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Книги Ackroyd Peter
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A breathtaking feat of scholarship' The Times. 'I can do no more than praise, recommend, insist that you buy and read this book. It supersedes all other Dickens biographies' Anthony Burgess, Independent. In Peter Ackroyd's abridged edition of his classic biography of Charles Dickens, the acclaimed biographer takes us to the heart of one of the world's greatest writers. From Dickens's birth in Portsmouth to his death at the age of just fifty-eight, Ackroyd explores the life of this renowned author and the hundreds of characters who were born with Dickens but didn't die with him, living on for ever in the pages of his books, on the radio and the television and film screens. |
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«In this sumptuous vision of Venice, Peter Ackroyd turns his unparalleled skill at evoking place from London and the River Thames, to Italy and the city of myth, mystery and beauty, set like a jewel in its glistening lagoon. His account is at once romantic and packed with facts, conjuring up the atmosphere of the canals, bridges and sunlit squares, the churches and the markets, the fiestas and the flowers. He leads us through the history of the city, from the first refugees arriving in the mists of the lagoon in the fourth century to the rise of a great mercantile state and a trading empire, the wars against Napoleon and the tourist invasions of today. Everything is here: the merchants on the Rialto and the Jews in the ghetto; the mosaics of St Mark's and the glass blowers of Murano; the carnival masks and the sad colonies of lepers; and, the doges and the destitute and the artists with their passion for colour and form — Bellini, Titian, Tintoretto, Tiepolo. There are wars and sieges, scandals and seductions, fountains playing in deserted squares and crowds thronging the markets. And there is a dark undertone too, of shadowy corners and dead ends, prisons and punishment. The language and way of thinking of the Venetians sets them aside from the rest of Italy. They are an island people, linked to the sea and to the tides rather than the land. 'The moon rules Venice', Ackroyd writes: 'It is built on ocean shells and ocean ground; it has the aspect of infinity. It is the floating world... changing and variable and accidental. 'This book, like a magic gondola, transports its readers to that sensual, surprising realm. We could have no better guide — reading Ackroyd's «Venice» is, in itself, a glorious journey and the perfect holiday'.» |
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The English, Peter Ackroyd tells us in this fascinating collection, see more ghosts than any other nation. Each region has its own particular spirits, from the Celtic ghosts of Cornwall to the dobies and boggarts of the north. Some speak and some are silent, some smell of old leather, others of fragrant thyme. From medieval times to today, stories have been told and apparitions seen — ghosts who avenge injustice, souls who long for peace, spooks who just want to have fun. The English Ghost is a treasury of such sightings — which we can believe or not, as we will. The accounts, packed with eerie detail, range from the door-slamming, shrieking ghost of Hinton Manor in the 1760s and the moaning child that terrified Wordsworth's nephew at Cambridge, to the headless bear of Kidderminster, the violent daemon of Devon who tried to strangle a man with his cravat and the modern-day hitchhikers on Blue Bell Hill. Comical and scary, like all good ghost stories, these curious incidents also plumb the depths of the English psyche in its yearnings for justice, freedom and love. |
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This is an abridged edition of Peter Ackroyd's magisterial biography of the city of London. Prize-winning historian, novelist and broadcast, Peter Ackroyd takes us on a journey — historical, geographical and imaginative — through the city of London. Moving back and forth through time, Ackroyd is an effortless, exuberant guide to times of plague and pestilence, fire and floods, crime and punishment, and sex and theatre. He brings the ever changing streets alive for the reader and shows us what lies beneath our feet and above our heads. His biography is as rich in detail and fizzing with vitality as the city itself. |
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Having written enthralling biographies of London and of its great river, the Thames, Peter Ackroyd now turns to England itself. This first volume of six takes us from the time that England was first settled, more than 15,000 years ago, to the death in 1509 of the first Tudor monarch, Henry VII. In it, Ackroyd takes us from Neolithic England, which we can only see in the most tantalising glimpses a stirrup found in a grave, some seeds at the bottom of a bowl to the long period of Roman rule; from the Dark Ages when England was invaded by a ceaseless tide of Angles, Saxons and Jutes, to the twin glories of medieval England its great churches and monasteries and its common law. With his extraordinary skill for evoking time and place, he tells the familiar story of king succeeding king in rich prose, with profound insight and some surprising details. The food we ate, the clothes we wore, the punishments we endured, even the jokes we told are all found here, too. |
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This is the second volume of Peter Ackroyd's masterful history of England: the Tudors. Rich in detail and atmosphere and told in vivid prose, Tudors recounts the transformation of England from a settled Catholic country to a Protestant superpower. It is the story of Henry VIII's cataclysmic break with Rome, and his relentless pursuit of both the perfect wife and the perfect heir; of how the brief reign of the teenage king, Edward VI, gave way to the violent reimposition of Catholicism and the stench of bonfires under 'Bloody Mary'. It tells, too, of the long reign of Elizabeth I, which, though marked by civil strife, plots against the queen and even an invasion force, finally brought stability. Above all, however, it is the story of the English Reformation and the making of the Anglican Church. At the beginning of the sixteenth century, England was still largely feudal and looked to Rome for direction; at its end, it was a country where good governance was the duty of the state, not the church, and where men and women began to look to themselves for answers rather than to those who ruled them. |
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Rich in detail and atmosphere and told in vivid prose, Tudors recounts the transformation of England from a settled Catholic country to a Protestant superpower. It is the story of Henry VIII's cataclysmic break with Rome, and his relentless pursuit of both the perfect wife and the perfect heir; of how the brief reign of the teenage king, Edward VI, gave way to the violent reimposition of Catholicism and the stench of bonfires under 'Bloody Mary'. It tells, too, of the long reign of Elizabeth I, which, though marked by civil strife, plots against the queen and even an invasion force, finally brought stability. Above all, however, it is the story of the English Reformation and the making of the Anglican Church. At the beginning of the sixteenth century, England was still largely feudal and looked to Rome for direction; at its end, it was a country where good governance was the duty of the state, not the church, and where men and women began to look to themselves for answers rather than to those who ruled them. |
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In Civil War, Peter Ackroyd continues his dazzling account of England's history, beginning with the progress south of the Scottish king, James VI, who on the death of Elizabeth I became the first Stuart king of England, and ends with the deposition and flight into exile of his grandson, James II. The Stuart dynasty brought together the two nations of England and Scotland into one realm, albeit a realm still marked by political divisions that echo to this day. More importantly, perhaps, the Stuart era was marked by the cruel depredations of civil war, and the killing of a king. Ackroyd paints a vivid portrait of James I and his heirs. Shrewd and opinionated, the new King was eloquent on matters as diverse as theology, witchcraft and the abuses of tobacco, but his attitude to the English parliament sowed the seeds of the division that would split the country in the reign of his hapless heir, Charles I. Ackroyd offers a brilliant — warts and all — portrayal of Charles's nemesis Oliver Cromwell, Parliament's great military leader and England's only dictator, who began his career as a political liberator but ended it as much of a despot as 'that man of blood', the king he executed. England's turbulent seventeenth century is vividly laid out before us, but so too is the cultural and social life of the period, notable for its extraordinarily rich literature, including Shakespeare's late masterpieces, Jacobean tragedy, the poetry of John Donne and Milton and Thomas Hobbes' great philosophical treatise, Leviathan. Civil War also gives us a very real sense of the lives of ordinary English men and women, lived out against a backdrop of constant disruption and uncertainty. |
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«London Under» is a wonderful, atmospheric, imagina-tive, oozing short study of everything that goes on under London, from original springs and streams and Roman amphitheaters to Victorian sewers, gang hideouts, and modern tube stations. The depths below are hot, warmer than the surface, and this book tunnels down through the geological layers, meeting the creatures, real and fictional, that dwell in darkness — rats and eels, mon-sters and ghosts. When the Underground's Metropolitan Line was opened in 1864, the guards asked for permission to grow beards to protect themselves against the sulfurous fumes, and named their engines after tyrants — Czar, Kaiser, Mogul — and even Pluto, god of the underworld. To go under London is to penetrate history, to enter a hid-den world. As Ackroyd puts it, «The vastness of the space, a second earth, elicits sensations of wonder and of terror. It partakes of myth and dream in equal measure.» |
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In Civil War, Peter Ackroyd continues his dazzling account of England's history, beginning with the progress south of the Scottish king, James VI, who on the death of Elizabeth I became the first Stuart king of England, and ends with the deposition and flight into exile of his grandson, James II. The Stuart dynasty brought together the two nations of England and Scotland into one realm, albeit a realm still marked by political divisions that echo to this day. More importantly, perhaps, the Stuart era was marked by the cruel depredations of civil war, and the killing of a king. Ackroyd paints a vivid portrait of James I and his heirs. Shrewd and opinionated, the new King was eloquent on matters as diverse as theology, witchcraft and the abuses of tobacco, but his attitude to the English parliament sowed the seeds of the division that would split the country in the reign of his hapless heir, Charles I. Ackroyd offers a brilliant — warts and all — portrayal of Charles's nemesis Oliver Cromwell, Parliament's great military leader and England's only dictator, who began his career as a political liberator but ended it as much of a despot as 'that man of blood', the king he executed. England's turbulent seventeenth century is vividly laid out before us, but so too is the cultural and social life of the period, notable for its extraordinarily rich literature, including Shakespeare's late masterpieces, Jacobean tragedy, the poetry of John Donne and Milton and Thomas Hobbes' great philosophical treatise, Leviathan. Civil War also gives us a very real sense of the lives of ordinary English men and women, lived out against a backdrop of constant disruption and uncertainty. |
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Alfred Hitchcock was a strange child. Fat, lonely, burning with fear and ambition, his childhood was an isolated one, scented with fish from his father's shop. How did this fearful figure become the most respected film director of the twentieth century? Hitch, as he preferred to be called, rigourously controlled the press' portrait of himself, drawing certain carefully selected childhood anecdotes into full focus, blurring all others out. Peter Ackroyd's new account of his life wrests the director's chair back from the master of control and discovers what lurks just out of sight, in the corner of the shot. |
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There is no Light without Darknesse and no Substance without Shaddowe So proclaims Nicholas Dyer, assistant to Sir Christopher Wren and man with a commission to build seven London churches to stand as beacons of the enlightenment. But Dyer plans to conceal a dark secret at the heart of each church — to create a forbidding architecture that will survive for eternity. Two hundred and fifty years later, London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sites of certain eighteenth-century churches — crimes that make no sense to the modern mind... Penguin Street Art include: Hawksmoor by Peter Ackroyd; Armadillo by William Boyd; And The Ass Saw the Angel by Nick Cave; What a Carve Up by Jonathan Coe; Americana by Don DeLillo; Then We Came to the End by Joshua Ferris; The Reluctant Fundamentalist by Mohsin Hamid; The Believers by Zoe Heller; How to Be Good by Nick Hornby; and Lights out for the Territory by Iain Sinclair. |
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Three Brothers follows the fortunes of Harry, Daniel and Sam Hanway, born on a post-war council estate in Camden Town. Marked out from the start by curious coincidence, each boy is forced to make his own way in the world — a world of dodgy deals and big business, of criminal gangs and crooked landlords, of newspaper magnates, back-biters and petty thieves. London is the backdrop and the connecting fabric of these three lives, reinforcing Ackroyd's grand theme that place and history create, surround and engulf us. From bustling, cut-throat Fleet Street to hallowed London publishing houses, from the wealth and corruption of Chelsea to the smoky shadows of Limehouse and Hackney, this is an exploration of the city, peering down its streets, riding on its underground, and drinking in its pubs and clubs. Everything is possible — not only in the new freedom of the 1960s but also in London's timeless past. |
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