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ACC Distribution
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This volume covers the most important feature of any home — spaces to relax and forget the world. From peaceful patios to energetic games rooms, this book shows some of the most inspiring interiors for leisure. |
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With over 100 colour images, from loft apartments to town houses this book proves to be the ultimate pocket sized guide to urban interiors. |
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The Royal Museum of Fine Arts in Antwerp is a highly respected institute with a large collection of paintings, statues and drawings. The mainly Flemish and Belgian collection of the museum is internationally renowned. Visitors can admire the works of Jean Fouquet, Antonello da Messina, Jan Van Eyck, Quinten Massijs, the altarpieces of Rubens and his contemporaries. The museum possesses not only the largest collection of paintings and drawings of Ensor, but also has a rich collection of modern works. This book, which is illustrated with many unpublished documents and photographs, tells the fascinating story of the Antwerp museum. Several authors describe the search for the ideal building, the expansion of the collection and the important role of engaged art lovers, the restorers' devotion in the nineteenth century, the work of the researchers and the library, the discovery of the general public and the concept of 'community-mindedness'. |
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•An experimental book detailing both the battle and harmony between man and nature •A multilingual edition in English, Dutch and French It is difficult to rival the beauty of trees, with their tall, slender stature and the height of their crowns. Nevertheless, the ambition of the Parckdesign call for proposals was to take up the challenge of highlighting the ancestral link that exists between man and nature, between man's artefacts and his relationship with the natural element and environment by the means of urban furniture. Put in a contemporary context, park furniture is focused on the willingness to experiment, test, enhance and discover natural sites that are seeking a more specific identity. |
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The changing status of knitwear in high fashion is a fascinating history in which the threads of socio-cultural revolutions and fashion design are closley knit together. By unravelling its ups and downs, in different places and eras, this book starts to shed a light on the origins of our current perspective on knitwear. Due to knitwear's associations with hobby culture, femininity and crafts, it is too often overlooked that it can also be something highly fashionable, experimental and a daring choice for fashion designers. Knitwear's contemporary comeback is in fact a vogue for something that never really disappeared. Body hugging cling, jersey sportswear, raw knits, sculptural volumes, lace-like body nets... the possibilities of knitting make it an endless source of inspiration for fashion designers. This book starts to tug at the yarn of knitwear's hidden history, investigating different production methods, social histories and the aesthetic (r)evolutions of knitwear in fashion. With topics ranging from grandad chic to utilitarian jumpers, from fashionable stockings to 3D knits, the everlasting appeal of twinsets and the formless in fashion... this book takes a closer look at something we all own but that is often simply taken for granted: knitwear. Published to coincide with an exhibition at the Fashion Museum in Antwerp. Text in English and Dutch. Emmanuelle Dirix works at the Winchester College and teaches costume history at the fashion department of the Antwerp Academy. |
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Flamant Style showcases the three Flamant brothers' world of discreet luxury and intimate charm: the ideal combination of individuality, comfort and modernisation. Their passion for decoration is immediately evident. The Flamant interior style guarantees a balance between the past and the present, between tradition and modernism, between sobriety and luxury. This beautiful book presents stunning photography from all Flamant collections, from the beginning of the company, until the present day. It includes text in English, Dutch and French. |
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• Besides showing some of the most important altarpieces, the book contains a summary catalogue of all extant early altarpieces in France, making it a useful reference tool for scholars and libraries • Catalogue of the exhibition held at the Musée du Louvre, Richelieu wing, April-July 2009 The central element of Christian liturgy, the altarpiece, placed above the alter, is a traditional work of art — a panel placed above and behind the altar, generally in a rectangular form, and made of the most varied materials and techniques, such as sculpture in stone, marble, alabaster, wood, ivory, metalwork, painting on stone, or wood etc. In its collections, the Musée du Louvre holds some remarkable examples of early altarpieces, which are complemented in the forthcoming exhibition by works from other museums and churches. They are mainly French altarpieces (retables), a reflection of the importance of France, and especially of Paris and Saint-Denis, in the genesis of these works of art. Although central to Christian liturgical decoration, altarpieces did not emerge until the 12th century. This book, and the accompanying exhibition recalls the origins of the genre and follows its evolution up to the early 15th century, when altarpieces assumed their more familiar forms. Contents: Introduction; The Altarpiece; The 12th Century; The 13th Century; The 14th Century; Late Gothic; Illustrated summary catalogue of the early French altarpieces not exhibited; Each section is followed by catalogue entries of the pieces shown in the exhibit. Text in French. Pierre-Yves Le Pogam is curator of Sculptures at the Musée du Louvre. |
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This book inaugurates a series of publications under the title Stones devoted to interior design. This book showcases twenty such homes, twenty mini-narratives, each one conveying an individual lifestyle and design for living, and illustrative of the shifting frontiers in which the common denominator seems to be the quest for new interior models and functional blueprints that can express, through specifically architectural means, quite distinct identities. These fragments document the complex upheaval that interior design has been undergoing, branching out in all directions with a spate of new ideas on the home as the 'mirror of the soul', and meanwhile reinvesting the act of designing with its former poetic and conceptual contents. Text in English and Italian. |
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The crucial importance of getting one's message across in today's media-driven society has prompted a surge of developments in the area of installation design. This book offers a critical update on the theme, and testifies to the acutely experimental approach adopted for installation projects, which involve interweaving input from a variety of different disciplines to produce a single focused design. The very temporary nature of installations gives a strong communication edge to all design features — be it a cultural message, for a product, or for entertainment — fostering a lively concentration of the various aspects of interior design. Text in English and Italian. |
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• Guide to the collections of an award-winning British art gallery • Compton Verney's collections focus on areas currently under-represented by British museum and galleries • Features the largest selection of British Folk Art in the UK Compton Verney, a Grade-I listed mansion house in Warwickshire, UK, was re-designed by Robert Adam in the 1760s and is set in parkland landscaped by Lancelot 'Capability' Brown. Compton Verney was bought by Compton Verney House Trust with financial support from the Peter Moores Foundation in 1993, by which time the house and grounds had fallen into decay, and it was decided that the mansion would be transformed into an art gallery. Opened to the public in 2004, there are six permanent collections, highlighting areas that are under-represented in the UK. Paintings from Naples represent a cross-section of masterpieces from the 'Golden Age' of Neapolitan art from 1600 to 1800. German medieval art includes work by Cranach, Riemenschneider and Schongauer. Compton Verney also holds exemplary collections of Chinese bronzes, British Folk Art, British portraits and objects collected by twentieth-century textile designer Enid Marx with the historian Margaret Lambert. This attractive new guide presents highlights of Compton Verney's six collections, including the latest acquisitions. |
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This is an analytical catalogue of over 100 Dutch paintings owned by the Prado Museum including the landscapes of Jan Both and Herman Van Swanevelt. Most of these paintings belonged to the Royal collection and were purchased mainly during the XVIIIth century. The most outstanding of these is Judith at the Banquet of Holofernes, a masterpiece by Rembrandt. As a sample of intimate and personal portraits, we have Petronella de Waert, by Gerard Ter Borch; and among animal paintings, one of the most characteristics genres of the Netherlands, Dead Cock, by Gabriel Wouwerman and Adrien van Ostade. Highlights are small and marine landscapes, so characteristic of Dutch painting of that time. Text in English & Spanish. |
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• Part of Scala's Director's/Curator's Choice series, a personal and engaging guide with a unique approach to the legacy of the art collector, circus entrepreneur and financier John Ringling and his wife Mable • Unique selections by the collection's Curator The John and Mable Ringling Museum of Art is the legacy of the art collector, circus entrepreneur and financier John Ringling and his wife Mable. At the heart of the Ringling's 66-acre Sarasota, Florida, estate is the Museum of Art, built by John Ringling to house his outstanding collections of European art. Featuring grand and often impressively scaled paintings by the Old Masters, including Rubens, Velázquez, Titian, Veronese, Gainsborough and Poussin, as well as antiquities, sculpture and decorative arts, the collection's scope and magnitude is an overwhelming achievement, not least because it was amassed in less than a dozen years.Curator Virginia Brilliant offers her own personal insight into the significance of her favourite works in one of the most important collections of Old Masters in the United States. |
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When This You See... is a series of 31 artworks in the medium of embroidery, made between 1996 and 1999, by the American artist Elaine Reichek. All of these beautiful images are reproduced here in full colour and three appear in spectacular gatefolds. traditional samplers dating from the mid- seventeeth to the early-eighteenth century. Created by girls and women as an educational exercise and as a pastime, samplers generally framed truisms, homilies, amd lessons within decorative patterns and motifs. In When This You See..., Reichek replaces these familiar sayings with quotations from mythology, literature, science, art history, and popular culture, to witty and pointed effect. Most of the quotations relate to the arts of weaving, knitting, or embroidery, but the astonishing results range far more widely, operating as social critique, as commentary on the relations between the sexes, and as a challenge. Extending and clarifying that challenge, Reichek punctuates the sequence of the samplers with a number of embroideries derived from works by well-known contemporary artists. Humourous and sophisticated, her art is also visually gorgeous. |
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Wth Edward VII on the throne and the dawn of a new century, Britain embraced the technology of the future. Motor transport began to replace the horse, and by the end of the Edwardian era, the possibilities of the aeroplane could be seen. While the telephone was for business communication, the popular craze was to send picture postcards, especially from the seaside. In the home, vacuum cleaners were the latest innovation, while in the streets women protested for their rights. Ping Pong was the fashionable parlour game for adults, whilst the teddy bear quickly became the cuddly companion for children. Like the other vibrant titles in the series, The Edwardian Scrapbook offers a glimpse at what used to be drawing upon Robert Opie's unrivalled collection of ephemera and packaging. It adds to our knowledge of the recent past and is packed full of information and nostalgia; an evocative, vivid and vibrant look at British history. Since the 1970s, Robert Opie has amassed an unrivalled collection of packaging. He is the author of numerous publications and has given many talks to schools, as well as on radio and television. |
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In contrast with urban hotels that began by providing upscale dining and banquet facilities to city dwellers, resort hotels have their historical roots in the hospitality industry that started with hospitals and sanatoriums. For the forerunners of today's resort hotels we can look to the beginning of the nineteenth century to facilities such as like Badischer Hof in the German spa town of Baden Baden, with its hot and cold water bathtubs, where the form of the modern resort hotel was already being established. This stunning volume, illustrated with superlative colour photographs and plans, present the very best resort hotels from around the world, including the USA, Germany, Austria, Italy, Cambodia, France, Thailand, Indonesia and Malaysia. |
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The aim of the collection is to offer a series of short monographs which, though brief, nevertheless deal with all aspects of the master's personality: works, constructed or otherwise, primary written sources, critiques and photographic interpretations. The underlying aim is to offer an in-depth, comprehensive overview targeted at anyone interested in learning about architecture including students, professionals or simply those who are interested in the subject, by providing not only basic information but also guidance in terms of gaining more insight into the subject. The volumes are dedicated to some of the best known modern and contemporary architects. |
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«Kenneth Paul Block is one of the most influential fashion illustrators of the twentieth century. His childhood dream was «to draw glamorous ladies in beautiful clothes» After graduating from Parsons School of Design, his first job was at the powerful Women's Wear Daily in the 1950s, an association that lasted over thirty years and where Kenneth witnessed and recorded one of the most important periods in fashion history-the postwar shift as the exclusive world of couture transformed into prêt-à-porter. Attending all the major fashion shows in Paris, London, and New York, Kenneth was the first one on the scene, drawing the latest style-setting clothes from such venerable houses as Balenciaga, Chanel, and Saint Laurent. He also documented the up and coming designers of the time, including Marc Jacobs and Perry Ellis. He was well known in society, sketching Gloria Vanderbilt and the Duchess of Windsor. He reported on sensational parties in Palm Beach and New York attended by Babe Paley and Jackie Kennedy Onassis and created a unique archive of the era. Drawing Fashion: The Art of Kenneth Paul Block is the first monograph on the artist and brings together a lifetime of drawings, watercolours, and observations. Fashion illustration disappeared from publications as photography took over, giving added emphasis to this book as an important historical document. Drawing Fashion, designed by Shahid & Company, captures a critical moment in time when fashion, art, and commerce coincided.» |
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«• Provides an insight into Burkhalter Sumi Architects' design process • Presents previously unpublished material • Marks the 25th anniversary of this important Swiss architectural office Burkhalter Sumi Architects were founded in Zurich in 1984. Their list of realised projects for public and private clients includes a wide range of tasks: workspaces, hotels and housing structures, urban development master-plannings and conversions of disused industrial buildings. The office has gained particular recognition for their state-of-the-art timber constructions. The first stage of the architect's design process is drawing by hand. It is a truly creative process driven by thinking in variations. Marianne Burkhalter's chalk-drawings are fine examples for research that is carried-out simultaneously at various levels of differing importance: Approaching the task, exploring potentials of a program as well as its problems and searching for forms, layouts and shapes. Other than the technical drawing, the chalk-drawing is ambiguous, even paradoxical, concise and blurred, determined and undecided all at the same time. This exploration of the field of tension of «sense and sensibility» becomes fascinatingly traceable in Marianne Burkhalter's drawings. Finding Buildings: Burkhalter Sumi Architects presents drawings for twenty projects, built and unrealised, from the past ten years. Text in English and German.» |
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• Includes works by Ribera, Murillo, Goya, Pacheco, Carducho, Herrera the Elder, Herrera Barnuevo, Carreño de Miranda and Maella, from both public and private collections • Accompanies a major exhibition at The Frick Collection in New York, from the 5th October 2010 to the 9th January 2011 This elegantly designed, fully illustrated volume presents exquisite drawings by Spanish artists over the course of two centuries, featuring works by Ribera, Murillo and Goya from public and private collections in the New York area. Published to accompany a major exhibition at The Frick Collection in New York, this book presents the character, range and depth of the Spanish tradition of drawing from the early 17th to the early 19th century. These extraordinary works share a distinctiveness of technique, subject and mood that sets them apart from Italianate examples produced on the Peninsula in the same period — in other words, they represent a specifically 'Spanish manner'. Although Italian Renaissance principles of figure drawing and perspective were practiced by Spanish draftsmen, the greatest of them also employed techniques of dazzling idiosyncrasy: lines dart and dash freely over the paper as if the hand of the artist could not be restrained, and energetic splotches of ink wash enrich forms. Many of the themes favoured by these artists — fantastic creatures, murderers and martyrdoms, and unusual treatmants of the human body — also distinguish these works. Jonathan Brown is Carroll and Milton Petrie Professor of Fine Arts at the Institute of Fine Arts, New York University. Susan Grace Galassi is Senior Curator at The Frick Collection. Lisa A. Banner is an independent scholar. |
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• This is the first book devoted to the art dealer Alex Reid, who was a close friend of Van Gogh and Whistler and enjoyed an international reputation • The book draws extensively on unpublished sources, including correspondence, dealers' stockbooks (French and British) and private collectors' archives, as well as contemporary newspapers and periodicals • It adopts an original angle, focusing on modern European painting in the context of collecting, the art market and economic change in late nineteenth-century Britain Alexander Reid was one of the most influential art dealers of his time. A close friend of Whistler and the Van Gogh brothers, he was the first British dealer to take a serious interest in Impressionist art. He was also a contemporary of the Glasgow Boys and supported emerging artists such as Henry, Hornel and Crawhall as well as the Scottish Colourists. His clients were rich Scottish merchants and industrialists who made their fortunes on the back of Scotland's rapid economic development, and whom he persuaded to buy Impressionism well in advance of their English contemporaries. In this first biography devoted to an unsung hero of the British art world, Frances Fowle traces the history of Reid's Gallery against the background of a fascinating period of economic boom and bust. Frances Fowle holds a joint post as Senior Curator of French Art at the National Gallery of Scotland and Lecturer in History of Art at the University of Edinburgh. She has published widely on nineteenth-century art, collecting and the art market, and her publications include Monet and French Landscape, Edinburgh 2006 and Impressionism and Scotland, Edinburgh, 2008. |
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