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Книги Coe Jonathan
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Maxwell Sim seems to have hit rock bottom. Estranged from his father, newly divorced, unable to communicate with his only daughter, he realizes that while he may have seventy-four friends on Facebook, there is nobody in the world with whom he can actually share his problems. Then a business proposition comes his way – a strange exercise in corporate PR that will require him to spend a week driving from London to a remote retail outlet on the Shetland Isles. |
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London, 1958: unassuming civil servant Thomas Foley is plucked from his desk at the Central Office of Information and sent on a six-month trip to Brussels. His task: to keep an eye on The Brittania, a brand new pub which will form the heart of the British presence at Expo 58 — the biggest World's Fair of the century, and the first to be held since the Second World War. As soon as he arrives at the site, Thomas feels that he has escaped a repressed, backward-looking country and fallen headlong into an era of modernity and optimism. He is equally bewitched by the surreal, gigantic Atomium, which stands at the heart of this brave new world, and by Anneke, the lovely Flemish hostess who meets him off his plane. But Thomas's new-found sense of freedom comes at a price: the Cold War is at its height, the mischievous Belgians have placed the American and Soviet pavilions right next to each other — and why is he being followed everywhere by two mysterious emissaries of the British Secret Service? Expo 58 may represent a glittering future, both for Europe and for Thomas himself, but he will soon be forced to decide where his public and private loyaties really lie. Returning to the acidic humour of What a Carve Up! and The Rotters' Club, Jonathan Coe's new novel stirs elements of Ealing comedy, Hitchcockian thriller and political farce into an incisive, affecting portrait of Britain as it stands at a postwar crossroads, faced with crucial choices between America and Europe, the future and the past. |
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Expo 58 — Good-looking girls and sinister spies: a naive Englishman at loose in Europe in Jonathan Coe's brilliant comic novelLondon, 1958: unassuming civil servant Thomas Foley is plucked from his desk at the Central Office of Information and sent on a six-month trip to Brussels. His task: to keep an eye on The Brittania, a brand new pub which will form the heart of the British presence at Expo 58 — the biggest World's Fair of the century, and the first to be held since the Second World War.As soon as he arrives at the site, Thomas feels that he has escaped a repressed, backward-looking country and fallen headlong into an era of modernity and optimism. He is equally bewitched by the surreal, gigantic Atomium, which stands at the heart of this brave new world, and by Anneke, the lovely Flemish hostess who meets him off his plane. But Thomas's new-found sense of freedom comes at a price: the Cold War is at its height, the mischievous Belgians have placed the American and Soviet pavilions right next to each other — and why is he being followed everywhere by two mysterious emissaries of the British Secret Service? Expo 58 may represent a glittering future, both for Europe and for Thomas himself, but he will soon be forced to decide where his public and private loyaties really lie.For fans of Jonathan Coe's classic comic bestsellers What a Carve Up! and The Rotters' Club, this hilarious new novel, which is set in the Mad Men period of the mid 50s, will also be loved by readers of Nick Hornby, William Boyd and Ian McEwan.'Coe has huge powers of observation and enormous literary panache' Sunday Times'No one marries formal ingenuity with inclusiveness of tone more elegantly' Time Out'Coe is among the handful of novelists who can tell us something about the temper of our times' Observer'Thank goodness for Jonathan Coe, who records what Britain has lost in the past thirty years in his elegiac fiction' Scotland on SundayJonathan Coe was born in Birmingham in 1961. Expo 58 is his tenth novel. The previous nine are all available in Penguin: The Accidental Woman, A Touch of Love, The Dwarves of Death, What a Carve Up! (which won the 1995 John Llewellyn Rhys Prize), The House of Sleep (which won the 1998 Prix Medicis Etranger), The Rotters' Club (winner of the Everyman Wodehouse Prize), The Closed Circle, The Rain Before It Falls and The Terrible Privacy of Maxwell Sim. His biography of the novelist B.S. Johnson, Like a Fiery Elephant, won the 2005 Samuel Johnson Prize for best non-fiction book of the year. |
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Jonathan Coe's widely acclaimed novel is set in the 1970s against a distant backdrop of strikes, terrorist attacks and growing racial tension. A group of young friends inherit the editorship of their school magazine and begin to put their own distinctive spin onto events in the wider world. A zestful comedy of personal and social upheaval, The Rotters' Club captures a fateful moment in British politics — the collapse of 'Old Labour' — and imagines its impact on the topsy-turvy world of the bemused teenager: a world in which a lost pair of swimming trunks can be just as devastating as an IRA bomb. |
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On Millennium night, with Blair presiding over a superficially cool, sexed-up new version of the country, Benjamin Trotter finds himself watching the celebrations on his parents' TV. Watching, in fact, his younger brother, Paul, now a bright young New Labour MP who has bought wholeheartedly into the Blairite dream. Neither of them can know that their lives are about to implode. Set against the backdrop of a changing Britain and the country's increasingly compromised role in America's 'war against terrorism', the characters struggle to make sense of the perennial problems of love, vocation and family. |
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This is a brilliant noir farce, a dystopian vision and the story of an obsession. Michael is a lonely, rather pathetic writer, obsessed by the film, 'What A Carve Up!' in which a mad knifeman cuts his way through the inhabitants of a decrepit stately pile as the thunder rages. Inexplicably, Michael is commissioned to write the family history of the Winshaws, an upper class Yorkshire clan whose members have a finger in every establishment pie. But as a murderous maniac stalks the family, Michael realizes that his favourite film is coming true. |
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Robin, a postgrad student in Coventry, has spent four and a half years not writing his thesis. Now it languishes in a drawer, and Robin hides in his room, increasingly frightened by a world he doesn't understand. His friends have failed him and romance eludes him. His only outlet is his short stories, scribbled in notebooks and expressing his secret obsessions and frustrations. Then, when an unfortunate and embarassing incident in a public park lands him in serious trouble, Robin's life finally spirals out of control... |
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This is a novel about the hundreds of tiny connections between the public and private worlds and how they affect us all. It's about the legacy of war and the end of innocence. It's about how comedy and politics are battling it out and comedy might have won. It's about how 140 characters can make fools of us all. It's about living in a city where bankers need cinemas in their basements and others need food banks down the street. It is Jonathan Coe doing what he does best — showing us how we live now. |
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