclaimed photographer Jake Rajs has created a compelling portrait of the Hamptons, juxtaposing privet hedges and pumpkin fields, crashing surf and serene coves, fishermen and polo players, contemporary houses and modest shingled cottages. Most important, he has captured the light throughout the day, from misty dawn to the vivid colors of sunset. |
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Born in West Africa and educated in Europe, Lebanon, and the United States, Mona Hajj brings a truly global aesthetic to her interiors. Since founding Mona Hajj Interiors in 1990, she has produced a body of work that is grounded in classicism yet influenced by modern-day styles and ways of living. Her international background inspires the work in myriad ways, from the inclusion of a Syrian chest of drawers to a reference to Moroccan ceramic tiles. The first book on Mona Hajj, Interior Visions is divided into six chapters: Formality, Serenity, Tone and Color, Fabric and Texture, Comfort, and Country Living. The works shown, all residential, combine a far-reaching global vision with an American emphasis on elegance, comfort, and simplicity. |
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Good design knows no boundaries. Vicente Wolf Famed interior designer Vicente Wolf is known for a modern and elegant design sensibility that is guided by integrity and simplicity. He is also a photographer of note, capturing images of his own design work and of his travels. Crossing Boundaries is a fascinating combination of the two, a spirited approach that pairs travel and design based on visits to Ethiopia, Myanmar, Syria, Madagascar, and Borneo. Wolf is an adventurous voyager, and he is captivated by how people express themselves: in the colors and patterns of clothing, the forms and features of architecture, and so on. These influences are incorporated into his own designs, sometimes directly-a collection of brightly colored woven caps that add personality to a Wyoming log cabin-and sometimes indirectly-a composition of gray-blues and gray-greens drawn from succulent plants in a dry riverbed. |
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Roy Lichtenstein in His Studio is a portfolio of vivid and engaging photographs by Laurie Lambrecht, who was an administrative assistant to Lichtenstein for three years. She and the artist worked together daily, and the bond between them is evident in the photographs. Lichtenstein is shown working on two major series, Reflections and The Interiors. He is completely absorbed, oblivious to the camera, as he mounts ladders, assembles colors, composes, and steps back to consider the effect. During this period Lambrecht assisted in gathering material for a major retrospective at the Guggenheim Museum in New York. As a result, the photographs include scrapbooks and sketchbooks and other archival material that document Lichtenstein's entire career. There are stencils of Ben-Day dots, clippings from newspapers and comic books, Polaroid snapshots, rolls of tape, and boxes of colored pencils. Lichtenstein encouraged Lambrecht to make photographs and was often pleased and amused by the results. These images offer fascinating insight into Lichtenstein's working processes and source materials, as well as being vibrant works of art in their own right. In her essay Dorothy Lichtenstein, wife of the artist, recalls the collegial atmosphere of the studios in New York and Southampton in the early 1990s, a time of extraordinary productivity. Edward Robinson, an associate curator at the Los Angeles County Museum of Art, describes Lambrecht's process and approach. |
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White is everywhere, from sculptures and art installations to interior and furniture designs to fields of snow and mythical animals. In its countless tones — eggshell, ballerina, off-white, edelweiss, and so many more — white elicits a range of emotions, depending on the viewer, the design, the culture, the use. Brilliant: White in Design examines the spectrum of colors and talents inherent in white, exploring how it is used, and viewed, in art, design, architecture, and nature. Noted design writer Linda O'Keeffe parses the language of white and considers its strengths and, at times, its weaknesses. She shows that living with white has soothing rewards and dust-collecting drawbacks; that beige is not a four-letter word but a glamorous alternative to its more pristine counterpart; that designing with white reduces everything to pure form; and much more. In more than 250 photographs, O'Keeffe showcases work, both recent and historic, from around the world — France, Japan, Spain, England, Mexico, Canada, South Africa — and across the United States. Designers and artists include Jonathan Adler, Orlando Diaz-Azcuy, Andy Goldsworthy, Kelly Hoppen, Hugh Newell Jacobsen, Richard Meier, Benjamin Noriega-Ortiz, Andree Putman, Robert Ryman, Philippe Starck, Kelly Wearstler, and Vicente Wolf. White always makes a statement. It is distinct, versatile, and unparalleled; it is brilliant. |
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The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life. Rarely published and virtually inaccessible until the collapse of the Soviet regime, these important buildings have remained unknown and unappreciated. Richard Pare's photographs reveal the powerful forms of these structures, some still in use but many now abandoned and decayed. Massive industrial complexes like the Dnieper River Dam and MoGES, which supplies electricity to the city of Moscow; vast communal houses for workers, including Ginzburg's Narkomfin; commercial buildings and government offices; and smaller clubs and theaters were all built in this brief period.In an incisive essay, architectural historian Jean-Louis Cohen surveys the history of the period, providing a context for the emergence of this startling new architecture in parallel to contemporary experiments in Europe. |
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Designers Abroad, Michele Keith's follow-up to her highly successful book Designers Here and There, features twenty-two vacation homes of today's top interior designers, exquisitely captured in over 200 lush color photographs. For some, vacation homes offer an opportunity to escape from the office, to shut off, to wind down. For decorators, however, vacation homes mean just the opposite—they provide the opportunity to bring work home as they roam the globe, honing their design sensibilities and expanding collections of treasures. Designers Abroad takes the reader on a tour of the world, from Sri Lanka to South Africa to Sweden, by peeking into the gorgeously appointed homes of renowned interior designers. In lively and dynamic text, Michele Keith explores how they incorporate the distinct and native character a foreign land into their second homes, all the while expressing personal style. Embracing new cultures’ climates, architectural traditions, and indigenous art, fabrics, and furniture, each designer creates a space at once comfortable and glamorous, a place of solace and inspiration. Designers Abroad offers inside peeks into residences ranging from a chic studio in Paris to a house perched on windswept cliffs in Nova Scotia, from a beachside abode nestled among boulders in Cabo San Lucas, Mexico, to a former monastery outside Rome dating back to the fifteenth century. Each project is accompanied by the story of how its design was conceived and executed, and how the attributes of each country inspired its owners—including Lars Bolander, Alessandra Branca, Clodagh, Timothy Corrigan, Mica Ertegun, Fisher Weisman, Juan Pablo Molyneux, Juan Montoya, and Cortney and Robert Novogratz, among others. Designers Abroad demonstrates how these designers incorporate their passion for travel into their own interiors, and thus inspires readers to add a touch of the exotic to their own homes. |
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This is the first monograph on the work of Thomas Jayne Design Studio, a group that approaches interiors from the point of view that an understanding of the history of the decorative arts and architecture can provide insight into current ideals of decoration. Such awareness can also be a springboard for new decoration, in which traditional and classic tenets can be seen and utilized in new ways. Drawing on a rich academic background in the decorative arts, Thomas Jayne brings a unique voice stepped in the history of interiors and objects to his work. His reverence for traditional ideas goes beyond simple replication. Rather he interprets them with a fresh modern hand, providing new meaning and relevance in the process. In this collection of more than 24 residences, both city and country homes, Jayne reveals the inspiration and thought behind each design, identifying elements from the architecture, from the client's collection, from the site that served as the basis for the decoration of the rooms. |
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Presentation of the work of New York-based architect William T. Georgis, who specializes in houses and interiors that integrate art, architecture, and decoration. Eighteen projects are shown (apartments and houses, mostly in New York with one in California and one in Montana). Interspersed are thematic essays on characteristics of his work, especially his furniture designs, which are custom-made for each project. |
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A seminal artist of the Gilded Age, Louis Comfort Tiffany is the best known and most widely collected figure in late nineteenth — and early twentieth-century American decorative arts. The splendid objects from the Driehaus Collection, installed as the inaugural exhibition of the Richard H. Driehaus Museum, showcase a wide variety of Tiffany's work in an architectural setting of the period. Newly commissioned photographs highlight the subtle detail and rich coloring of each object, revealing why Tiffany is so revered as a designer. Essays by Richard H. Driehaus and David A. Hanks explore the collector's vision and Tiffany Studios's largely unknown legacy in Chicago. Vividly colored, enriched with ornament, and boldly scaled, the book provides an intimate look into the artistry and craftsmanship of Tiffany, and is a unique opportunity for collectors and enthusiasts alike to experience the objects as never before seen. |
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From classic New York City pied-a-terres and townhouses to vast Connecticut estates, airy Floridian mansions to luxurious ski retreats, every room created by interior design firm Cullman & Kravis is effortlessly graceful and balanced, masquing the meticulous research and extraordinary passion that goes into creating such perfectly harmonious spaces. Cullman & Kravis has a remarkable ability to see whole picture and, at the same time, appreciate the smallest of its pieces and intricacies. Each of their rooms is a magnificent and elaborate tapestry — step back, and a stunning image emerges; look up close, and every stitch is perfectly aligned with its neighbor, every thread a mirror of a larger pattern. This focus on detail subtly influences every component of the residences they design, so that every room harmonizes with the architecture, the setting, the furniture, and the artwork. Hand-carved moldings subtly reflect the embroidery of a throw pillow. The form of an antique chandelier echoes the drape of the silk curtains. Complementary colors emerge in the needlework of a rug, the brushstroke of an abstract painting, the fresh flowers on a table. The Detailed Interior: Decoration Up Close with Cullman & Kravis reveals how the firm achieves this effect, and how readers can employ these details to endow their rooms with the same sense of elegance and poise. Each project is illustrated with lavish full-color images, illuminating the effect of the room as a whole as well as providing close-up shots of precisely detailed spaces. The photography is coupled with informative text explaining how each of the room's elements complement each other, breaking down how Cullman & Kravis achieves these flawless interiors step by step. |
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Suzanne Tucker, a perennial on the AD100 Top Designers of the World, presents the best of the West Coast, featuring opulent Napa Valley estates, glamorous penthouses on San Francisco Bay, and art-filled apartments. All are united by an attention to detail where the designer's hand is evident in every tile, molding, railing, and finish; Suzanne Tucker redefines the notion of the truly custom home. Tucker interprets her clients' dreams of home and translates them into lavishly decorated rooms, perfectly tailored to their interests, passions, and personalities. She marries each of her designs to the particular tastes and sensibilities of her clients while always honoring classic design principles. The result is exquisitely polished interiors that blend timeless, Old World elegance with modern luxury and spirit. |
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«Architect John B. Murray creates residences that harmonize the past with the present through stunning, meticulous design, from Fifth Avenue apartments to restored farmhouses in New England and Upstate New York to weekend getaways on Long Island Sound. He harbors a deep love of the principles of traditional architecture, while always embracing contemporary life. Through his mastery of classical detail and his profound commitment to quality in every aspect of architecture, Murray translates his clients’ ideas of home, comfort, and refinement into physical form. In this richly illustrated collection of eighteen country and city residences, Murray reveals his design approach through engaging prose and drawings. For each project, he creates the traditional Beaux-Arts drawing known as the analytique, which brings together all of the significant elements of a design in a harmonious and balanced whole. Classical Invention reproduces these exquisitely hand-drawn studies alongside stunning photographs of each home. «I have found the language of classical design to be a limitless source of invention as well as a true touchstone of quality... we have to look at our built history with a fresh eye, using it to create classically inspired spaces that are appropriate for our times.» |
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Interior designer Richard Mishaan believes that all furniture and decorative accessories with inherently good form can be combined successfully regardless of style, period, or price. He creates exuberant, bold, glamorous spaces known for their masterful use of art that are nevertheless comfortable above all. In his work, every room is treated to at least one small luxury: bespoke embroidery on a wall covering, a shimmery midcentury Murano-glass chandelier, or a screen covered in wallpaper patterned like malachite. Mishaan believes that the best interiors are layered and rich. He skillfully brings together furnishings and objects from myriad eras — Italian neoclassic, seventeenth-century French, African tribal, Art Deco, Biedermeier — in a contemporary fusion style that has become his signature. This volume covers Mishaan's best work since 2009 and includes a dozen spaces of every scale, from gemlike city apartments to Hamptons estates and the presidential suite at the St. Regis Hotel. Throughout, he weaves tips on how to live well in any size dwelling; full-color photography illustrates his ideas for truly personalizing spaces and for injecting areas devoted completely to comfort in every room. |
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Bounded by Austin and San Antonio, Texas Hill Country is celebrated for its frontier history and natural beauty. Architects and interior designers build contemporary houses using local materials and drawing on the area's diverse heritage — Spanish Colonial missions and Mexican-style haciendas, French pioneers' log cabins, German stonework, and the legacy of the new regionalism espoused by O'Neil Ford in the 1930s — to create inspired residences that respect tradition and allow their owners to enjoy expansive rural surroundings. This volume presents nineteen of the area's most remarkable private houses, with lush photography to provide a glimpse of how life in Central Texas is unique — from restored Victorian houses in bohemian Southtown, to a glass-walled ranch in Boerne canopied by oak trees; from floating stairs and sustainable systems to the casual elegance of country antiques, screen porches, and longleaf pine floors. The rolling hills, spring-fed creeks, rivers, timber forests, and fertile grass-covered prairies of Hill Country — along with their abundance of natural materials such as limestone, cedar, local pecan, mesquite, oak, and cypress — inspire architects and interior designers to create beautiful modern spaces. They draw from the strong vernacular tradition of classic farmhouses that once dotted the land, and the building techniques that have been handed down through generations. The architecture and interiors featured here in beautiful full-color photography celebrate the wonderful particularities of this singular place. |
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