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Книги издательства «Abbeville Press»
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Lavishly illustrated with more than 400 paintings by 125 different atrists, this luscious book will thoroughly satisfy the ever-growing passion for American Impressionism. The fascinating text — written by Dr. William H. Gerdts, the preeminent scholar in the field — is the definitive study of the subject, filled with many years of far-ranging research. Documentary photographs of the artists and quotations from their private letters and journals complement the text and provide a vivid sense of their lives and times. |
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With hundreds of photographs and an informative text, 80 Years of the Oscar takes readers behind the scenes, from the first awards show in 1928 to this year's 80th anniversary. |
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Features 25 frescoe cycles including works by Domenichino, Ricci, Guercino and Tiepolo. This work presents such celebrated sights as the Barberini Palace in Rome and the Pitti Palace in Florence, as well as lesser known gems. Each chapter offers a descriptive and interpretive essay on various aspects of the frescoe cycle. |
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From the caves at Lascaux to the European race tracks of Degas to the American West of Frederic Remington, the horse has never ceased to inspire the human imagination. Once omnipresent — on the battlefield, in agricultural work, and in transport — horses have little by little disappeared from our immediate environment, but they remain fixtures throughout our museums, atop pedestals in our town squares, and in the landscapes of memory. Transcending genres, places, and eras, specialists on the history of the horse and its representation in art create an ideal panorama on the subject, guiding us through the rich legacy of The Horse: From Cave Paintings to Modern Art. With these scholars we cross the principal continents from east to west and from prehistory to the present day, examining an ever-surprising gallery of images that illustrate how dearly horses have been prized by all human societies fortunate enough to encounter them. The artistic styles represented in this book offer something for every taste. There are cave paintings and sculptures, medieval illuminated manuscripts and photographs, depictions of battle, and scenes of leisure. Uccello, Rubens, Van Dyck, Velasquez, Gericault, Stubbs, David, and Picasso are among the 137 artists featured in this in-depth study. As the more than 300 images in The Horse diversely illustrate, the horse is as beautiful an animal as it has been useful — indeed, central — to the development of human society. |
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Hieronymus Bosch is a stunningly illustrated, groundbreaking exploration of the work of Hieronymus Bosch, the Low Countries great visionary painter. Four hundred little people frolic au naturel with overgrown songbirds and raspberries; a pudgy blue demon serenades a fashionable young couple with a tune piped through his own elongated nose; a knife-wielding set of disembodied ears stalks the damned through hell. The phantasmagoric imagery of Hieronymus Bosch (d. 1516) has been the source of widespread interest ever since the painter's lifetime, and is still so enigmatic that scholars have theorized that it contains hidden astrological, alchemical, or even heretical meanings. Yet none of these theories has ever seemed to provide an adequate understanding of Bosch's work. Moreover, the considerable professional success that the artist enjoyed in his native Hertogenbosch, not to mention his membership in a traditional religious organization, suggests that he pursued not a sinister secret agenda but simply his personal artistic vision. Hieronymus Bosch, an intriguing new book by noted art historian Larry Silver, interprets that artistic vision with admirable lucidity: it explains how Bosch's understanding of human sin, morality, and punishment, which was conceived in an era of powerful apocalyptic expectation, shaped his dramatic visualizations of hell and of the temptations of even the most steadfast saints. Silver's account of Bosch's artistic development is one of the first to benefit from recent technical investigations of the paintings, as well as from the reexamination of the artist's drawings in relation to his paintings. Hieronymus Bosch is also unique in how securely it places its subject's work in the broader history of painting in the Low Countries: Silver identifies sources of Bosch's iconography in a wide range of fifteenth century panel paintings, manuscript illuminations, and prints, and describes how, despite their own religiousness, Bosch's pictures helped inspire the secular landscape and genre scenes of later Netherlandish painters. Augmented by 310 illustrations, most in colour, including many dramatic close-ups of Bosch's intricately imagined nightmare scenes, Hieronymus Bosch is the definitive art book on a perennially fascinating Dutch painter. |
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Offers a way to appreciate the history of art and to understand that a self-portrait is more than merely a portrait of the artist. Presenting a definition of the self-portrait genre, this book focuses on the turning point for the establishment of the genre during the Renaissance when the status of the painter was raised from artisan to artist. |
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«When Hesiod, the Greek poet of the eighth century B.C., recounted the history of the world as he understood it, he described the legendary first generation of mortal men, who lived in peace and ease, as the «people of gold». Nearly three millennia later, we still refer to a particularly happy or prosperous era as a «golden age». The reason Hesiod’s metaphor translates so perfectly into our own idiom is that the mystique of gold, the quintessential precious metal, is truly universal. The very scarcity of gold accounts for part of its allure and much of its monetary value: the total volume of gold ever mined, from prehistory to the present day, would probably fit inside a cube with sides just twenty yards (18 m) long. Yet gold’s incredible material properties also contribute to its appeal. Gold does not corrode, so it never loses its brilliant luster, and it can be chased, embossed, punched, drawn into wires, hammered foil-thin, and shaped in countless other ways. This engaging book reveals that the ways in which gold, in turn, has shaped humanity are no less numerous. Since prehistory, for example, artisans have fashioned gold into ritual objects and high-status ornaments; beginning in the sixth century B.C., gold served as currency; and even in the modern era it has encouraged wars of conquest and triggered frantic gold rushes. Each chapter is devoted to one historical epoch, explaining how people of that time mined and refined gold, and how they used it for cultural and economic purposes. Two hundred gorgeous color photographs illustrate golden objets d’art as diverse as the funerary masks of Tutankhamen; intricate Celtic jewelry; a figurine of «El Dorado», a pre-Columbian chief said to ritualistically cover his entire body in gold dust; bejeweled medieval reliquaries and crucifixes; and even Gustav Klimt’s gold-drenched canvas The Kiss. With its authoritative yet lively text and these arresting illustrations, The Lure of Gold sets, as it were, the gold standard for books on material culture.» |
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«Ancient Egyptian civilization developed its own highly individual manner of expressing visible and invisible worlds — earth and the domain of the gods — through distinctive «languages». This book presents an art, language, and culture of extraordinary richness.» |
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Few parents can resist the urge to photograph every adorable stage of their children's lives, but most do it more lovingly than well. No matter how doting they are, too often the results are blurry, overexposed, and uninspired snapshots. Guide to Photographing Children offers practical, detailed, unintimidating advice to help transform parents' enthusiasm into memorable photographs that capture the child's own distinctive spirit (and involve the child in the process). After gently guiding the amateur photographer through such technical basics as which camera, film, and exposure to use, the authors offer specific suggestions for shooting indoors and out, as well as invaluable advice on working with children at each age (useful words of wisdom: respect the child's moods and don't always demand a smile). The book concludes with handy information about how to get the best work out of the photofinisher, even if it's just the local one-hour mini-lab, plus ideas for scrapbooks and other projects geared to putting the photos to good use. Throughout, sidebars offer additional help on everything from film speeds to smile getters, and the 200 photographs provide clear examples of what — and what not — to do when photographing children of every age and temperament. |
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For four decades film historian Ira M.Resnick has been amassing a superb collection of 2,000 vintage movie posters and 1,500 stills, which has never before been published. In Starstruck he has selected forty stills and some two hundred of his best posters, organized in five sections: celebrated actresses and actors; renowned directors; classic films; and unremarkable movies with great graphic posters. Resnick's witty text includes anecdotes about how he managed to acquire such stellar film artwork, as well as information about the stars and films shown on the pieces he collected. The back matter includes 'Advice for the Collector'. Starstruck is a must-have book for collectors and film buffs. |
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Pop Art was one of the most important artistic movements of the late twentieth century. Its adaptation of mediated, popular-culture imagery continues to influence artists, but until now, little attention has been paid to the important contributions that women made to the movement. Pop Art by women dealt less with direct consumerist critiques, instead subversively combating the stereotypical perceptions of women via advertising and film cliches. Work by women Pop artists ranges from Rosalyn Drexler's surreal film-noir riffs, Idelle Weber's New Realism office workers, and Niki de Saint Phalle's exuberant Nanas to the more controversial and blatantly political statements of Faith Ringgold and Martha Rosler. Pauline Boty and Axell explored female desire, while the innovative soft structures stitched by Yayoi Kusama, Jann Haworth, Patty Mucha, and others form an important contribution to the history of sculpture. Seductive Subversion: Women Pop Artists 1958-1968 is the catalogue of the first exhibition to expand Pop Art's narrow critical definition to reflect the significant role of these women artists. The culmination of six years of research by Sid Sachs, this exhibition, organized by the Rosenwald-Wolf Gallery of the University of the Arts, Philadelphia, is touring nationally. The essays in this catalogue span from London's Independent Group in the early 1950s to the end of classic Pop in 1968. Written by the art historians Linda Nochlin, Sid Sachs, Kalliopi Minioudaki, Bradford R. Collins, Annika Ohrner, and Sue Tate and the artists Martha Rosler and Patty Mucha, these texts will be revelations and will remain a vital reference for artists, art and cultural historians, and feminists alike. Artworks by more than twenty artists are reproduced, including Pauline Boty, Chryssa, Rosalyn Drexler, Jann Haworth, Yayoi Kusama, and Marisol, as well as now lesser-known figures such as Barbro Ostlihn and Dorothy Grebenak. Numerous works are discussed in depth from a number of vantage points. |
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The exciting recent rediscovery in Spain of a missing canvas by Pieter Bruegel the Elder (ca. 1525-69) has jolted a revived public awareness of the great Flemish painter and his work. Best known for his amusing depictions of peasants, landscapes, and Bosch-like fantasies, Bruegel also created a wide range of highly original interpretations of religious themes in an era marked by religious controversies. Over a career of two decades as both a printmaker and a painter, he found his artistic niche in Europe's leading center of international trade, the emerging capital of capitalism, Antwerp. All of Bruegel's drawings, prints, and paintings on both canvas and panel — including the new Madrid canvas — are examined for form and content with comprehensive analysis. In addition, interpretation of the full range of Flemish paintings and prints during his generation is presented through the lens of Hieronymus Cock, Bruegel's own print publisher, At the Sign of the Four Winds . Within this spectrum Bruegel's uniqueness and mastery emerges clearly. While scholars will appreciate the novel insights of this comprehensive re-examination of Pieter Bruegel, its highly accessible text will introduce newcomers and the general public to the delights of this inventive, trenchant, yet often amusing visual commentator on the human condition. All readers will relish the large-scale reproductions and frequent details in full color of his entire oeuvre in all media. This handsome, largescale volume will form the definitive study and accessible introduction to the life and art of Pieter Bruegel. |
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More than one hundred heartwarming illustrations, many in full color, by the acclaimed artist offer an inspirational portrait of uniquely American towns, families, traditions, and more, all captured with Rockwell's trademark understanding of everyday human existence. |
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An elegantly produced volume which illustrates celebrated American metal sculptor Joel Perlman's finest works and relates them to his fascinating life story This handsomely illustrated book is the first monograph devoted to the work of Joel Perlman, an acclaimed sculptor in steel and bronze, whose works are represented in the permanent collections of America's top museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Hirshhorn Museum and Sculpture Garden. Perlman's best works from the 1970s to the present day — from the austerely abstract Chevy Short (For Jeannie Day), shown at the 1973 Whitney Biennial, to the lyrical Sky Spirit, a monumental commission completed in 2004 — are depicted in here in stunning full-page photographs, most in full color. All readers with an interest in contemporary sculpture will appreciate not only the book's striking illustrations but also its thoughtfully written text, which relates Perlman's art to his life. This thoughtful narrative, which seamlessly synthesizes Perlman's intimate art-world anecdotes and Palmedo's own keen critical observations, is beautifully complemented by an insightful foreword by renowned art dealer Andre Emmerich, whose gallery represented Perlman for twenty years. |
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This book has long satisfied the ever-growing passion for American Impressionism. It is the definitive study of the subject, filled with information and insight garnered through many years of far-ranging research. All the masterworks are here, from Childe Hassam's sun-drenched gardens to John Twachtman's snow-silenced landscapes, from Edmund Tarbell's coolly elegant ladies in dim, luxurious parlors to Frederick Friseke's voluptuous, sun-dappled nudes. Documentary photographs of the artists and quotations from their private letters and journals complement the text and provide a vivid sense of their lives and times. The fascinating text is now updated and expanded with a new chapter discussing in detail the themes particular to the American artists of the Impressionist movement. Twenty-five new illustrations have been added, nineteen in color. Three hundred entries have been added to the bibliography, bringing it up to date with the most current research in the field. |
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The fourth, but the earliest volume chronologically, of the only comprehensive survey in modern times of the surviving Italian frescoes from the end of the Middle Ages to the Renaissance and Mannerism, this groundbreaking oeuvre is an achievement in scholarship and publishing of the same magnitude as Abbeville's Art of Florence and Art and Spirit of Paris . Following the success of the previous volumes in this extraordinary series: Italian Frescoes: The Early Renaissance , Italian Frescoes: The Flowering of the Renaissance , and Italian Frescoes: The High Renaissance and Mannerism — Italian Frescoes: The Age of Giotto, 1280 — 1400 presents twenty-two outstanding fresco cycles. Created during the late thirteenth and early fourteenth centuries, these cycles set new standards for painting and an innovative vision of man, paving the way for the monumental achievements of the Renaissance. It was at this time that fresco painting was not only commissioned for churches and chapels, but also for such secular places as town halls and royal residences with humanist in addition to religious themes. The fresco cycles featured here include brilliant works by Giotto in Assisi, Padua, and Florence; dramatic paintings by Cimabue, thought to be Giotto's teacher; Pietro Cavillini in Rome; and the Sienese artists Simone Martini and Pietro and Ambrogio Lorenzetti — all of these works still visible on walls and ceilings of palaces and churches spanning Italy from the Veneto to Rome. The authors describe and illustrate such celebrated sites as the Church of Saint Francis in Assisi, the Chapel of the Scrovegni in Padua, the Public Palace in Siena, and the papal chapel, the Sancta Sanctorum, in Rome. Each of the twenty-two chapters is concise and authoritative, offering a descriptive and interpretive essay on all aspects of fresco painting, covering the artists and their patrons in the context of their cultural and political history. Each essay concludes with a diagram of the site, followed by a series of full- and double-page color plates showing the entire cycle, many reproduced from new photographs of recently restored frescoes. No publisher until now has attempted to gather together and document all the important fresco cycles of Italian art from the late thirteenth to the seventeenth centuries. While this volume is the predecessor to the previous books, Italian Frescoes: The Age of Giotto, 1280 — 1400 easily stands alone as a masterpiece of art and scholarship which will be welcomed by art historians and art lovers alike. |
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Since time immemorial, artists have created impassioned images of the goddess as the ultimate generator and destroyer of life, as fertility figure, and as ruler of love and war. Encompassing a variety of media — sculpture, painting, photography, performance art, and film — Goddesses also provides an enlightening text exploring all her many guises. |
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Producing a series of commissioned works for the church and upper classes in his native Tuscany and surrounding regions, Giotto changed the course of European art by breaking away from the rigid, stereotyped figures of the Byzantine and Giotto medieval traditions. This title provides a survey of Giotto's life and work. |
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A new and revised edition of this most comprehensive book on the life and work of Caravaggio published to celebrate the 400th anniversary of Caravaggio`s birth in July 2010. |
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